Myths and Legends of China E. Werner (best reads of all time .TXT) 📖

taking his morning bath gives vent to a cry that shakes the heavens and wakes up all humanity. That is why I ordered Ling Chên-tzŭ to put it in a cage on T’ao-hua Shan, Peach-blossom Hill; since then its cries have been less harsh. Go and fetch it and take it to the Palace of the Sun. Then you will understand all the laws of the daily movements.” He then wrote a charm which Shên I was to present to Ling Chên-tzŭ to make him open the cage and hand the golden bird over to him.

The charm worked, and Ling Chên-tzŭ opened the cage. The bird of golden plumage had a sonorous voice and majestic bearing. “This bird,” he said, “lays eggs which hatch out nestlings with red combs, who answer him every morning when he starts crowing. He is usually called the cock of heaven, and the cocks down here which crow morning and evening are descendants of the celestial cock.”

Shên I visits the Moon

Shên I, riding on the celestial bird, traversed the air and reached the disk of the sun just at mid-day. He found himself carried into the centre of an immense horizon, as large as the earth, and did not perceive the rotatory movement of the sun. He then enjoyed complete happiness without care or trouble. The thought of the happy hours passed with his wife Hêng O, however, came back to memory, and, borne on a ray of sunlight, he flew to the moon. He saw the cinnamon-trees and the frozen-looking horizon. Going to a secluded spot, he found Hêng O there all alone. On seeing him she was Page 188about to run away, but Shên I took her hand and reassured her. “I am now living in the solar palace,” he said; “do not let the past annoy you.” Shên I cut down some cinnamon-trees, used them for pillars, shaped some precious stones, and so built a palace, which he named Kuang-han Kung, ‘Palace of Great Cold.’ From that time forth, on the fifteenth day of every moon, he went to visit her in her palace. That is the conjunction of the yang and yin, male and female principles, which causes the great brilliancy of the moon at that epoch.

Shên I, on returning to his solar kingdom, built a wonderful palace, which he called the Palace of the Lonely Park.

From that time the sun and moon each had their ruling sovereign. This régime dates from the forty-ninth year (2309 B.C.) of Yao’s reign.

When the old Emperor was informed that Shên I and his wife had both gone up to Heaven he was much grieved to lose the man who had rendered him such valuable service, and bestowed upon him the posthumous title of Tsung Pu, ‘Governor of Countries.’ In the representations of this god and goddess the former is shown holding the sun, the latter the moon. The Chinese add the sequel that Hêng O became changed into a toad, whose outline is traceable on the moon’s surface.

Star-worship

The star-deities are adored by parents on behalf of their children; they control courtship and marriage, bring prosperity or adversity in business, send pestilence and war, regulate rainfall and drought, and command angels and demons; so every event in life is determined Page 189by the ‘star-ruler’ who at that time from the shining firmament manages the destinies of men and nations. The worship is performed in the native homes either by astrologers engaged for that purpose or by Taoist priests. In times of sickness, ten paper star-gods are arranged, five good on one side and five bad on the other; a feast is placed before them, and it is supposed that when the bad have eaten enough they will take their flight to the south-west; the propitiation of the good star-gods is in the hope that they will expel the evil stars, and happiness thus be obtained.

The practical effect of this worship is seen in the following examples taken from the Chinese list of one hundred and twenty-nine lucky and unlucky stars, which, with the sixty cycle-stars and the twenty-eight constellations, besides a vast multitude of others, make up the celestial galaxy worshipped by China’s millions: the Orphan Star enables a woman to become a man; the Star of Pleasure decides on betrothals, binding the feet of those destined to be lovers with silver cords; the Bonepiercing Star produces rheumatism; the Morning Star, if not worshipped, kills the father or mother during the year; the Balustrade Star promotes lawsuits; the Three-corpse Star controls suicide, the Peach-blossom Star lunacy; and so on.

The Herdsman and the Weaver-girl

In the myths and legends which have clustered about the observations of the stars by the Chinese there are subjects for pictorial illustration without number. One of these stories is the fable of Aquila and Vega, known in Chinese mythology as the Herdsman and the Weaver-girl. The latter, the daughter of the Sun-god, Page 190was so constantly busied with her loom that her father became worried at her close habits and thought that by marrying her to a neighbour, who herded cattle on the banks of the Silver Stream of Heaven (the Milky Way), she might awake to a brighter manner of living.

No sooner did the maiden become wife than her habits and character utterly changed for the worse. She became not only very merry and lively, but quite forsook loom and needle, giving up her nights and days to play and idleness; no silly lover could have been more foolish than she. The Sun-king, in great wrath at all this, concluded that the husband was the cause of it, and determined to separate the couple. So he ordered him to remove to the other side of the river of stars, and told him that hereafter they should meet only once a year, on the seventh night of the seventh month. To make a bridge over the flood of stars, the Sun-king called myriads of magpies, who thereupon flew together,