Struggles and Triumphs P. T. Barnum (the beginning after the end read novel .TXT) 📖

her altogether, and thus, as I believed, sadly marring my interests by cutting her off from the warm sympathies she had awakened among the masses. Presents of all sorts were showered upon her. Milliners, mantua-makers, and shopkeepers vied with each other in calling her attention to their wares, of which they sent her many valuable specimens, delighted if, in return, they could receive her autograph acknowledgment. Songs, quadrilles and polkas were dedicated to her, and poets sung in her praise. We had Jenny Lind gloves, Jenny Lind bonnets, Jenny Lind riding hats, Jenny Lind shawls, mantillas, robes, chairs, sofas, pianos⁠—in fact, everything was Jenny Lind. Her movements were constantly watched, and the moment her carriage appeared at the door, it was surrounded by multitudes, eager to catch a glimpse of the Swedish Nightingale.

In looking over my “scrapbooks” of extracts from the New York papers of that day, in which all accessible details concerning her were duly chronicled, it seems almost incredible that such a degree of enthusiasm should have existed. An abstract of the “sayings and doings” in regard to the Jenny Lind mania for the first ten days after her arrival, appeared in the London Times of Sept. 23, 1850, and although it was an ironical “showing up” of the American enthusiasm, filling several columns, it was nevertheless a faithful condensation of facts which at this late day seem even to myself more like a dream than reality.

Before her arrival I had offered $200 for a prize ode, “Greeting to America,” to be sung by Jenny Lind at her first concert. Several hundred “poems” were sent in from all parts of the United States and the Canadas. The duties of the Prize Committee, in reading these effusions and making choice of the one most worthy the prize, were truly arduous. The “offerings,” with perhaps a dozen exceptions, were the merest doggerel trash. The prize was awarded to Bayard Taylor for the following ode:

Greeting to America

Words by Bayard Taylor⁠—music by Julius Benedict.

I greet with a full heart the Land of the West,
Whose Banner of Stars o’er a world is unrolled;
Whose empire o’ershadows Atlantic’s wide breast,
And opens to sunset its gateway of gold!
The land of the mountain, the land of the lake,
And rivers that roll in magnificent tide⁠—
Where the souls of the mighty from slumber awake,
And hallow the soil for whose freedom they died!

Thou Cradle of Empire! though wide be the foam
That severs the land of my fathers and thee,
I hear, from thy bosom, the welcome of home,
For Song has a home in the hearts of the Free!
And long as thy waters shall gleam in the sun,
And long as thy heroes remember their scars,
Be the hands of thy children united as one,
And Peace shed her light on thy Banner of Stars!

This award, although it gave general satisfaction, yet was met with disfavor by several disappointed poets, who, notwithstanding the decision of the committee, persisted in believing and declaring their own productions to be the best. This state of feeling was doubtless, in part, the cause which led to the publication, about this time, of a witty pamphlet entitled “Barnum’s Parnassus; being Confidential Disclosures of the Prize Committee on the Jenny Lind song.”

It gave some capital hits in which the committee, the enthusiastic public, the Nightingale, and myself, were roundly ridiculed. The following is a fair specimen from the work in question:

Barnumopsis

A Recitative

When to the common rest that crowns his days,
Dusty and worn the tired pedestrian goes,
What light is that whose wide o’erlooking blaze
A sudden glory on his pathway throws?

’Tis not the setting sun, whose drooping lid
Closed on the weary world at half-past six;
’Tis not the rising moon, whose rays are hid
Behind the city’s sombre piles of bricks.

It is the Drummond Light, that from the top
Of Barnum’s massive pile, sky-mingling there,
Darts its quick gleam o’er every shadowed shop,
And gilds Broadway with unaccustomed glare.

There o’er the sordid gloom, whose deep’ning tracks
Furrow the city’s brow, the front of ages,
Thy loftier light descends on cabs and hacks,
And on two dozen different lines of stages!

O twilight Sun, with thy far darting ray,
Thou art a type of him whose tireless hands
Hung thee on high to guide the stranger’s way,
Where, in its pride, his vast Museum stands.

Him, who in search of wonders new and strange,
Grasps the wide skirts of Nature’s mystic robe
Explores the circles of eternal change,
And the dark chambers of the central globe.

He, from the reedy shores of fabled Nile,
Has brought, thick-ribbed and ancient as old iron,
That venerable beast the crocodile,
And many a skin of many a famous lion.

Go lose thyself in those continuous halls,
Where strays the fond papa with son and daughter
And all that charms or startles or appals,
Thou shalt behold, and for a single quarter!

Far from the Barcan deserts now withdrawn,
There huge constrictors coil their scaly backs;
There, cased in glass, malignant and unshorn,
Old murderers glare in sullenness and wax.

There many a varied form the sight beguiles,
In rusty broadcloth decked and shocking hat,
And there the unwieldy Lambert sits and smiles,
In the majestic plenitude of fat.

Or for thy gayer hours, the orangutan
Or ape salutes thee with his strange grimace,
And in their shapes, stuffed as on earth they sprang,
Thine individual being thou canst trace!

And joys the youth in life’s green spring, who goes
With the sweet babe and the gray-headed nurse,
To see those Cosmoramic orbs disclose
The varied beauties of the universe.

And last, not least, the marvellous Ethiope,
Changing his skin by preternatural skill,
Whom every setting sun’s diurnal slope
Leaves whiter than the last, and whitening still.

All that of monstrous, scaly, strange and queer,
Has come from out the womb of earliest time,
Thou hast, O Barnum, in thy keeping here,
Nor is this all⁠—for triumphs more sublime

Await thee yet! I, Jenny Lind, who reigned
Sublimely throned, the imperial queen of song,
Wooed by thy golden harmonies, have deigned
Captive to join the heterogeneous throng.

Sustained by