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One of the ancients,once said that poetry is "the mirror of the perfect soul." Instead of simply writing down travel notes or, not really thinking about the consequences, expressing your thoughts, memories or on paper, the poetic soul needs to seriously work hard to clothe the perfect content in an even more perfect poetic form.
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What is poetry?


Reading books RomanceThe unity of form and content is what distinguishes poetry from other areas of creativity. However, this is precisely what titanic work implies.
Not every citizen can become a poet. If almost every one of us, at different times, under the influence of certain reasons or trends, was engaged in writing his thoughts, then it is unlikely that the vast majority will be able to admit to themselves that they are a poet.
Genre of poetry touches such strings in the human soul, the existence of which a person either didn’t suspect, or lowered them to the very bottom, intending to give them delight.


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Read books online » Poetry » A Hidden Life and Other Poems by George MacDonald (best books to read in your 20s txt) 📖

Book online «A Hidden Life and Other Poems by George MacDonald (best books to read in your 20s txt) 📖». Author George MacDonald



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fell, an odorous rain.

But there was one dream-spot-my tale must wait
Until I tell the wonder of that spot.
It was a little room, built somehow-how
I do not know-against a steep hill-side,
Whose top was with a circular temple crowned,
Seen from far waves when winds were off the shore-
So that, beclouded, ever in the night
Of a luxuriant ivy, its low door,
Half-filled with rainbow hues of deep-stained glass,
Appeared to open right into the hill.
Never to sesame of mine that door
Yielded that room; but through one undyed pane,
Gazing with reverent curiosity,
I saw a little chamber, round and high,
Which but to see, was to escape the heat,
And bathe in coolness of the eye and brain;
For it was dark and green. Upon one side
A window, unperceived from without,
Blocked up by ivy manifold, whose leaves,
Like crowded heads of gazers, row on row,
Climbed to the top; and all the light that came
Through the thick veil was green, oh, kindest hue!
But in the midst, the wonder of the place,
Against the back-ground of the ivy bossed,
On a low column stood, white, pure, and still,
A woman-form in marble, cold and clear.
I know not what it was; it may have been
A Silence, or an Echo fainter still;
But that form yet, if form it can be called,
So undefined and pale, gleams vision-like
In the lone treasure-chamber of my soul,
Surrounded with its mystic temple dark.

Then came the thought, too joyous to keep joy,
Turning to very sadness for relief:
To sit and dream through long hot summer days,
Shrouded in coolness and sea-murmurings,
Forgot by all till twilight shades grew dark;
And read and read in the Arabian Nights,
Till all the beautiful grew possible;
And then when I had read them every one,
To find behind the door, against the wall,
Old volumes, full of tales, such as in dreams
One finds in bookshops strange, in tortuous streets;
Beside me, over me, soul of the place,
Filling the gloom with calm delirium,
That wondrous woman-statue evermore,
White, radiant; fading, as the darkness grew,
Into a ghostly pallour, that put on,
To staring eyes, a vague and shifting form.

But the old castle on the shattered shore-
Not the green refuge from the summer heat-
Drew forth our talk that day. For, as I said,
I asked her if she knew it. She replied,
"I know it well;" and added instantly:
"A woman used to live, my mother tells,
In one of its low vaults, so near the sea,
That in high tides and northern winds it was
No more a castle-vault, but a sea-cave!"
"I found there," I replied, "a turret stair
Leading from level of the ground above
Down to a vault, whence, through an opening square,
Half window and half loophole, you look forth
Wide o'er the sea; but the dim-sounding waves
Are many feet beneath, and shrunk in size
To a great ripple. I could tell you now
A tale I made about a little girl,
Dark-eyed and pale, with long seaweed-like hair,
Who haunts that room, and, gazing o'er the deep,
Calls it her mother, with a childish glee,
Because she knew no other." "This," said she,
"Was not a child, but woman almost old,
Whose coal-black hair had partly turned to grey,
With sorrow and with madness; and she dwelt,
Not in that room high on the cliff, but down,
Low down within the margin of spring tides."
And then she told me all she knew of her,
As we drove onward through the sunny day.
It was a simple tale, with few, few facts;
A life that clomb one mountain and looked forth;
Then sudden sank to a low dreary plain,
And wandered ever in the sound of waves,
Till fear and fascination overcame,
And led her trembling into life and joy.
Alas! how many such are told by night,
In fisher-cottages along the shore!

Farewell, old summer-day; I lay you by,
To tell my story, and the thoughts that rise
Within a heart that never dared believe
A life was at the mercy of a sea.


THE STORY.

Aye as it listeth blows the listless wind,
Filling great sails, and bending lordly masts,
Or making billows in the green corn fields,
And hunting lazy clouds across the blue:
Now, like a vapour o'er the sunny sea,
It blows the vessel from the harbour's mouth,
Out 'mid the broken crests of seaward waves,
And hovering of long-pinioned ocean birds,
As if the white wave-spots had taken wing.
But though all space is full of spots of white,
The sailor sees the little handkerchief
That flutters still, though wet with heavy tears
Which draw it earthward from the sunny wind.
Blow, wind! draw out the cord that binds the twain,
And breaks not, though outlengthened till the maid
Can only say, I know he is not here.
Blow, wind! yet gently; gently blow, O wind!
And let love's vision slowly, gently die;
And the dim sails pass ghost-like o'er the deep,
Lingering a little o'er the vanished hull,
With a white farewell to the straining eyes.
For never more in morning's level beam,
Will the wide wings of her sea-shadowing sails
From the green-billowed east come dancing in;
Nor ever, gliding home beneath the stars,
With a faint darkness o'er the fainter sea,
Will she, the ocean-swimmer, send a cry
Of home-come sailors, that shall wake the streets
With sudden pantings of dream-scaring joy.
Blow gently, wind! blow slowly, gentle wind!

Weep not, oh maiden! tis not time to weep;
Torment not thou thyself before thy time;
The hour will come when thou wilt need thy tears
To cool the burning of thy desert brain.
Go to thy work; break into song sometimes,
To die away forgotten in the lapse
Of dreamy thought, ere natural pause ensue;
Oft in the day thy time-outspeeding heart,
Sending thy ready eye to scout the east,
Like child that wearies of her mother's pace,
And runs before, and yet perforce must wait.

The time drew nigh. Oft turning from her work,
With bare arms and uncovered head she clomb
The landward slope of the prophetic hill;
From whose green head, as on the verge of time,
Seer-like she gazed, shading her hope-rapt eyes
From the bewilderment of work-day light,
Far out on the eternity of waves;
If from the Hades of the nether world
Her prayers might draw the climbing skyey sails
Up o'er the threshold of the horizon line;
For when he came she was to be his wife,
And celebrate with rites of church and home
The apotheosis of maidenhood.

Time passed. The shadow of a fear that hung
Far off upon the horizon of her soul,
Drew near with deepening gloom and clearing form,
Till it o'erspread and filled her atmosphere,
And lost all shape, because it filled all space,
Reaching beyond the bounds of consciousness;
But ever in swift incarnations darting
Forth from its infinite a stony stare,
A blank abyss, an awful emptiness.
Ah, God! why are our souls, lone helpless seas,
Tortured with such immitigable storm?
What is this love, that now on angel wing
Sweeps us amid the stars in passionate calm;
And now with demon arms fast cincturing,
Drops us, through all gyrations of keen pain,
Down the black vortex, till the giddy whirl
Gives fainting respite to the ghastly brain?
Not these the maiden's questions. Comes he yet?
Or am I widowed ere my wedding day?

Ah! ranged along our shores, on peak or cliff,
Or stone-ribbed promontory, or pier head,
Maidens have aye been standing; the same pain
Deadening the heart-throb; the same gathering mist
Dimming the eye that would be keen as death;
The same fixed longing on the changeless face.
Over the edge he vanished-came no more:
There, as in childhood's dreams, upon that line,
Without a parapet to shield the sense,
Voidness went sheer down to oblivion:
Over that edge he vanished-came no more.

O happy those for whom the Possible
Opens its gates of madness, and becomes
The Real around them! those to whom henceforth
There is but one to-morrow, the next morn,
Their wedding day, ever one step removed;
The husband's foot ever upon the verge
Of the day's threshold; whiteness aye, and flowers,
Ready to meet him, ever in a dream!
But faith and expectation conquer still;
And so her morrow comes at last, and leads
The death-pale maiden-ghost, dazzled, confused,
Into the land whose shadows fall on ours,
And are our dreams of too deep blessedness.
May not some madness be a kind of faith?
Shall not the Possible become the Real?
Lives not the God who hath created dreams?
So stand we questioning upon the shore,
And gazing hopeful towards the Unrevealed.

Long looked the maiden, till the visible
Half vanished from her eyes; the earth had ceased
That lay behind her, and the sea was all;
Except the narrow shore, which yet gave room
For her sea-haunting feet; where solid land,
Where rocks and hills stopped, frighted, suddenly,
And earth flowed henceforth on in trembling waves,
A featureless, a half re-molten world,
Halfway to the Unseen; the Invisible
Half seen in the condensed and flowing sky
Which lay so grimly smooth before her eyes
And brain and shrinking soul; where power of man
Could never heap up moles or pyramids,
Or dig a valley in the unstable gulf
Fighting for aye to make invisible,
To swallow up, and keep her smooth blue smile
Unwrinkled and unspotted with the land;
Not all the changes on the restless wave,
Saving it from a still monotony,
Whose only utterance was a dreary song
Of stifled wailing on the shrinking shore.

Such frenzy slow invaded the poor girl.
Not hers the hovering sense of marriage bells
Tuning the air with fragrance of sweet sound;
But the low dirge that ever rose and died,
Recurring without pause or any close,
Like one verse chaunted aye in sleepless brain.
Down to the shore it drew her from the heights,
Like witch's demon-spell, that fearful moan.
She knew that somewhere in the green abyss
His body swung in curves of watery force,
Now in a circle slow revolved, and now
Swaying like wind-swung bell, when surface waves
Sank their roots deep enough to reach the waif,
Hither and thither, idly to and fro,
Wandering unheeding through the heedless sea.
A kind of fascination seized her brain,
And drew her onward to the ridgy rocks
That ran a little way into the deep,
Like questions asked of Fate by longing hearts,
Bound which the eternal ocean breaks in sighs.
Along their flats, and furrows, and jagged backs,
Out to the lonely point where the green mass
Arose and sank, heaved slow and forceful, she
Went; and recoiled in terror; ever drawn,
Ever repelled, with inward shuddering
At the great, heartless, miserable depth.
She thought the ocean lay in wait for her,
Enticing her with horror's glittering eye,
And with the hope that in an hour sure fixed
In some far century, aeons remote,
She, conscious still of love, despite the sea,
Should, in the washing of perennial waves,
Sweep o'er some stray bone, or transformed dust
Of him who loved her on this happy earth,
Known by a dreamy thrill in thawing nerves.
For so the fragments of wild songs she sung
Betokened, as she sat and watched the tide,
Till, as it slowly grew, it touched her feet;
When terror overcame-she rose and fled
Towards the shore with fear-bewildered eye;
And, stumbling on the rocks with hasty steps,
Cried, "They are coming, coming at my heels."

Perhaps like this the songs she used to wail
In the rough northern tongue of Aberdeen:-

Ye'll hae me
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