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other long-haired blighters in English suburban drawing-rooms. It was the sort of stuff which⁠—to be brief⁠—gave him the Willies. No, it could not be Ann who had written it.

The next moment the horrid truth was thrust upon him. There was an inscription on the title page.

“To my dearest uncle Peter, with love from the author, Ann Chester.”

The room seemed to reel before Jimmy’s eyes. He felt as if a friend had wounded him in his tenderest feelings. He felt as if some loved one had smitten him over the back of the head with a sandbag. For one moment, in which time stood still, his devotion to Ann wobbled. It was as if he had found her out in some terrible crime that revealed unsuspected flaws in her hitherto ideal character.

Then his eye fell upon the date on the title page, and a strong spasm of relief shook him. The clouds rolled away, and he loved her still. This frightful volume had been published five years ago.

A wave of pity swept over Jimmy. He did not blame her now. She had been a mere child five years ago, scarcely old enough to distinguish right from wrong. You couldn’t blame her for writing sentimental verse at that age. Why, at a similar stage in his own career he had wanted to be a vaudeville singer. Everything must be excused to Youth. It was with a tender glow of affectionate forgiveness that he turned the pages.

As he did so a curious thing happened to him. He began to have that feeling, which everyone has experienced at some time or other, that he had done this very thing before. He was almost convinced that this was not the first time he had seen that poem on page twenty-seven entitled “A Lament.” Why, some of the lines seemed extraordinarily familiar. The people who understood these things explained this phenomenon, he believed, by some stuff about the cells of the brain working simultaneously or something. Something about cells, anyway. He supposed that that must be it.

But that was not it. The feeling that he had read all this before grew instead of vanishing, as is generally the way on these occasions. He had read this stuff before. He was certain of it. But when? And where? And above all why? Surely he had not done it from choice.

It was the total impossibility of his having done it from choice that led his memory in the right direction. There had only been a year or so in his life when he had been obliged to read things which he would not have read of his own free will, and that had been when he worked on the Chronicle. Could it have been that they had given him this book of poems to review? Or⁠—?

And then memory, in its usual eccentric way, having taken all this time to make the first part of the journey, finished the rest of it with one lightning swoop, and he knew.

And with the illumination came dismay. Worse than dismay. Horror.

“Gosh!” said Jimmy.

He knew now why he had thought on the occasion of their first meeting in London that he had seen hair like Ann’s before. The mists rolled away and he saw everything clear and stark. He knew what had happened at that meeting five years before, to which she had so mysteriously alluded. He knew what she had meant that evening on the boat, when she had charged one Jimmy Crocker with having cured her of sentiment. A cold sweat sprang into being about his temples. He could remember that interview now, as clearly as if it had happened five minutes ago instead of five years. He could recall the article for the Sunday Chronicle which he had written from the interview, and the ghoulish gusto with which he had written it. He had had a boy’s undisciplined sense of humour in those days, the sense of humour which riots like a young colt, careless of what it bruises and crushes. He shuddered at the recollection of the things he had hammered out so gleefully on his typewriter down at the Chronicle office. He found himself recoiling in disgust from the man he had been, the man who could have done a wanton thing like that without compunction or ruth. He had read extracts from the article to an appreciative colleague.⁠ ⁠…

A great sympathy for Ann welled up in him. No wonder she hated the memory of Jimmy Crocker.

It is probable that remorse would have tortured him even further, had he not chanced to turn absently to page forty-six and read a poem entitled “Love’s Funeral.” It was not a long poem, and he had finished it inside of two minutes; but by that time a change had come upon his mood of self-loathing. He no longer felt like a particularly mean murderer. “Love’s Funeral” was like a tonic. It braced and invigourated him. It was so unspeakably absurd, so poor in every respect. All things, he now perceived, had worked together for good. Ann had admitted on the boat that it was his satire that had crushed out of her the fondness for this sort of thing. If that was so, then the part he had played in her life had been that of a rescuer. He thought of her as she was now and as she must have been then to have written stuff like this, and he rejoiced at what he had done. In a manner of speaking the Ann of today, the glorious creature who went about the place kidnapping Ogdens, was his handiwork. It was he who had destroyed the minor poetry virus in her.

The refrain of an old song came to him.

You made me what I am today!
I hope you’re satisfied!

He was more than satisfied. He was proud of himself.

He rejoiced, however, after the first flush of enthusiasm, somewhat moderately. There was no disguising the penalty of his deed of kindness.

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