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Lei Kung a book. “If you consult this work,” he explained, “you will be able at will to bring thunder or rain, cure sickness, or assuage sorrow. We are five brothers, of whom I am the youngest. When you want to bring rain call one or other of my brothers; but call me only in case of pressing necessity, because I have a bad character; but I will come if it is really necessary.” Having said these words, he disappeared.

Yeh Ch’ien-chao, by means of the prescriptions contained in the mysterious book, could cure illnesses as easily as the sun dissipates the morning mist. One day, when he was intoxicated and had gone to bed in the temple of Chi-chou Ssŭ, the magistrate wished to arrest and punish him. But when he reached the steps of the yamên, Ch’ien-chao called Lei Kung to his aid. A terrible clap of thunder immediately resounded throughout the district. The magistrate, nearly dead with fright, at once dismissed the case without punishing the culprit. The four brothers never failed to come to his aid.

By the use of his power Ch’ien-chao saved many regions from famine by bringing timely rain. Page 202

The Mysterious Bottle

Another legend relates that an old woman living in Kiangsi had her arm broken through being struck by lightning, when a voice from above was heard saying: “I have made a mistake.” A bottle fell out of space, and the voice again said: “Apply the contents and you will be healed at once.” This being done, the old woman’s arm was promptly mended. The villagers, regarding the contents of the bottle as divine medicine, wished to take it away and hide it for future use, but several of them together could not lift it from the ground. Suddenly, however, it rose up and disappeared into space. Other persons in Kiangsi were also struck, and the same voice was heard to say: ” Apply some grubs to the throat and they will recover.“After this had been done the victims returned to consciousness none the worse for their experience.

The worship of Lei Kung seems to have been carried on regularly from about the time of the Christian era.

Lei Chên-tzŭ

Another Son of Thunder is Lei Chên-tzŭ, mentioned above, whose name when a child was Wên Yü, who was hatched from an egg after a clap of thunder and found by the soldiers of Wên Wang in some brushwood near an old tomb. The infant’s chief characteristic was its brilliant eyes. Wên Wang, who already had ninety-nine children, adopted it as his hundredth, but gave it to a hermit named Yün Chung-tzŭ to rear as his disciple. The hermit showed him the way to rescue his adopted father from the tyrant who held him prisoner. In seeking for some powerful weapon the child found on Page 203the hillside two apricots, and ate them both. He then noticed that wings had grown on his shoulders, and was too much ashamed to return home.

But the hermit, who knew intuitively what had taken place, sent a servant to seek him. When they met the servant said: “Do you know that your face is completely altered?” The mysterious fruit had not only caused Lei Chên-tzŭ to grow wings, known as Wings of the Wind and Thunder, but his face had become green, his nose long and pointed, and two tusks protruded horizontally from each side of his mouth, while his eyes shone like mirrors.

Lei Chên-tzŭ now went and rescued Wên Wang, dispersing his enemies by means of his mystical power and bringing the old man back on his shoulders. Having placed him in safety he returned to the hermit.

The Mother of Lightning

This divinity is represented as a female figure, gorgeously apparelled in blue, green, red, and white, holding in either hand a mirror from which proceed two broad streams or flashes of light. Lightning, say the Chinese, is caused by the rubbing together of the yin and the yang, just as sparks of fire may be produced by the friction of two substances.

The Origin of the Spirit of Lightning

Tung Wang Kung, the King of the Immortals, was playing at pitch-pot1 with Yü Nü. He lost; whereupon Heaven smiled, and from its half-open mouth a ray of light came out. This was lightning; it is regarded as Page 204feminine because it is supposed to come from the earth, which is of the yin, or female, principle.

The God of the Wind

Fêng Po, the God of the Wind, is represented as an old man with a white beard, yellow cloak, and blue and red cap. He holds a large sack, and directs the wind which comes from its mouth in any direction he pleases.

There are various ideas regarding the nature of this deity. He is regarded as a stellar divinity under the control of the star Ch’i,2 because the wind blows at the time when the moon leaves that celestial mansion. He is also said to be a dragon called Fei Lien, at first one of the supporters of the rebel Ch’ih Yu, who was defeated by Huang Ti. Having been transformed into a spiritual monster, he stirred up tremendous winds in the southern regions. The Emperor Yao sent Shên I with three hundred soldiers to quiet the storms and appease Ch’ih Yu’s relatives, who were wreaking their vengeance on the people. Shên I ordered the people to spread a long cloth in front of their houses, fixing it with stones. The wind, blowing against this, had to change its direction. Shên I then flew on the wind to the top of a high mountain, whence he saw a monster at the base. It had the shape of a huge yellow and white sack, and kept inhaling and exhaling in great gusts. Shên I, concluding that this was the cause of all these storms, shot an arrow and hit the monster, whereupon it took refuge in a deep cave. Here it turned on Shên I and, drawing a sword,

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