Death of the Ayn Rand Scholar Gray Cavender (motivational novels for students .TXT) đ
- Author: Gray Cavender
Book online «Death of the Ayn Rand Scholar Gray Cavender (motivational novels for students .TXT) đ». Author Gray Cavender
Then, Professor Naremore revealed that he had tricked the classâŠheâd also apologized for doing so, and said it was to make an important point. The quotes that heâd read, the quotes that some students had agreed with, were not from newspaper interviews with corporate leaders with respect to the recession of 2008. Instead, they were actual quotes from corporate leaders at the start of the Great Depression back in the late 1920s. These guys had all blamed the depression on over-regulation at a timeâas Professor Naremore had emphasizedâwhen there was virtually no regulation of the corporate sector. Heâd concluded that the Depression had occurred because there were no regulations on the single-minded pursuit of profits by the corporations. The quotes from back during the Depression really sounded as if they were current statements from the corporate sector. In her notes, she had written a name and title for the book about the quotes, the one heâd read from: Suttles, Front Page Economics.
Professor Naremore had said that in the aftermath of the Depression, that Congress had over the years enacted laws and regs that were designed to avoid such an economic cataclysm again. In her notes, sheâd underlined the word âcataclysm.â He said that over the past several years, Congress had, one-by-one, repealed those protective laws, and that this happened with both Democrats and Republicans. She saw in her notes that heâd emphasized two points: first, that the Great Recession of 2008, like the Great Depression of the late 20s, had been possible because of a lack of regulatory protections; and second, the consistency of the corporatist ideology during both time periods.
Jillian had even written in her notes: âcollective rights over corporate rights to profit.â That was what sheâd remembered, and why sheâd dug-out these notes. Theyâd squared with (albeit the exact opposite) of the Rand-related notes from her freshman English class. âNot bad,â she thought.
Her dad answered the phone. âHi Jilly,â he answered, happy at first. Then his tone changed. âIs everything OK?â
After sheâd read through her old notes, first on Atlas Shrugged and then from Professor Naremoreâs class on regulation, Jillian decided that this was enough for the day on Professor Siemensâ case. She wanted to check-in with her dad, then eat, and end that portion of her work day by assembling the materials that sheâd need for the Task Force meeting in the morning.
Calling Dad was first. âYes, Dad, everything is fineâŠâ
âYouâre sure? Everythingâs OK?â
âYes. I told Mom that Iâd call to check-in with you. You know, now that Iâm back working with Tempe and with Wes.â
âJust trying to put your dadâs concerns to rest, l imagine.â He laughed. âThanks for that.â
âYour welcome. And yes, I donât want you to worry too muchâŠa little is OK,â she teased him.
âWorrying about my daughter is my privilege and my responsibility,â he said, a statement that Jillian had heard him say many times. âAnything to report so far? Do you know whodunit?â
âNo, not yet, but weâre working on itâŠand you know, we will find out whodunit it, and whydunit,â she answered, repeating language sheâd heard him use about crime fiction.
âBut no prime suspect yet?â
âNo,â she answered, but even as she did so, she automatically flashed-on the people she and Wes had interviewed.
âI did want to ask one question, Dad, and itâs about poetry?â
âI guess this is because the victim is an English professor. Well, Iâm always glad to help the constabularyâŠshoot.â
âOK, so one of the people Iâve interviewed is an English professor named Billy Gilroy. I interviewed him because he called-in the crimeâŠactually, a second person in English called independently. AndâŠâ she decided that she shouldnât say more about his comments about Professor Siemens. ââŠanyway, heâs a poet, and I just wondered if youâd heard of him.â
âGilroyâŠlet me think.â The line was silent while he thought. Then, âYes, Jilly, Iâve heard of him. I just had to think for a secondâŠheâs not especially well-knownâŠand I donât think I have any of his work.â He was quiet again. âAhâŠIâm pretty sure he also wrote a novel...one, for sure. I donât remember the title...but I did read it. Iâd describe it as one of those âEnglish professorâ novels, you know, a novel written by someone who gets a salary and doesnât have to worry about book salesâŠknow what I mean?â
âYes,â she laughed. âOh, and while I was reading about him, I saw a reference to another poetâŠnamedâŠâ she checked her notesâŠâFred Cavell. Apparently, Professor Gilroy studied with him. Ever heard of him?â
âOh yes. Fred Cavell is in a very different league. Heâs a well-known poet, and heâs also written several pretty good novels.â
âI thought that maybe youâd read me some of his poems. But, I wasnât sure.â
âYou know, youâre absolutely right, Jilly. I think they were in a collection titled Carolina Harvest. He did those as a riff on Carl Sandburgâs Harvest Poems. Sandburgâs collection was about the Midwest back in the early 20th century, you know, âChicago, city of big shoulders.â Remember that?â
âYes, Iâve heard you read it many times.â
âRight, well, Cavellâs collection is shifted both temporally and geographicallyâŠto the late 20th century, and to the south, more specifically, to North Carolina. A lot of Cavellâs poems essentially parallel those of Sandburg, but with a very different sensibility.â
âI think you read some of them to Mom and me.â
âI didâŠwhen he won the PulitzerâŠthis would have been maybe 10 years agoâŠmaybe longer. Anyway, Cavell is the real deal. And tell me again, why did his name come up?â
âProfessor Gilroy studied with him. Thatâs all.â
âI understand. I just wish you could have interviewed Fred CavellâŠthat wouldâve been something. But, so in terms of this case, youâre back with Wes Webb
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