His Masterpiece Émile Zola (e textbook reader TXT) 📖

comments between the parents as they sat by the fireside. Claude grew passionate, and Christine had to give her opinion and to pronounce judgment on all sorts of matters.

Was not Gagnière an idiot for stultifying his brain with music, he who might have developed so conscientious a talent as a landscape painter? It was said that he was now taking lessons on the piano from a young lady⁠—the idea, at his age! What did she, Christine, think of it? And Jory had been trying to get into the good graces of Irma Bécot again, ever since she had secured that little house in the Rue de Moscou! Christine knew those two; two jades who well went together, weren’t they? But the most cunning of the whole lot was Fagerolles, to whom he, Claude, would tell a few plain truths and no mistake, when he met him. What! the turncoat had competed for the Prix de Rome, which, of course, he had managed to miss. To think of it. That fellow did nothing but jeer at the School, and talked about knocking everything down, yet took part in official competitions! Ah, there was no doubt but that the itching to succeed, the wish to pass over one’s comrades and be hailed by idiots, impelled some people to very dirty tricks. Surely Christine did not mean to stick up for him, eh? She was not sufficiently a philistine to defend him. And when she had agreed with everything Claude said, he always came back with nervous laughter to the same story⁠—which he thought exceedingly comical⁠—the story of Mahoudeau and Chaîne, who, between them, had killed little Jabouille, the husband of Mathilde, that dreadful herbalist woman. Yes, killed the poor consumptive fellow with kindness one evening when he had had a fainting fit, and when, on being called in by the woman, they had taken to rubbing him with so much vigour that he had remained dead in their hands.

And if Christine failed to look amused at all this, Claude rose up and said, in a churlish voice: “Oh, you; nothing will make you laugh⁠—let’s go to bed.”

He still adored her, but she no longer sufficed. Another torment had invincibly seized hold of him⁠—the passion for art, the thirst for fame.

In the spring, Claude, who, with an affectation of disdain, had sworn he would never again exhibit, began to worry a great deal about the Salon. Whenever he saw Sandoz he questioned him about what the comrades were going to send. On the opening day he went to Paris and came back the same evening, stern and trembling. There was only a bust by Mahoudeau, said he, good enough, but of no importance. A small landscape by Gagnière, admitted among the ruck, was also of a pretty sunny tone. Then there was nothing else, nothing but Fagerolles’ picture⁠—an actress in front of her looking-glass painting her face. He had not mentioned it at first; but he now spoke of it with indignant laughter. What a trickster that Fagerolles was! Now that he had missed his prize he was no longer afraid to exhibit⁠—he threw the School overboard; but you should have seen how skilfully he managed it, what compromises he effected, painting in a style which aped the audacity of truth without possessing one original merit. And it would be sure to meet with success, the bourgeois were only too fond of being titillated while the artist pretended to hustle them. Ah! it was time indeed for a true artist to appear in that mournful desert of a Salon, amid all the knaves and the fools. And, by heavens, what a place might be taken there!

Christine, who listened while he grew angry, ended by faltering:

“If you liked, we might go back to Paris.”

“Who was talking of that?” he shouted. “One can never say a word to you but you at once jump to false conclusions.”

Six weeks afterwards he heard some news that occupied his mind for a week. His friend Dubuche was going to marry Mademoiselle Régine Margaillan, the daughter of the owner of La Richaudière. It was an intricate story, the details of which surprised and amused him exceedingly. First of all, that cur Dubuche had managed to hook a medal for a design of a villa in a park, which he had exhibited; that of itself was already sufficiently amusing, as it was said that the drawing had been set on its legs by his master, Dequersonnière, who had quietly obtained this medal for him from the jury over which he presided. Then the best of it was that this long-awaited reward had decided the marriage. Ah! it would be nice trafficking if medals were now awarded to settle needy pupils in rich families! Old Margaillan, like all parvenus, had set his heart upon having a son-in-law who could help him, by bringing authentic diplomas and fashionable clothes into the business; and for some time past he had had his eyes on that young man, that pupil of the School of Arts, whose notes were excellent, who was so persevering, and so highly recommended by his masters. The medal aroused his enthusiasm; he at once gave the young fellow his daughter and took him as a partner, who would soon increase his millions now lying idle, since he knew all that was needful in order to build properly. Besides, by this arrangement poor Régine, always low-spirited and ailing, would at least have a husband in perfect health.

“Well, a man must be fond of money to marry that wretched flayed kitten,” repeated Claude.

And as Christine compassionately took the girl’s part, he added:

“But I am not down upon her. So much the better if the marriage does not finish her off. She is certainly not to be blamed, if her father, the ex-stonemason, had the stupid ambition to marry a girl of the middle-classes. Her father, you know, has the vitiated blood of generations of drunkards in his veins, and her mother comes