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made him very fidgety, and rather destroyed Michael’s sense of peace. However, Chator restrained his ritualistic ardour very well at Compline, which in the dimness of the starlit night was a magical experience, as one by one with raised cowls the monks entered in black procession and silence absolute. Michael, where he knelt in the ante-chapel, was profoundly moved by the intimate responses and the severe Compline hymn. He liked, too, the swift departure to bed without chattering good nights to spoil the solemnity of the last Office. Even Chator kept all conversation for the morning, and Michael felt he had never lain down upon a couch so truly sanctified, nor ever risen from one so pure as when Dom Gilbert knocked with a hammer on the door and, standing dark against the milk-white dawn, murmured “Pax vobiscum.” VII Cloven Hoofmarks

In the first fortnight of their stay at Clere Abbas Michael and Chator lived like vagabond hermits rejoicing in the freedom of fine weather. Mostly they went for long walks over the downs and through the woodlands of the southern slope. To the monks at recreation time they would recount their adventures with gamekeepers and contumacious farmers, their discoveries of flowers and birds and butterflies, their entertainment at remote cottage homes and the hospitalities of gipsy camps. To be sure they would often indulge in theological discussions, and sometimes, when caught by the azure-footed dusk in unfamiliar lanes, they would chant plainsong to the confusion of whatever ghostly pursuers, whether Dryads or medieval fiends or early Victorian murderers, that seemed to dog their footsteps. So much nowadays did the unseen world mingle with the ordinary delights of youth.

“Funny thing,” said Michael to Chator. “When I was a kid I used to be frightened at night⁠—always. Then for a long time I wasn’t frightened at all, and now again I have a queer feeling just after sunset, a sort of curious dampness inside me. Do you ever have it?”

“I only have it when you start me off,” said Chator. “But it goes when we sing ‘Te lucis ante terminum’ or chant the Nicene Creed or anything holy.”

“Yes, it goes with me,” Michael agreed dubiously. “But if I drive it away it comes back in the middle of the night. I have all sorts of queer feelings. Sometimes I feel as if there wasn’t any me at all, and I’m surprised to see a letter come addressed to me. But when I see a letter I’ve written, I’m still more surprised. Do you have that feeling? Then often I feel as if all we were doing or saying at a certain moment had been done or said before. Then at other times I have to hold on to a tree or hurt myself with something just to prove I’m there. And then sometimes I think nothing is impossible for me. I feel absolutely great, as if I were Shakespeare. Do you ever have that feeling?”

But Chator was either not sufficiently introspective so to resolve his moods, or else he was too simply set on his own naive religion for his personality to plunge haphazard into such spiritual currents uncharted.

The pleasantest time of the monastic week was Sunday afternoon, when Dom Cuthbert, very lank and pontifical, would lean back in the deepest wicker chair of the library to listen to various Thoughts culled by the brethren from their week’s reading. The Thought he adjudged best was with a diamond pencil immortalized upon a windowpane, and the lucky discoverer derived as much satisfaction from the verdict as was compatible with Benedictine humility. Dom Cuthbert allowed Michael and Chator to share in these occasions, and he evidently enjoyed the variety of choice which displayed so nicely the characters of his flock.

One afternoon Michael chose for his excerpt Don Quixote’s exclamation, “How these enchanters hate me, Sancho,” with Sancho’s reply, “O dismal and ill-minded enchanters.”

The brethren laughed very loudly at this, for though they were English monks, and might have been considered eccentric by the Saxon world, their minds really ran on lines of sophisticated piety over platitudinous sleepers of thought. Michael blushed defiantly, and looked at Dom Cuthbert for comprehension.

“Hark at the idealist’s complaint of disillusionment by the Prince of Darkness,” said Dom Cuthbert, smiling.

“It’s not a complaint,” Michael contradicted. “It’s just a remark. That’s why I chose it. Besides, it gives me a satisfied feeling. Words often make me feel hungry.”

The monks interrupted him with more laughter, and Michael, furiously self-conscious, left the library and went to sit alone in the stillest part of the hazel coppice.

But when he came back in the silent minutes before Vespers he read his sentence on the windowpane, and blinked half tearfully at the westering sun. He never had another Thought enshrined, because he was forever after this trying to find sentences that would annoy Dom Gilbert, whom he suspected of leading the laughter. Visitors began to come to the Abbey now⁠—and the two boys were much interested in the people who flitted past almost from day to day. Among them was Mr. Prout who kept up a duet of volubility with Chator from morning to night for nearly a week, at the end of which he returned to his Bournemouth bank. These discussions amused Michael most when he was able to break the rhythm of the battledores by knocking down whatever liturgical or theological shuttlecock was being used. He would put forward the most outrageous heresy as his own firm conviction, and scandalize and even alarm poor Mr. Prout, who did not at all relish dogmatic follow-my-leader and prayed for Michael’s reckless soul almost as fervidly as for the confusion of the timid and malignant who annually objected to the forthcoming feast of the Assumption at St. Bartholomew’s. Mr. Prout, however, was only one of a series of ritualistic young men who prattled continually of vestments and ceremonies and ornaments, until Michael began to resent their gossip and withdraw from their society into the

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