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One of the ancients,once said that poetry is "the mirror of the perfect soul." Instead of simply writing down travel notes or, not really thinking about the consequences, expressing your thoughts, memories or on paper, the poetic soul needs to seriously work hard to clothe the perfect content in an even more perfect poetic form.
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What is poetry?


Reading books RomanceThe unity of form and content is what distinguishes poetry from other areas of creativity. However, this is precisely what titanic work implies.
Not every citizen can become a poet. If almost every one of us, at different times, under the influence of certain reasons or trends, was engaged in writing his thoughts, then it is unlikely that the vast majority will be able to admit to themselves that they are a poet.
Genre of poetry touches such strings in the human soul, the existence of which a person either didn’t suspect, or lowered them to the very bottom, intending to give them delight.


There are poets whose work, without exaggeration, belongs to the treasures of human thought and rightly is a world heritage. In our electronic library you will find a wide variety of poetry.
Opening a new collection of poems, the reader thus discovers a new world, a new thought, a new form. Rereading the classics, a person receives a magnificent aesthetic pleasure, which doesn’t disappear with the slamming of the book, but accompanies him for a very long time like a Muse. And it isn’t at all necessary to be a poet in order for the Muse to visit you. It is enough to pick up a volume, inside of which is Poetry. Be with us on our website.

Read books online » Poetry » A Hidden Life and Other Poems by George MacDonald (best books to read in your 20s txt) 📖

Book online «A Hidden Life and Other Poems by George MacDonald (best books to read in your 20s txt) 📖». Author George MacDonald



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yet, ye'll hae me yet,
Sae lang an' braid, an' never a hame!
Its nae the depth I fear a bit,
But oh, the wideness, aye the same!

The jaws[1] come up, wi' eerie bark;
Cryin' I'm creepy, cauld, an' green;
Come doon, come doon, he's lyin' stark,
Come doon an' steek his glowerin' een.

Syne wisht! they haud their weary roar,
An' slide awa', an' I grow sleepy:
Or lang, they're up aboot my door,
Yowlin', I'm cauld, an' weet, an' creepy!

O dool, dool! ye are like the tide-
Ye mak' a feint awa' to gang;
But lang awa' ye winna bide,-
An' better greet than aye think lang.

[Footnote 1: Jaws: English , breakers.]

Where'er she fled, the same voice followed her;
Whisperings innumerable of water-drops
Growing together to a giant voice;
That sometimes in hoarse, rushing undertones,
Sometimes in thunderous peals of billowy shouts,
Called after her to come, and make no stay.
From the dim mists that brooded seaward far,
And from the lonely tossings of the waves,
Where rose and fell the raving wilderness,
Voices, pursuing arms, and beckoning hands,
Reached shorewards from the shuddering mystery.
Then sometimes uplift, on a rocky peak,
A lonely form betwixt the sea and sky,
Watchers on shore beheld her fling wild arms
High o'er her head in tossings like the waves;
Then fix them, with clasped hands of prayer intense,
Forward, appealing to the bitter sea.
Then sudden from her shoulders she would tear
Her garments, one by one, and cast them far
Into the roarings of the heedless surge,
A vain oblation to the hungry waves.
Such she did mean it; and her pitying friends
Clothed her in vain-their gifts did bribe the sea.
But such a fire was burning in her brain,
The cold wind lapped her, and the sleet-like spray
Flashed, all unheeded, on her tawny skin.
As oft she brought her food and flung it far,
Reserving scarce a morsel for her need-
Flung it-with naked arms, and streaming hair
Floating like sea-weed on the tide of wind,
Coal-black and lustreless-to feed the sea.
But after each poor sacrifice, despair,
Like the returning wave that bore it far,
Rushed surging back upon her sickening heart;
While evermore she moaned, low-voiced, between-
Half-muttered and half-moaned: "Ye'll hae me yet;
Ye'll ne'er be saired, till ye hae ta'en mysel'."

And as the night grew thick upon the sea,
Quenching it all, except its voice of storm;
Blotting it from the region of the eye,
Though still it tossed within the haunted brain,
Entering by the portals of the ears,-
She step by step withdrew; like dreaming man,
Who, power of motion all but paralysed,
With an eternity of slowness, drags
His earth-bound, lead-like, irresponsive feet
Back from a living corpse's staring eyes;
Till on the narrow beach she turned her round.
Then, clothed in all the might of the Unseen,
Terror grew ghostly; and she shrieked and fled
Up to the battered base of the old tower,
And round the rock, and through the arched gap,
Cleaving the blackness of the vault within;
Then sank upon the sand, and gasped, and raved.
This was her secret chamber, this her place
Of refuge from the outstretched demon-deep,
All eye and voice for her, Argus more dread
Than he with hundred lidless watching orbs.
There, cowering in a nook, she sat all night,
Her eyes fixed on the entrance of the cave,
Through which a pale light shimmered from the sea,
Until she slept, and saw the sea in dreams.
Except in stormy nights, when all was dark,
And the wild tempest swept with slanting wing
Against her refuge; and the heavy spray
Shot through the doorway serpentine cold arms
To seize the fore-doomed morsel of the sea:
Then she slept never; and she would have died,
But that she evermore was stung to life
By new sea-terrors. Sometimes the sea-gull
With clanging pinions darted through the arch,
And flapped them round her face; sometimes a wave,
If tides were high and winds from off the sea,
Rushed through the door, and in its watery mesh
Clasped her waist-high, then out again to sea!
Out to the devilish laughter and the fog!
While she clung screaming to the bare rock-wall;
Then sat unmoving, till the low grey dawn
Grew on the misty dance of spouting waves,
That mixed the grey with white; picture one-hued,
Seen in the framework of the arched door:
Then the old fascination drew her out,
Till, wrapt in misty spray, moveless she stood
Upon the border of the dawning sea.

And yet she had a chamber in her soul,
The innermost of all, a quiet place;
But which she could not enter for the love
That kept her out for ever in the storm.
Could she have entered, all had been as still
As summer evening, or a mother's arms;
And she had found her lost love sleeping there.
Thou too hast such a chamber, quiet place,
Where God is waiting for thee. Is it gain,
Or the confused murmur of the sea
Of human voices on the rocks of fame,
That will not let thee enter? Is it care
For the provision of the unborn day,
As if thou wert a God that must foresee,
Lest his great sun should chance forget to rise?
Or pride that thou art some one in the world,
And men must bow before thee? Oh! go mad
For love of some one lost; for some old voice
Which first thou madest sing, and after sob;
Some heart thou foundest rich, and leftest bare,
Choking its well of faith with thy false deeds;
Not like thy God, who keeps the better wine
Until the last, and, if He giveth grief,
Giveth it first, and ends the tale with joy.
Madness is nearer God than thou: go mad,
And be ennobled far above thyself.
Her brain was ill, her heart was well: she loved.
It was the unbroken cord between the twain
That drew her ever to the ocean marge;
Though to her feverous phantasy, unfit,
'Mid the tumultuous brood of shapes distort,
To see one simple form, it was the fear
Of fixed destiny, unavoidable,
And not the longing for the well-known face,
That drew her, drew her to the urgent sea.
Better to die, better to rave for love,
Than to recover with sick sneering heart.

Or, if that thou art noble, in some hour,
Maddened with thoughts of that which could not be,
Thou mightst have yielded to the burning wind,
That swept in tempest through thy scorching brain,
And rushed into the thick cold night of the earth,
And clamoured to the waves and beat the rocks;
And never found the way back to the seat
Of conscious rule, and power to bear thy pain;
But God had made thee stronger to endure
For other ends, beyond thy present choice:
Wilt thou not own her story a fit theme
For poet's tale? in her most frantic mood,
Not call the maniac sister , tenderly?
For she went mad for love and not for gold.
And in the faded form, whose eyes, like suns
Too fierce for freshness and for dewy bloom,
Have parched and paled the hues of tender spring,
Cannot thy love unmask a youthful shape
Deformed by tempests of the soul and sea,
Fit to remind thee of a story old
Which God has in his keeping-of thyself?

But God forgets not men because they sleep.
The darkness lasts all night and clears the eyes;
Then comes the morning and the joy of light.
O surely madness hideth not from Him;
Nor doth a soul cease to be beautiful
In His sight, when its beauty is withdrawn,
And hid by pale eclipse from human eyes.
Surely as snow is friendly to the spring,
A madness may be friendly to the soul,
And shield it from a more enduring loss,
From the ice-spears of a heart-reaching frost.
So, after years, the winter of her life,
Came the sure spring to her men had forgot,
Closing the rent links of the social chain,
And leaving her outside their charmed ring.
Into the chill wind and the howling night,
God sent out for her, and she entered in
Where there was no more sea. What messengers
Ran from the door of love-contented heaven,
To lead her towards the real ideal home?
The sea, her terror, and the wintry wind.
For, on a morn of sunshine, while the wind
Yet blew, and heaved yet the billowy sea
With memories of the night of deep unrest,
They found her in a basin of the rocks,
Which, buried in a firmament of sea
When ocean winds heap up the tidal waves,
Yet, in the respiration of the surge,
Lifts clear its edge of rock, full to the brim
With deep, clear, resting water, plentiful.
There, in the blessedness of sleep, which God
Gives his beloved, she lay drowned and still.
O life of love, conquered at last by fate!
O life raised from the dead by Saviour Death!
O love unconquered and invincible!
The sea had cooled the burning of that brain;
Had laid to rest those limbs so fever-tense,
That scarce relaxed in sleep; and now she lies
Sleeping the sleep that follows after pain.
'Twas one night more of agony and fear,
Of shrinking from the onset of the sea;
One cry of desolation, when her fear
Became a fact, and then,-God knows the rest.
O cure of all our miseries- God knows!

O thou whose feet tread ever the wet sands
And howling rocks along the wearing shore,
Roaming the confines of the endless sea!
Strain not thine eyes across, bedimmed with tears;
No sail comes back across that tender line.
Turn thee unto thy work, let God alone;
He will do his part. Then across the waves
Will float faint whispers from the better land,
Veiled in the dust of waters we call storms,
To thine averted ears. Do thou thy work,
And thou shalt follow; follow, and find thine own.

O thou who liv'st in fear of the To come!
Around whose house the storm of terror breaks
All night; to whose love-sharpened ear, all day,
The Invisible is calling at thy door,
To render up that which thou can'st not keep,
Be it a life or love! Open thy door,
And carry forth thy dead unto the marge
Of the great sea; bear it into the flood,
Braving the cold that creepeth to thy heart,
And lay thy coffin as an ark of hope
Upon the billows of the infinite sea.
Give God thy dead to keep: so float it back,
With sighs and prayers to waft it through the dark,
Back to the spring of life. Say-"It is dead,
But thou, the life of life, art yet alive,
And thou can'st give the dead its dear old life,
With new abundance perfecting the old.
God, see my sadness; feel it in thyself."

Ah God! the earth is full of cries and moans,
And dull despair, that neither moans nor cries;
Thousands of hearts are waiting the last day,
For what
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