Villette Charlotte Brontë (summer reads .txt) 📖

seat and back were also worked with groups of brilliant flowers on a dark ground.

Struck with these things, I explored further. Strange to say, old acquaintance were all about me, and “auld lang syne” smiled out of every nook. There were two oval miniatures over the mantelpiece, of which I knew by heart the pearls about the high and powdered “heads;” the velvets circling the white throats; the swell of the full muslin kerchiefs; the pattern of the lace sleeve-ruffles. Upon the mantel-shelf there were two china vases, some relics of a diminutive tea-service, as smooth as enamel and as thin as eggshell, and a white centre ornament, a classic group in alabaster, preserved under glass. Of all these things I could have told the peculiarities, numbered the flaws or cracks, like any clairvoyante. Above all, there was a pair of handscreens, with elaborate pencil-drawings finished like line engravings; these, my very eyes ached at beholding again, recalling hours when they had followed, stroke by stroke and touch by touch, a tedious, feeble, finical, schoolgirl pencil held in these fingers, now so skeleton-like.

Where was I? Not only in what spot of the world, but in what year of our Lord? For all these objects were of past days, and of a distant country. Ten years ago I bade them goodbye; since my fourteenth year they and I had never met. I gasped audibly, “Where am I?”

A shape hitherto unnoticed, stirred, rose, came forward; a shape inharmonious with the environment, serving only to complicate the riddle further. This was no more than a sort of native bonne, in a commonplace bonne’s cap and print-dress. She spoke neither French nor English, and I could get no intelligence from her, not understanding her phrases of dialect. But she bathed my temples and forehead with some cool and perfumed water, and then she heightened the cushion on which I reclined, made signs that I was not to speak, and resumed her post at the foot of the sofa.

She was busy knitting; her eyes thus drawn from me, I could gaze on her without interruption. I did mightily wonder how she came there, or what she could have to do among the scenes, or with the days of my girlhood. Still more I marvelled what those scenes and days could now have to do with me.

Too weak to scrutinize thoroughly the mystery, I tried to settle it by saying it was a mistake, a dream, a fever-fit; and yet I knew there could be no mistake, and that I was not sleeping, and I believed I was sane. I wished the room had not been so well lighted, that I might not so clearly have seen the little pictures, the ornaments, the screens, the worked chair. All these objects, as well as the blue-damask furniture, were, in fact, precisely the same, in every minutest detail, with those I so well remembered, and with which I had been so thoroughly intimate, in the drawing-room of my godmother’s house at Bretton. Methought the apartment only was changed, being of different proportions and dimensions.

I thought of Bedreddin Hassan, transported in his sleep from Cairo to the gates of Damascus. Had a Genius stooped his dark wing down the storm to whose stress I had succumbed, and gathering me from the church-steps, and “rising high into the air,” as the eastern tale said, had he borne me over land and ocean, and laid me quietly down beside a hearth of Old England? But no; I knew the fire of that hearth burned before its Lares no more⁠—it went out long ago, and the household gods had been carried elsewhere.

The bonne turned again to survey me, and seeing my eyes wide open, and, I suppose, deeming their expression perturbed and excited, she put down her knitting. I saw her busied for a moment at a little stand; she poured out water, and measured drops from a phial: glass in hand, she approached me. What dark-tinged draught might she now be offering? what Genii-elixir or Magi-distillation?

It was too late to inquire⁠—I had swallowed it passively, and at once. A tide of quiet thought now came gently caressing my brain; softer and softer rose the flow, with tepid undulations smoother than balm. The pain of weakness left my limbs, my muscles slept. I lost power to move; but, losing at the same time wish, it was no privation. That kind bonne placed a screen between me and the lamp; I saw her rise to do this, but do not remember seeing her resume her place: in the interval between the two acts, I “fell on sleep.”

At waking, lo! all was again changed. The light of high day surrounded me; not, indeed, a warm, summer light, but the leaden gloom of raw and blustering autumn. I felt sure now that I was in the pensionnat⁠—sure by the beating rain on the casement; sure by the “wuther” of wind amongst trees, denoting a garden outside; sure by the chill, the whiteness, the solitude, amidst which I lay. I say whiteness⁠—for the dimity curtains, dropped before a French bed, bounded my view.

I lifted them; I looked out. My eye, prepared to take in the range of a long, large, and whitewashed chamber, blinked baffled, on encountering the limited area of a small cabinet⁠—a cabinet with seagreen walls; also, instead of five wide and naked windows, there was one high lattice, shaded with muslin festoons: instead of two dozen little stands of painted wood, each holding a basin and an ewer, there was a toilette-table dressed, like a lady for a ball, in a white robe over a pink skirt; a polished and large glass crowned, and a pretty pincushion frilled with lace, adorned it. This toilette, together with a small, low, green and white chintz armchair, a washstand topped with a marble slab, and supplied with utensils of pale greenware, sufficiently furnished the tiny chamber.

Reader, I felt alarmed! Why? you will ask. What was there