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with nothing fancy, and he thought we could build the place in 3,500 square feet.

I realized that if the restaurant revenue was 50 percent greater than Trioā€™s, then that 50 percent would be almost all profit. The more I thought about it, the more I couldnā€™t imagine it not working out like that. If Trio was in Chicago, wouldnā€™t more people come simply because it was easier to get to? Out-of-town business travelers werenā€™t willing to go out to Evanston, but if Trio were in downtown Chicago it would be packed, right?

Before Grant came over on Monday I decided to call Jim Hansen to let him know that I was going to be closing up the hedge fund and that we really were going to build the restaurant. I could always count on Jim for a levelheaded reaction that would be a good gauge for the more emotional responses of others. Instead, it fell squarely in line with what Iā€™d been hearing.

ā€œClearly you have too much time on your hands. Chill out for a few days, then decide what you want to do.ā€ This was the advice I was getting from everyone I trusted, it seemed. And it was not what I needed to hear. Grant would be coming by in a few hours, and I wanted to appear confident and calm. Instead, my most trusted friends were telling me in every way possible to slow down. I went to the kitchen to see what Dagmara thought.

ā€œJim thinks Iā€™m stupid to be doing this,ā€ I said. ā€œGreg thinks Iā€™m stupid to be doing this. Itā€™s your money, too. Iā€™m talking about putting up five hundred thousand dollars on a restaurant. What do you think?ā€

ā€œIf you want to do thisā€”if you need to build itā€”then you should build it, regardless of what anyone thinks.ā€

ā€œEven you?ā€ I asked.

ā€œI think you should build it,ā€ she said. ā€œI think Grant is a genius. I thought that before you did, right? Who wanted to get the standing reservation at Trio?ā€

Grant arrived at my house at ten on the dot. He pulled up in his beat-up Ford and walked to the door looking exactly as he had at our previous meeting: wet hair, unbuttoned peacoat, white T-shirt, semi-wrinkled black pants, black chefā€™s clogs. I opened the door as he was about to ring the bell.

ā€œI just want to let you know that Iā€™m freaking out about this,ā€ I blurted out. Perhaps not exactly the strategy I had planned in my head, but a very honest assessment.

Grant smiled and laughed. ā€œThat is not what I needed to hear right now. I am catching shit at home for quitting Trio without even knowing you. She has a point.ā€

ā€œWell, if we screw this up weā€™ll both be unemployed,ā€ I said.

ā€œYeah, but you seem to be doing a bit better than I am,ā€ he said, laughing, gesturing at my house.

ā€œSo are we really going to do this? I mean, it feels like we donā€™t really have a clue what to do next. I know you can run a restaurant, but can you build one?ā€ I asked.

Grant looked at me, gave a grin, and said, ā€œHow hard can it be?ā€ He flopped his coat on the back of one of my dining room chairs and laid out a few sheets of paper. On them were sketches of some logos for the restaurant. Another sheet had a few kitchen layout sketches, and another had some dining room layouts. ā€œI want Martin to design the restaurant,ā€ he said, referring to the designer who worked with Trio.

I looked down at the sheets of paper and despite Grantā€™s bravado, I was not feeling equally confident. The logo sketch looked like the doodle from the back of a high school kidā€™s notebook. The kitchen layout had no stove at allā€”I guess I didnā€™t need to worry about the Bonnet, I needed to worry that Grant wanted to invent a new stove completely. And as far as I knew, Martin was not an architect.

ā€œMartin is the guy who designed the gadgets that the food sits on?ā€ I asked.

ā€œNo. Martin is the guy who designed the serviceware for Trio. If youā€™re going to be a big-shot restaurant owner you need to learn the lingo, Nick.ā€

ā€œThatā€™s great, Chef. But you need to learn what an architect does. There are things like electrical plans, plumbing, and, oh, I donā€™t know, walls and such, that will need to be built. And these guys called ā€˜engineersā€™ work for the city and have to approve it all. You have to be a licensed architect to get those approvals.ā€

ā€œMartin can design it, then we can have an architect work out the details,ā€ Grant said. ā€œI trust him. Heā€™s the only one who really gets what I do.ā€

ā€œBut youā€™ll be paying twice thenā€”and architects charge about 15 percent of construction cost.ā€

ā€œSeriously? Thatā€™s crazy.ā€

ā€œSeriously. Not to mention that I doubt any architect worth anything will want to partner with a designer who has precisely no experience building a restaurant, or anything else for that matter.ā€

ā€œSpeaking of which,ā€ Grant said, ā€œI want to get something clear from the beginning. This is my restaurant. I want to be the chef/owner, or I donā€™t want to do it.ā€

ā€œChef/owner it is, then. I donā€™t really care about titles. You shouldnā€™t either. You should care whether or not you are going to get real equity in the place, unlike most chefs who simply get the title but donā€™t own much. As soon as our investors are paid back plus a preferred return, we jointly vest into 50 percent ownership through the management company. Plus youā€™ll be given shares in the investor group for contributions you make during build-out, or for anything that we receive for free from manufacturers who give us something based on your reputation. Iā€™m trying to structure this so you have real ownership, and I am doing that out of self-interest so that you donā€™t decide to go anywhere in five years. So given all of that,

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