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One of the ancients,once said that poetry is "the mirror of the perfect soul." Instead of simply writing down travel notes or, not really thinking about the consequences, expressing your thoughts, memories or on paper, the poetic soul needs to seriously work hard to clothe the perfect content in an even more perfect poetic form.
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Reading books RomanceThe unity of form and content is what distinguishes poetry from other areas of creativity. However, this is precisely what titanic work implies.
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Genre of poetry touches such strings in the human soul, the existence of which a person either didn’t suspect, or lowered them to the very bottom, intending to give them delight.


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Read books online » Poetry » The Complete Poems of Paul Laurence Dunbar by Paul Laurence Dunbar (that summer book TXT) 📖

Book online «The Complete Poems of Paul Laurence Dunbar by Paul Laurence Dunbar (that summer book TXT) 📖». Author Paul Laurence Dunbar



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that I
Might dare the seller too to buy!"
Alack and well-a-day.

She tossed her head, the coy coquette,
Alack and well-a-day.
"I'm not, sir, in the market yet,"
Alack and well-a-day.
"Your love must cool upon a shelf;
Tho' much I sell for gold and pelf,
I 'm yet too young to sell myself,"
Alack and well-a-day.

The youth was filled with sorrow sore,
Alack and well-a-day.
And looked he at the maid once more,
Alack and well-a-day.
Then loud he cried, "Fair maiden, if
Too young to sell, now as I live,
You're not too young yourself to give,"
Alack and well-a-day.

The little maid cast down her eyes,
Alack and well-a-day.
And many a flush began to rise,
Alack and well-a-day.
"Why, since you are so bold," she said,
"I doubt not you are highly bred,
So take me!" and the twain were wed,
Alack and well-a-day.


MERRY AUTUMN

It's all a farce,--these tales they tell
About the breezes sighing,
And moans astir o'er field and dell,
Because the year is dying.

Such principles are most absurd,--
I care not who first taught 'em;
There's nothing known to beast or bird
To make a solemn autumn.

In solemn times, when grief holds sway
With countenance distressing,
You'll note the more of black and gray
Will then be used in dressing.

Now purple tints are all around;
The sky is blue and mellow;
And e'en the grasses turn the ground
From modest green to yellow.

The seed burrs all with laughter crack
On featherweed and jimson;
And leaves that should be dressed in black
Are all decked out in crimson.

A butterfly goes winging by;
A singing bird comes after;
And Nature, all from earth to sky,
Is bubbling o'er with laughter.

The ripples wimple on the rills,
Like sparkling little lasses;
The sunlight runs along the hills,
And laughs among the grasses.

The earth is just so full of fun
It really can't contain it;
And streams of mirth so freely run
The heavens seem to rain it.

Don't talk to me of solemn days
In autumn's time of splendor,
Because the sun shows fewer rays,
And these grow slant and slender.

Why, it's the climax of the year,--
The highest time of living!--
Till naturally its bursting cheer
Just melts into thanksgiving.


WHEN DE CO'N PONE'S HOT

Dey is times in life when Nature
Seems to slip a cog an' go,
Jes' a-rattlin' down creation,
Lak an ocean's overflow;
When de worl' jes' stahts a-spinnin'
Lak a picaninny's top,
An' yo' cup o' joy is brimmin'
'Twell it seems about to slop,
An' you feel jes' lak a racah,
Dat is trainin' fu' to trot--
When yo' mammy says de blessin'
An' de co'n pone 's hot.

When you set down at de table,
Kin' o' weary lak an' sad,
An' you 'se jes' a little tiahed
An' purhaps a little mad;
How yo' gloom tu'ns into gladness,
How yo' joy drives out de doubt
When de oven do' is opened,
An' de smell comes po'in' out;
Why, de 'lectric light o' Heaven
Seems to settle on de spot,
When yo' mammy says de blessin'
An' de co'n pone 's hot.

When de cabbage pot is steamin'
An' de bacon good an' fat,
When de chittlins is a-sputter'n'
So 's to show you whah dey's at;
Tek away yo' sody biscuit,
Tek away yo' cake an' pie,
Fu' de glory time is comin',
An' it's 'proachin' mighty nigh,
An' you want to jump an' hollah,
Dough you know you 'd bettah not,
When yo' mammy says de blessin'
An' de co'n pone 's hot.

I have hyeahd o' lots o' sermons,
An' I 've hyeahd o' lots o' prayers,
An' I 've listened to some singin'
Dat has tuck me up de stairs
Of de Glory-Lan' an' set me
Jes' below de Mastah's th'one,
An' have lef my hea't a-singin'
In a happy aftah tone;
But dem wu'ds so sweetly murmured
Seem to tech de softes' spot,
When my mammy says de blessin',
An' de co'n pone's hot.


BALLAD

I know my love is true,
And oh the day is fair.
The sky is clear and blue,
The flowers are rich of hue,
The air I breathe is rare,
I have no grief or care;
For my own love is true,
And oh 'the day is fair.

My love is false I find,
And oh the day is dark.
Blows sadly down the wind,
While sorrow holds my mind;
I do not hear the lark,
For quenched is life's dear spark,--
My love is false I find,
And oh the day is dark!

For love doth make the day
Or dark or doubly bright;
Her beams along the way
Dispel the gloom and gray.
She lives and all is bright,
She dies and life is night.
For love doth make the day,
Or dark or doubly bright.


THE CHANGE HAS COME

The change has come, and Helen sleeps--
Not sleeps; but wakes to greater deeps
Of wisdom, glory, truth, and light,
Than ever blessed her seeking sight,
In this low, long, lethargic night,
Worn out with strife
Which men call life.

The change has come, and who would say
"I would it were not come to-day"?
What were the respite till to-morrow?
Postponement of a certain sorrow,
From which each passing day would borrow!
Let grief be dumb,
The change has come.


COMPARISON

The sky of brightest gray seems dark
To one whose sky was ever white.
To one who never knew a spark,
Thro' all his life, of love or light,
The grayest cloud seems over-bright.

The robin sounds a beggar's note
Where one the nightingale has heard,
But he for whom no silver throat
Its liquid music ever stirred,
Deems robin still the sweetest bird.


A CORN-SONG

On the wide veranda white,
In the purple failing light,
Sits the master while the sun is lowly burning;
And his dreamy thoughts are drowned
In the softly flowing sound
Of the corn-songs of the field-hands slow returning.

Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
Says de day is done.

O'er the fields with heavy tread,
Light of heart and high of head,
Though the halting steps be labored, slow, and weary;
Still the spirits brave and strong
Find a comforter in song,
And their corn-song rises ever loud and cheery.

Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
Says de day is done.

To the master in his seat,
Comes the burden, full and sweet,
Of the mellow minor music growing clearer,
As the toilers raise the hymn,
Thro' the silence dusk and dim,
To the cabin's restful shelter drawing nearer.

Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
Says de day is done.

And a tear is in the eye
Of the master sitting by,
As he listens to the echoes low-replying
To the music's fading calls
As it faints away and falls
Into silence, deep within the cabin dying.

Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
Says de day is done.


DISCOVERED

Seen you down at chu'ch las' night,
Nevah min', Miss Lucy.
What I mean? oh, dat 's all right,
Nevah min', Miss Lucy.
You was sma't ez sma't could be,
But you could n't hide f'om me.
Ain't I got two eyes to see!
Nevah min', Miss Lucy.

Guess you thought you's awful keen;
Nevah min', Miss Lucy.
Evahthing you done, I seen;
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