Struggles and Triumphs P. T. Barnum (the beginning after the end read novel .TXT) 📖

6th. And the said John Hall Wilton, at the request, selection, and for the aid of the said Jenny Lind, agrees to pay to Giovanni Belletti, baritone vocalist, to accompany the said Jenny Lind during her tour and in one hundred and fifty concerts or oratorios in the United States of North America and Havana, and in conjunction with the aforesaid Julius Benedict, the sum of two thousand five hundred pounds (£2,500) sterling, to be satisfactorily secured to him previous to his departure from Europe, in addition to all his hotel and travelling expenses.

7th. And it is further agreed that the said Jenny Lind shall be at full liberty to sing at any time she may think fit for charitable institutions or purposes independent of the engagement with the said Phineas T. Barnum, she, the said Jenny Lind, consulting with the said Phineas T. Barnum with a view to mutually agreeing as to the time and its propriety, it being understood that in no case shall the first or second concert in any city selected for the tour be for such purpose, or wherever it shall appear against the interests of the said Phineas T. Barnum.

8th. It is further agreed that should the said Jenny Lind by any act of God be incapacitated to fulfil the entire engagement before mentioned, that an equal proportion of the terms agreed upon shall be given to the said Jenny Lind, Julius Benedict, and Giovanni Belletti, for services rendered to that time.

9th. It is further agreed and understood, that the said Phineas T. Barnum shall pay every expense appertaining to the concerts or oratorios before mentioned, excepting those for charitable purposes, and that all accounts shall be settled and rendered by all parties weekly.

10th. And the said Jenny Lind further agrees that she will not engage to sing for any other person during the progress of this said engagement with the said Phineas T. Barnum, of New York, for one hundred and fifty concerts or oratorios, excepting for charitable purposes as before mentioned; and all travelling to be first and best class.

In witness hereof to the within written memorandum of agreement we set hereunto our hand and seal.

[L.S.] John Hall Wilton, Agent for Phineas T. Barnum, of New York, U.S.

[L.S.] Jenny Lind.

[L.S.] Julius Benedict.

[L.S.] Giovanni Belletti.

In the presence of C. Achilling, Consul of His Majesty the King of Sweden and Norway.

Extract from a Letter Addressed to John Hall Wilton By Phineas T. Barnum, and Referred to in Paragraph No. 4 of the Annexed Agreement.

New York, November 6, 1849.

Mr. J. Hall Wilton:

Sir:⁠—In reply to your proposal to attempt a negotiation with Mlle. Jenny Lind to visit the United States professionally, I propose to enter into an arrangement with her to the following effect: I will engage to pay all her expenses from Europe, provide for and pay for one principal tenor and one pianist, their salaries not exceeding together one hundred and fifty dollars per night; to support for her a carriage, two servants, and a friend to accompany her and superintend her finances. I will furthermore pay all and every expense appertaining to her appearance before the public, and give her half of the gross receipts arising from concerts or operas. I will engage to travel with her personally and attend to the arrangements, provided she will undertake to give not less than eighty nor more than one hundred and fifty concerts, or nights’ performances.

Phineas T. Barnum.

I certify the above to be a true extract from the letter.

J. H. Wilton.

I was at my Museum in Philadelphia when Wilton arrived in New York, February 19, 1850. He immediately telegraphed to me, in the cipher we had agreed upon, that he had signed an engagement with Jenny Lind, by which she was to commence her concerts in America in the following September. I was somewhat startled by this sudden announcement; and feeling that the time to elapse before her arrival was so long that it would be policy to keep the engagement private for a few months, I immediately telegraphed him not to mention it to any person, and that I would meet him the next day in New York.

When we reflect how thoroughly Jenny Lind, her musical powers, her character, and wonderful successes, were subsequently known by all classes in this country as well as throughout the civilized world, it is difficult to realize that, at the time this engagement was made, she was comparatively unknown on this side the water. We can hardly credit the fact, that millions of persons in America had never heard of her, that other millions had merely read her name, but had no distinct idea of who or what she was. Only a small portion of the public were really aware of her great musical triumphs in the Old World, and this portion was confined almost entirely to musical people, travellers who had visited the Old World, and the conductors of the press.

The next morning I started for New York. On arriving at Princeton we met the New York cars, and purchasing the morning papers, I was surprised to find in them a full account of my engagement with Jenny Lind. However, this premature announcement could not be recalled, and I put the best face on the matter. Anxious to learn how this communication would strike the public mind, I informed the conductor, whom I well knew, that I had made an engagement with Jenny Lind, and that she would surely visit this country in the following August.

“Jenny Lind! Is she a dancer?” asked the conductor.

I informed him who and what she was, but his question had chilled me as if his words were ice. Really, thought I, if this is all that a man in the capacity of a railroad conductor between Philadelphia and New York knows