My Disillusionment in Russia Emma Goldman (the beginning after the end read novel TXT) 📖

town. In Yaroslavl, where the so-called Savinkov uprising had taken place two years previously, no significant data were found.

We continued to Archangel. The stories we had heard of the frozen North made us rather apprehensive. But, much to our relief, we found that city no colder than Petrograd, and much drier.

The Chairman of the Archangel Ispolkom was pleasant type of Communist, not at all officious or stern. As soon as we had stated our mission he set the telephone going. Every time he reached some official on the wire he would address him as “dear tovarishtch,” and inform him that “dear tovarishtchi from the Centre” had arrived and must be given every assistance. He thought that our stay would be profitable because many important documents had remained after the Allies had withdrawn. There were files of old newspapers published by the Tchaikovsky Government and photographs of the brutalities perpetrated upon the Communists by the Whites. The Chairman himself had lost his whole family, including his twelve-year-old sister. As he had to leave the next day to attend the Conference of Soviets in Moscow, he promised to issue an order giving us access to the archives.

Leaving the Ispolkom to begin our rounds, we were surprised by three sleighs waiting for us, thanks to the thoughtfulness of the Chairman. Tucked up under fur covers and with bells tinkling, each member of the Expedition started in a different direction to cover the departments assigned to him. The Archangel Soviet officials appeared to have great respect for the “Centre”; the word acted like magic, opening every door.

The head of the Department of Education was a hospitable and kindly man. After explaining to me in detail the work done in his institution he called to his office a number of employees, informed them of the purpose of the Expedition and asked them to prepare the material they could gather for the Museum. Among those Soviet workers was a nun, a pleasant-faced young woman. What a strange thing, I thought, to find a nun in a Soviet office! The Chairman noticed my surprise. He had quite a number of nuns in his department, he said. When the monasteries had been nationalized the poor women had no place to go. He conceived the idea of giving them a chance to do useful work in the new world. He had found no cause to regret his action: he did not convert the nuns to Communism, but they became very faithful and industrious workers, and the younger ones had even expanded a little. He invited me to visit the little art studio where several nuns were employed.

The studio was a rather unusual place⁠—not so much because of its artistic value as on account of the people who worked there; two old nuns who had spent forty and twenty-five years, respectively, in monasteries; a young White officer, and an elderly workingman. The last two had been arrested as counterrevolutionists and were condemned to death, but the Chairman rescued them in order to put them to useful work. He wanted to give an opportunity to those who through ignorance or accident were the enemies of the Revolution. A revolutionary period, he remarked, necessitated stern measures, even violence; but other methods should be tried first. He had many in his department who had been considered counterrevolutionary, but now they were all doing good work. It was the most extraordinary thing I had heard from a Communist. “Aren’t you considered a sentimental bourgeois?” I asked. “Yes, indeed,” he replied smilingly, “but that is nothing. The main thing is that I have been able to prove that my sentimentalism works, as you can see for yourself.”

The carpenter was the artist of the studio. He had never been taught, but he did beautiful carving and was a master in every kind of wood work. The nuns made colour drawings of flowers and vegetables, which were used for demonstration by lecturers in the villages. They also painted posters, mainly for the children’s festivals.

I visited the studio several times alone so that I might speak freely to the carpenter and the nuns. They had little understanding of the elemental facts that had pulled them out of their moorings. The carpenter lamented that times were hard because he was not permitted to sell his handiwork. “I used to earn a good bit of money, but now I hardly get enough to eat,” he would say. The sisters did not complain; they accepted their fate as the will of God. Yet there was a change even in them. Instead of being shut away in a nunnery they were brought in touch with real life, and they had become more human. Their expression was less forbidding, their work showed signs of kinship with the world around them. I noticed it particularly in their drawings of children and children’s games. There was a tenderness about them that spoke of the long-suppressed mother instinct struggling for expression. The former White officer was the most intelligent of the four⁠—he had gone through Life’s crucible. He had learned the folly and crime of intervention, he said, and would never lend his aid to it again. What had convinced him? The interventionists themselves. They had been in Archangel and they carried on as if they owned the city. The Allies had promised much, but they had done nothing except enrich a few persons who speculated in the supplies intended to benefit the population. Everyone gradually turned against the interventionists. I wondered how many of the countless ones shot as counterrevolutionists would have been won over to the new regime and would now be doing useful work if somebody had saved their lives.

I had seen so many show schools that I decided to say nothing about visiting educational institutions until some unexpected moment when one could take them by surprise. For our first Saturday in Archangel a special performance of Leonid Andreyev’s play, Savva, had been arranged.