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One of the ancients,once said that poetry is "the mirror of the perfect soul." Instead of simply writing down travel notes or, not really thinking about the consequences, expressing your thoughts, memories or on paper, the poetic soul needs to seriously work hard to clothe the perfect content in an even more perfect poetic form.
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Reading books RomanceThe unity of form and content is what distinguishes poetry from other areas of creativity. However, this is precisely what titanic work implies.
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Genre of poetry touches such strings in the human soul, the existence of which a person either didn’t suspect, or lowered them to the very bottom, intending to give them delight.


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Read books online » Poetry » The Complete Poems of Paul Laurence Dunbar by Paul Laurence Dunbar (that summer book TXT) 📖

Book online «The Complete Poems of Paul Laurence Dunbar by Paul Laurence Dunbar (that summer book TXT) 📖». Author Paul Laurence Dunbar



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hard again.

Then he spoke to the wind: "Friend, seest thou not
Yon vessel is eastward bound?
Pray speed with it to the happy spot
Where thy loved one may be found."

And the wind rose up in a dear delight,
And after the good ship sped;
But the crafty sea by his wicked might
Kept the vessel ever ahead.

Till the wind grew fierce in his despair,
And white on the brow and lip.
He tore his garments and tore his hair,
And fell on the flying ship.

And the ship went down, for a rock was there,
And the sailless sea loomed black;
While burdened again with dole and care,
The wind came moaning back.

And still he moans from his bosom hot
Where his raging grief lies pent,
And ever when the ships come not,
The sea says: "I repent."


RIDING TO TOWN

When labor is light and the morning is fair,
I find it a pleasure beyond all compare
To hitch up my nag and go hurrying down
And take Katie May for a ride into town;
For bumpety-bump goes the wagon,
But tra-la-la-la our lay.
There's joy in a song as we rattle along
In the light of the glorious day.

A coach would be fine, but a spring wagon's good;
My jeans are a match for Kate's gingham and hood;
The hills take us up and the vales take us down,
But what matters that? we are riding to town,
And bumpety-bump goes the wagon,
But tra-la-la-la sing we.
There's never a care may live in the air
That is filled with the breath of our glee.

And after we've started, there's naught can repress
The thrill of our hearts in their wild happiness;
The heavens may smile or the heavens may frown,
And it's all one to us when we're riding to town.
For bumpety-bump goes the wagon,
But tra-la-la-la we shout,
For our hearts they are clear and there 's nothing to fear,
And we've never a pain nor a doubt.

The wagon is weak and the roadway is rough,
And tho' it is long it is not long enough,
For mid all my ecstasies this is the crown
To sit beside Katie and ride into town,
When bumpety-bump goes the wagon,
But tra-la-la-la our song;
And if I had my way, I 'd be willing to pay
If the road could be made twice as long.


WE WEAR THE MASK

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,--
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!


THE MEADOW LARK

Though the winds be dank,
And the sky be sober,
And the grieving Day
In a mantle gray
Hath let her waiting maiden robe her,--
All the fields along
I can hear the song
Of the meadow lark,
As she flits and flutters,
And laughs at the thunder when it mutters.
O happy bird, of heart most gay
To sing when skies are gray!

When the clouds are full,
And the tempest master
Lets the loud winds sweep
From his bosom deep
Like heralds of some dire disaster,
Then the heart alone
To itself makes moan;
And the songs come slow,
While the tears fall fleeter,
And silence than song by far seems sweeter.
Oh, few are they along the way
Who sing when skies are gray!


ONE LIFE

Oh, I am hurt to death, my Love;
The shafts of Fate have pierced my striving heart,
And I am sick and weary of
The endless pain and smart.
My soul is weary of the strife,
And chafes at life, and chafes at life.

Time mocks me with fair promises;
A blooming future grows a barren past,
Like rain my fair full-blossomed trees
Unburden in the blast.
The harvest fails on grain and tree,
Nor comes to me, nor comes to me.

The stream that bears my hopes abreast
Turns ever from my way its pregnant tide.
My laden boat, torn from its rest,
Drifts to the other side.
So all my hopes are set astray,
And drift away, and drift away.

The lark sings to me at the morn,
And near me wings her skyward-soaring flight;
But pleasure dies as soon as born,
The owl takes up the night,
And night seems long and doubly dark;
I miss the lark, I miss the lark.

Let others labor as they may,
I'll sing and sigh alone, and write my line.
Their fate is theirs, or grave or gay,
And mine shall still be mine.
I know the world holds joy and glee,
But not for me,--'t is not for me.


CHANGING TIME

The cloud looked in at the window,
And said to the day, "Be dark!"
And the roguish rain tapped hard on the pane,
To stifle the song of the lark.

The wind sprang up in the tree tops
And shrieked with a voice of death,
But the rough-voiced breeze, that shook the trees,
Was touched with a violet's breath.


DEAD

A knock is at her door, but she is weak;
Strange dews have washed the paint streaks from her cheek;
She does not rise, but, ah, this friend is known,
And knows that he will find her all alone.
So opens he the door, and with soft tread
Goes straightway to the richly curtained bed.
His soft hand on her dewy head he lays.
A strange white light she gives him for his gaze.
Then, looking on the glory of her charms,
He crushes her resistless in his arms.

Stand back! look not upon this bold embrace,
Nor view the calmness of the wanton's face;
With joy unspeakable and 'bated breath,
She keeps her last, long liaison with death!


A CONFIDENCE

Uncle John, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I would n't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Could n't corner me, you bet--
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So 's he 'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
"Look here, ain't you got a girl?"
Y' ought 'o seen me spread my eyes,
Like he 'd took me by surprise,
An' I said, "Oh, Uncle John,
Never thought o' havin' one."
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him--well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,
Not no foolin' ner no fun;
Fur I 'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we 're keepin' company.
Honest Injun! this is true,
Ever' word I 'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name 's Liz,
Nicest girl in town she is.
Purty? ah, git out, you gilly--
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she 's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T 's kinder nice to be a-goin'
With a girl 'at makes some showin'--
One you know 'at hain't
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