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Thriller is a genre in literature. Thriller completely independent genre. Books of this genre are available now for your attention. We add new Thriller books to our e-library every day every day. Always interesting and instructive to read using our elibrary.
Only occasionally does a rather skillfully tailored product come off this “conveyor line” that really has any merit in order to stand out from the basically homogeneous literary mass. Our electronic library is full of thriller highlights.
“Thriller” is a modern term.
This genre is classified by causing a sudden outburst of emotion in the reader.
Thriller elements are present in many works of different genres. Thriller mix of fantasy and detective. Of course, reading thriller novels of high quality in terms of content and form of presentation is a very useful, informative and even, in some cases, instructive activity. However, the reader must understand in advance that sometimes a detailed description of many bloody fights, shootings and martial arts, the suffering of numerous victims, all kinds of confrontations can cause him a kind of rejection from further reading works of this genre of literature.


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Reading books RomanceReading books romantic stories you will plunge into the world of feelings and love. Most of the time the story ends happily. Very interesting and informative to read books historical romance novels to feel the atmosphere of that time.
In this genre the characters can be both real historical figures and the author's imagination. Thanks to such historical romantic novels, you can see another era through the eyes of eyewitnesses.
Critics will say that romance is too predictable. That if you know how it ends, there’s no point in reading it. Sorry, but no. It’s okay to choose between genres to get what you need from your books. But in romance the happy ending is a feature.It’s so romantic to describe the scene when you have found your True Love like in “fairytale love story.”



Reading thrillers facilitates to the formation of a person's sense of danger and makes him avoid such situations in every possible way in real life. At the same time, the reader can use the example of books to form his own line of behavior in real situations. Thrillers contribute to the development of the sixth sense - intuition. The reader will definitely remember the heroes of thrillers, because they operate in extreme circumstances and must include all means for survival. Filmmakers are always on the lookout for new releases in thriller. Scripts are created every day, that are even more sophisticated and dynamic. Based on these scenarios, new films will be screened, that attract tens of thousands of fans thriller genre. Therefore, each reader will be interested in how it was possible to embody the complexity of the plot on the screen, which is described in the original book. The great success of thrillers on the screen, the basis will still be a book.



You may also be interested in books of the MYSTERY & CRIME or HORROR genre


Read books online » Thriller » The Silent House by Fergus Hume (e textbook reader .TXT) 📖

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The Project Gutenberg EBook of The Silent House, by Fergus Hume

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Silent House

Author: Fergus Hume

Release Date: August 17, 2006 [EBook #19069]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE SILENT HOUSE ***




Produced by Geetu Melwani, Suzanne Shell and the Online
Distributed Proofreading Team at http://www.pgdp.net






THE SILENT HOUSE BY FERGUS HUME New York
C. H. DOSCHER Copyright, 1907, by
C. H. DOSCHER
Table of Contents Page I—The Tenant of the Silent House 1 II—Shadows on the Blind 10 III—An Unsatisfactory Explanation 20 IV—Mrs. Kebby's Discovery 29 V—The Talk of the Town 38 VI—Mrs. Vrain's Story 47 VII—The Assurance Money 56 VIII—Diana Vrain 65 IX—A Marriage That Was a Failure 74 X—The Parti-Coloured Ribbon 83 XI—Further Discoveries 93 XII—The Veil and Its Owner 101 XIII—Gossip 111 XIV—The House in Jersey Street 121 XV—Rhoda and the Cloak 131 XVI—Mrs. Vrain at Bay 141 XVII—A Denial 151 XVIII—Who Bought the Cloak? 160 XIX—The Defence of Count Ferruci 169 XX—A New Development 179 XXI—Two Months Pass 187 XXII—At Berwin Manor 196 XXIII—A Startling Theory 206 XXIV—Lucian Is Surprised 215 XXV—A Dark Plot 224 XXVI—The Other Man's Wife 233 XXVII—A Confession 241 XXVIII—The Name of the Assassin 252 XXIX—Link Sets a Trap 262 XXX—Who Fell into the Trap 272 XXXI—A Strange Confession 282 XXXII—The Confession  (continued) 291 XXXIII—What Rhoda Had to Say 301 XXXIV—The End of It All 310
I have ample time at my command, and I shall only be too happy to place it and myself at your service I have ample time at my command, and I shall only be too happy to place it and myself at your service

THE SILENT HOUSE CHAPTER I THE TENANT OF THE SILENT HOUSE

Lucian Denzil was a briefless barrister, who so far departed from the traditions of his brethren of the long robe as not to dwell within the purlieus of the Temple. For certain private reasons, not unconnected with economy, he occupied rooms in Geneva Square, Pimlico; and, for the purposes of his profession, repaired daily, from ten to four, to Serjeant's Inn, where he shared an office with a friend equally briefless and poor.

This state of things sounds hardly enviable, but Lucian, being young and independent to the extent of ÂŁ300 a year, was not dissatisfied with his position. As his age was only twenty-five, there was ample time, he thought, to succeed in his profession; and, pending that desirable consummation, he cultivated the muses on a little oatmeal, after the fashion of his kind. There have been lives less happily circumstanced.

Geneva Square was a kind of backwater of the great river of town life which swept past its entrance with speed and clamour without disturbing the peace within. One long, narrow street led from a roaring thoroughfare into a silent quadrangle of tall grey houses, occupied by lodging-house keepers, city clerks and two or three artists, who represented the Bohemian element of the place. In the centre there was an oasis of green lawn, surrounded by rusty iron railings the height of a man, dotted with elms of considerable age, and streaked with narrow paths of yellow gravel.

The surrounding houses represented an eminently respectable appearance, with their immaculately clean steps, white-curtained windows, and neat boxes of flowers. The windows glittered like diamonds, the door-knobs and plates shone with a yellow lustre, and there were no sticks, or straws, or waste paper lying about to mar the tidy look of the square.

With one exception, Geneva Square was a pattern of all that was desirable in the way of cleanliness and order. One might hope to find such a haven in some somnolent cathedral town, but scarcely in the grimy, smoky, restless metropolis of London.

The exception to the notable spotlessness of the neighborhood was No. 13, a house in the centre of the side opposite to the entrance. Its windows were dusty, and without blinds or curtains, there were no flower-boxes on the ledges, the steps lacked whitewash, and the iron railings looked rusty for want of paint. Stray straws and scraps of paper found their way down the area, where the cracked pavement was damp with green slime. Such beggars as occasionally wandered into the square, to the scandal of its inhabitants, camped on the doorstep; and the very door itself presented a battered, dissolute appearance.

Yet, for all its ill looks and disreputable suggestions, those who dwelt in Geneva Square would not have seen it furbished up and occupied for any money. They spoke about it in whispers, with ostentatious tremblings, and daunted looks, for No. 13 was supposed to be haunted, and had been empty for over twenty years. By reason of its legend, its loneliness and grim appearance, it was known as the Silent House, and formed quite a feature of the place. Murder had been done long ago in one of its empty, dusty rooms, and it was since then that the victim walked. Lights, said the ghost-seers, had been seen flitting from window to window, groans were sometimes heard, and the apparition of a little old woman in brocaded silk and high-heeled shoes appeared on occasions. Hence the Silent House bore an uncanny reputation.

How much truth there was in these stories it is impossible to say; but sure enough, in spite of a low rental, no tenant would take No. 13 and face its ghostly terrors. House and apparition and legend had become quite a tradition, when the whole fantasy was ended in the summer of '95 by the unexpected occupation of the mansion. Mr. Mark Berwin, a gentleman of mature age, who came from nobody knew where, rented No. 13, and established himself therein to lead a strange and lonely life.

At first, the gossips, strong in ghostly tradition, declared that the new tenant would not remain a week in the house; but as the week extended into six months, and Mr. Berwin showed no signs of leaving, they left off speaking of the ghost and took to discussing the man himself. In a short space of time quite a collection of stories were told about the newcomer and his strange ways.

Lucian heard many of these tales from his landlady. How Mr. Berwin lived all alone in the Silent House without servant or companion; how he spoke to none, and admitted no one into the mansion; how he appeared to have plenty of money, and was frequently seen coming home more or less intoxicated; and how Mrs. Kebby, the deaf charwoman who cleaned out Mr. Berwin's rooms, declined to sleep in the house because she considered that there was something wrong about her employer.

To such gossip Denzil paid little attention, until his skein of life became unexpectedly entangled with that of the strange gentleman. The manner of their meeting was unforeseen and peculiar.

One foggy November night, Lucian, returning from the theatre, shortly after eleven o'clock, dismissed his hansom at the entrance to the square and walked thereinto through the thick mist, trusting to find his way home by reason of two years' familiarity with the precincts. As it was impossible to see even the glare of the near gas lamp in the murky air, Lucian felt his way cautiously along the railings. The square was filled with fog, dense to the eye and cold to the feel, so that Lucian shivered with the chill, in spite of the fur coat over his evening clothes.

As he edged gingerly along, and thought longingly of the fire and supper awaiting him in his comfortable rooms, he was startled by hearing a deep, rich voice boom out almost at his feet. To make the phenomenon still more remarkable, the voice shaped itself into certain well-known words of Shakespeare:

"Oh!" boomed this vox et præterea nihil in rather husky tones, "Oh! that a man should put an enemy in his mouth to steal away his brains!" And then through the mist and darkness came the unmistakable sound of sobs.

"God bless me!" cried Lucian, leaping back, with shaken nerves. "Who is this? Who are you?"

"A lost soul!" wailed the deep voice, "which God will not bless!" And then came the sobbing again.

It made Denzil's blood run cold to hear this unseen creature weeping in the gloom. Moving cautiously in the direction of the sound, he stumbled against a man with his folded arms resting on the railings, and his face bent down on his arms. He made no attempt to turn when Lucian touched him, but with downcast head continued to weep and moan in a very frenzy of self-pity.

"Here!" said the young barrister, shaking the stranger by the shoulder, "what is the matter with you?"

"Drink!" stuttered the man, suddenly turning with a dramatic gesture. "I am an object lesson to teetotalers; a warning to topers; a modern helot made shameful to disgust youth with vice."

"You had better go home, sir," said Lucian sharply.

"I can't find home. It is somewhere hereabout, but where, I don't know."

"You are in Geneva Square," said Denzil, trying to sharpen the dulled wits of the man.

"I wish I was in No. 13 of it," sighed the stranger. "Where the deuce is No. 13? Not in this Cloudcuckooland, anyhow."

"Oh!" cried Lucian, taking the man's arm. "Come with me. I'll lead you home, Mr. Berwin."

Scarcely had the name passed his lips than the stranger drew back suddenly, with a hasty exclamation. Some suspicion seemed to engender a mixture of terror and defiance which placed him on his guard against undue intimacy, even when some undefined fear was knocking at his heart. "Who are you?" he demanded in a steadier tone. "How do you know my name?"

"My name is Denzil, Mr. Berwin, and I live in one of the houses of this square. As you mention No. 13, I know you can be none other than Mr. Mark Berwin, the tenant of the Silent House."

"The dweller in the haunted house," sneered Berwin, evidently relieved, "who stays there with ghosts, and worse than ghosts."

"Worse than ghosts?"

"The phantoms of my own sins, young man. I have sowed folly, and now I am reaping the crop. I am——" Here his further speech was interrupted by a fit of coughing, which shook his lean figure severely. At its conclusion he was so exhausted that he was forced to support himself against the railings. "A portion of the crop," he murmured.

Lucian was sorry for the man, who seemed scarcely capable of looking after himself, and he thought it unwise to leave him in such a plight. At the same time, he was impatient of lingering in the heart of the clammy fog at such a late hour; so, as his companion seemed indisposed to move, he

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