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Thriller is a genre in literature. Thriller completely independent genre. Books of this genre are available now for your attention. We add new Thriller books to our e-library every day every day. Always interesting and instructive to read using our elibrary.
Only occasionally does a rather skillfully tailored product come off this “conveyor line” that really has any merit in order to stand out from the basically homogeneous literary mass. Our electronic library is full of thriller highlights.
“Thriller” is a modern term.
This genre is classified by causing a sudden outburst of emotion in the reader.
Thriller elements are present in many works of different genres. Thriller mix of fantasy and detective. Of course, reading thriller novels of high quality in terms of content and form of presentation is a very useful, informative and even, in some cases, instructive activity. However, the reader must understand in advance that sometimes a detailed description of many bloody fights, shootings and martial arts, the suffering of numerous victims, all kinds of confrontations can cause him a kind of rejection from further reading works of this genre of literature.


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Reading books RomanceReading books romantic stories you will plunge into the world of feelings and love. Most of the time the story ends happily. Very interesting and informative to read books historical romance novels to feel the atmosphere of that time.
In this genre the characters can be both real historical figures and the author's imagination. Thanks to such historical romantic novels, you can see another era through the eyes of eyewitnesses.
Critics will say that romance is too predictable. That if you know how it ends, there’s no point in reading it. Sorry, but no. It’s okay to choose between genres to get what you need from your books. But in romance the happy ending is a feature.It’s so romantic to describe the scene when you have found your True Love like in “fairytale love story.”



Reading thrillers facilitates to the formation of a person's sense of danger and makes him avoid such situations in every possible way in real life. At the same time, the reader can use the example of books to form his own line of behavior in real situations. Thrillers contribute to the development of the sixth sense - intuition. The reader will definitely remember the heroes of thrillers, because they operate in extreme circumstances and must include all means for survival. Filmmakers are always on the lookout for new releases in thriller. Scripts are created every day, that are even more sophisticated and dynamic. Based on these scenarios, new films will be screened, that attract tens of thousands of fans thriller genre. Therefore, each reader will be interested in how it was possible to embody the complexity of the plot on the screen, which is described in the original book. The great success of thrillers on the screen, the basis will still be a book.



You may also be interested in books of the MYSTERY & CRIME or HORROR genre


Read books online » Thriller » The After House by Mary Roberts Rinehart (color ebook reader txt) 📖

Book online «The After House by Mary Roberts Rinehart (color ebook reader txt) 📖». Author Mary Roberts Rinehart



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justified in filling us with lead, or putting us in straitjackets.”

But I had discovered something.

“Mac,” I said, “some one has been at this boat within the last few minutes.”

“Why?”

“Take your revolver and watch the deck. One of the barecas - “

“What’s that?”

“One of the water-barrels has been upset, and the plug is out. It is leaking into the boat. It is leaking fast, and there’s only a gallon or so in the bottom! Give me the light.”

The contents of the boat revealed the truth of what I had said. The boat was in confusion. Its cover had been thrown back, and tins of biscuit, bailers, boathooks and extra rowlocks were jumbled together in confusion. The barecas lay on its side, and its plug had been either knocked or drawn out.

McWhirter was for turning to inspect the boat; but I ordered him sternly to watch the deck. He was inclined to laugh at my caution, which he claimed was a quality in me he had not suspected. He lounged against the rail near me, and, in spite of his chaff, kept a keen enough lookout.

The barecas of water were lashed amidships. In the bow and stern were small air-tight compartments, and in the stern was also a small locker from which the biscuit tins had been taken. I was about to abandon my search, when I saw something gleaming in the locker, and reached in and drew it out. It appeared to be an ordinary white sheet, but its presence there was curious. I turned the light on it. It was covered with dark-brown stains.

Even now the memory of that sheet turns me ill. I shook it out, and Mac, at my exclamation, came to me. It was not a sheet at all, that is, not a whole one. It was a circular piece of white cloth, on which, in black, were curious marks - a six-pointed star predominating. There were others - a crescent, a crude attempt to draw what might be either a dog or a lamb, and a cross. From edge to edge it was smeared with blood.

Of what followed just after, both McWhirter and I are vague. There seemed to be, simultaneously, a yell of fury from the rigging overhead, and the crash of a falling body on the deck near us. Then we were closing with a kicking, biting, screaming thing, that bore me to the ground, extinguishing the little electric flash, and that, rising suddenly from under me, had McWhirter in the air, and almost overboard before I caught him. So dazed were we by the onslaught that the thing - whatever it was - could have escaped, and left us none the wiser. But, although it eluded us in the darkness, it did not leave. It was there, whimpering to itself, searching for something - the sheet. As I steadied Mac, it passed me. I caught at it. Immediately the struggle began all over again. But this time we had the advantage, and kept it. After a battle that seemed to last all night, and that was actually fought all over that part of the deck, we held the creature subdued, and Mac, getting a hand free, struck a match.

It was Charlie Jones.

That, after all, is the story. Jones was a madman, a homicidal maniac of the worst type. Always a madman, the homicidal element of his disease was recurrent and of a curious nature.

He thought himself a priest of heaven, appointed to make ghastly sacrifices at certain signals from on high. The signals I am not sure of; he turned taciturn after his capture and would not talk. I am inclined to think that a shooting star, perhaps in a particular quarter of the heavens, was his signal. This is distinctly possible, and is made probable by the stars which he had painted with tar on his sacrificial robe.

The story of the early morning of August 12 will never be fully known; but much of it, in view of our knowledge, we were able to reconstruct. Thus - Jones ate his supper that night, a mild and well-disposed individual. During the afternoon before, he had read prayers for the soul of Schwartz, in whose departure he may or may not have had a part I am inclined to think not, Jones construing his mission as being one to remove the wicked and the oppressor, and Schwartz hardly coming under either classification.

He was at the wheel from midnight until four in the morning on the night of the murders. At certain hours we believe that he went forward to the forecastle-head, and performed, clad in his priestly robe, such devotions as his disordered mind dictated. It is my idea that he looked, at these times, for a heavenly signal, either a meteor or some strange appearance of the heavens. It was known that he was a poor sleeper, and spent much time at night wandering around.

On the night of the crimes it is probable that he performed his devotions early, and then got the signal. This is evidenced by Singleton’s finding the axe against the captain’s door before midnight. He had evidently been disturbed. We believe that he intended to kill the captain and Mr. Turner, but made a mistake in the rooms. He clearly intended to kill the Danish girl. Several passages in his Bible, marked with a red cross, showed his inflamed hatred of loose women; and he believed Karen Hansen to be of that type.

He locked me in, slipping down from the wheel to do so, and pocketing the key. The night was fairly quiet. He could lash the wheel safely, and he had in his favor the fact that Oleson, the lookout, was a slow-thinking Swede who notoriously slept on his watch. He found the axe, not where he had left it, but back in the case. But the case was only closed, not locked - Singleton’s error.

Armed with the axe, Jones slipped back to the wheel and waited. He had plenty of time. He had taken his robe from its hiding-place in the boat, and had it concealed near him with the axe. He was ready, but he was waiting for another signal. He got it at half-past two. He admitted the signal and the time, but concealed its nature - I think it was a shooting star. He killed Vail first, believing it to be Turner, and making with his axe, the four signs of the cross. Then he went to the Hansen girl’s door. He did not know about the bell, and probably rang it by accident as he leaned over to listen if Vail still breathed.

The captain, in the mean time, had been watching Singleton. He had forbidden his entering the after house; if he caught him disobeying he meant to, put him in irons. He was without shoes or coat, and he sat waiting on the after companion steps for developments.

It was the captain, probably, whom Karen Hansen mistook for Turner. Later he went back to the forward companionway, either on his way back to his cabin, or still with an eye to Singleton’s movements.

To the captain there must have appeared this grisly figure in flowing white, smeared with blood and armed with an axe. The sheet was worn over Jones’s head - along, narrow slit serving him to see through, and two other slits freeing his arms. The captain was a brave man, but the apparition, gleaming in the almost complete darkness, had been on him before he could do more than throw up his hands.

Jones had not finished. He went back to the chartroom and possibly even went on deck and took a look at the wheel. Then he went down again and killed the Hansen woman.

He was exceedingly cunning. He flung the axe into the room, and was up and at the wheel again, all within a few seconds. To tear off and fold up the sheet, to hide it under near-by cordage, to strike the ship’s bell and light his pipe - all this was a matter of two or three minutes. I had only time to look at Vail. When I got up to the wheel, Jones was smoking quietly.

I believe he tried to get Singleton later, and failed. But he continued his devotions on the forward deck, visible when clad in his robe, invisible when he took it off. It was Jones, of course, who attacked Burns and secured the key to the captain’s cabin; Jones who threw the axe overboard after hearing the crew tell that on its handle were finger-prints to identify the murderer; Jones who, while on guard in the after house below, had pushed the key to the storeroom under Turner’s door; Jones who hung the marlinespike over the side, waiting perhaps for another chance at Singleton; Jones, in his devotional attire, who had frightened the crew into hysteria, and who, discovered by Mrs. Johns in the captain’s cabin, had rushed by her, and out, with the axe. It is noticeable that he made no attempt to attack her. He killed only in obedience to his signal, and he had had no signal.

Perhaps the most curious thing, after the murderer was known, was the story of the people in the after house. It was months before I got that in full. The belief among the women was that Turner, maddened by drink and unreasoning jealousy, had killed Vail, and then, running amuck or discovered by the other victims, had killed them. This was borne out by Turner’s condition. His hands and parts of his clothing were bloodstained.

Their condition was pitiable. Unable to speak for himself, he lay raving in his room, talking to Vail and complaining of a white figure that bothered him. The key that Elsa Lee picked up was another clue, and in their attempt to get rid of it I had foiled them. Mrs. Johns, an old friend and, as I have said, an ardent partisan, undertook to get rid of the axe, with the result that we know. Even Turner’s recovery brought little courage. He could only recall that he had gone into Vail’s room and tried to wake him, without result; that he did not know of the blood until the next day, or that Vail was dead; and that he had a vague recollection of something white and ghostly that night - he was not sure where he had seen it.

The failure of their attempt to get rid of the storeroom key was matched by their failure to smuggle Turner’s linen off the ship. Singleton suspected Turner, and, with the skillful and not over scrupulous aid of his lawyer, had succeeded in finding in Mrs. Sloane’s trunk the incriminating pieces.

As to the meaning of the keys, file, and club in Singleton’s mattress, I believe the explanation is simple enough. He saw against him a strong case. He had little money and no influence, while Turner had both. I have every reason to believe that he hoped to make his escape before the ship anchored, and was frustrated by my discovery of the keys and by an extra bolt I put on his door and window.

The murders on the schooner-yacht Ella were solved.

McWhirter went back to his hospital, the day after our struggle, wearing a strip of plaster over the bridge of his nose and a new air of importance. The Turners went to New York soon after, and I was alone. I tried to put Elsa Lee out of my thoughts, as she had gone out of my life, and, receiving the hoped-for hospital appointment at that time, I tried to make up by hard work for a happiness that I had not lost because it had never been mine.

A curious thing has happened to me. I

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