The Adventures of Huckleberry Finn Mark Twain (best thriller novels to read txt) đ
- Author: Mark Twain
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Is sicklied oâer with care.
And all the clouds that lowered oâer our housetops,
With this regard their currents turn awry,
And lose the name of action.
âTis a consummation devoutly to be wished.
But soft you, the fair Ophelia:
Ope not thy ponderous and marble jaws.
But get thee to a nunneryâ âgo!
Well, the old man he liked that speech, and he mighty soon got it so he could do it first rate. It seemed like he was just born for it; and when he had his hand in and was excited, it was perfectly lovely the way he would rip and tear and rair up behind when he was getting it off.
The first chance we got, the duke he had some show bills printed; and after that, for two or three days as we floated along, the raft was a most uncommon lively place, for there warnât nothing but sword-fighting and rehearsingâ âas the duke called itâ âgoing on all the time. One morning, when we was pretty well down the State of Arkansaw, we come in sight of a little one-horse town in a big bend; so we tied up about three-quarters of a mile above it, in the mouth of a crick which was shut in like a tunnel by the cypress trees, and all of us but Jim took the canoe and went down there to see if there was any chance in that place for our show.
We struck it mighty lucky; there was going to be a circus there that afternoon, and the country people was already beginning to come in, in all kinds of old shackly wagons, and on horses. The circus would leave before night, so our show would have a pretty good chance. The duke he hired the court house, and we went around and stuck up our bills. They read like this:
Shaksperean Revival!!!
Wonderful Attraction!
For One Night Only! The world renowned tragedians,
David Garrick the younger, of Drury Lane Theatre, London,
and
Edmund Kean the elder, of the Royal Haymarket Theatre, White-
chapel, Pudding Lane, Piccadilly, London, and the
Royal Continental Theatres, in their sublime
Shaksperean Spectacle entitled
The Balcony Scene
in
Romeo and Juliet!!!
Romeo. . . . . . . . . . . . . . . . . . . . Mr. Garrick.
Juliet. . . . . . . . . . . . . . . . . . . . Mr. Kean.
Assisted by the whole strength of the company!
New costumes, new scenery, new appointments!
Also:
The thrilling, masterly, and bloodcurdling
Broadsword conflict
In Richard III!!!
Richard III. . . . . . . . . . . . . . . . . . . . Mr. Garrick.
Richmond. . . . . . . . . . . . . . . . . . . . Mr. Kean.
also:
(by special request,)
Hamletâs Immortal Soliloquy!!
By the Illustrious Kean!
Done by him 300 consecutive nights in Paris!
For One Night Only,
On account of imperative European engagements!
Admission 25 cents; children and servants, 10 cents.
Then we went loafing around the town. The stores and houses was most all old shackly dried-up frame concerns that hadnât ever been painted; they was set up three or four foot above ground on stilts, so as to be out of reach of the water when the river was overflowed. The houses had little gardens around them, but they didnât seem to raise hardly anything in them but jimpson weeds, and sunflowers, and ash-piles, and old curled-up boots and shoes, and pieces of bottles, and rags, and played-out tinware. The fences was made of different kinds of boards, nailed on at different times; and they leaned every which-way, and had gates that didnât generly have but one hingeâ âa leather one. Some of the fences had been whitewashed, some time or another, but the duke said it was in Clumbusâs time, like enough. There was generly hogs in the garden, and people driving them out.
All the stores was along one street. They had white domestic awnings in front, and the country people hitched their horses to the awning-posts. There was empty drygoods boxes under the awnings, and loafers roosting on them all day long, whittling them with their Barlow knives; and chawing tobacco, and gaping and yawning and stretchingâ âa mighty ornery lot. They generly had on yellow straw hats most as wide as an umbrella, but didnât wear no coats nor waistcoats, they called one another Bill, and Buck, and Hank, and Joe, and Andy, and talked lazy and drawly, and used considerable many cuss words. There was as many as one loafer leaning up against every awning-post, and he most always had his hands in his britches-pockets, except when he fetched them out to lend a chaw of tobacco or scratch. What a body was hearing amongst them all the time was:
âGimme a chaw âv tobacker, Hank.â
âCainât; I hainât got but one chaw left. Ask Bill.â
Maybe Bill he gives him a chaw; maybe he lies and says he ainât got none. Some of them kinds of loafers never has a cent in the world, nor a chaw of tobacco of their own. They get all their chawing by borrowing; they say to a fellow, âI wisht youâd lenâ me a chaw, Jack, I jist this minute give Ben Thompson the last chaw I hadââ âwhich is a lie pretty much everytime; it donât fool nobody but a stranger; but Jack ainât no stranger, so he says:
âYou give him a chaw, did you? So did your sisterâs catâs grandmother. You pay me back the chaws youâve awready borryâd offân me, Lafe Buckner, then Iâll loan you one or two ton of it, and wonât charge you no back intrust, nuther.â
âWell, I did pay you back some of it wunst.â
âYes, you didâ ââbout six chaws. You borryâd store tobacker and paid back niggerhead.â
Store tobacco is flat black plug, but these fellows mostly chaws the natural leaf twisted. When they borrow a chaw they donât generly cut it off with a knife, but set the plug in between their teeth, and gnaw with their teeth and tug at the plug with their hands till they get it in two; then sometimes the one that owns the tobacco looks mournful at it when itâs handed back, and says, sarcastic:
âHere, gimme the chaw, and you take the plug.â
All the streets and lanes was just mud; they warnât nothing else but
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