Highways & Byways in Sussex by E. V. Lucas (beautiful books to read .txt) 📖
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From Bognor it is a mere step to Felpham, a village less than a mile to the east. Whether or not one goes there to-day is a matter of taste; but a hundred years ago to omit a visit was to confess one's-self a boor, for William Hayley, the poet and friend of genius, lived there, and his castellated stucco house became a shrine. At that day it seems to have been no uncommon sight for the visitor to Bognor to be refreshed by the spectacle of the poet falling from his horse. According to his biographer, Cowper's Johnny of Norfolk, Hayley descended to earth almost as often as Alice's White Knight, partly from the high spirit of his steed, and partly from a habit which he never abandoned of wearing military spurs and carrying an umbrella. The memoir of the poet contains this agreeable passage: "The Editor was once riding gently by his side, on the stony beach of Bognor, when the wind suddenly reversed his umbrella as he unfolded it; his horse, with a single but desperate plunge, pitched him on his head in an instant.... On another occasion, on the same visit ... he was tost into the air on the Downs, at the precise moment when an interested friend whom they had just left, being apprehensive of what would happen, was anxiously viewing him from his window, through a telescope." Those who look through telescopes are rarely so fortunate. It is odd that Hayley, a delicate and heavy man suffering from hip-disease, should have taken so little hurt. Although he had a covered passage for horse exercise in the grounds of his villa, no amount of practice seems to have improved his seat. This covered way has been removed, but a mulberry tree planted by Hayley still flourishes.
Whenever Hayley was ill he became an object of intense interest to visitors at Bognor. Binsted's Library in the town exhibited a daily bulletin; and in 1819 the Prince and Princess of Saxe-Coburg called upon him, while the Princess of Hesse Homburg on her return sent a prescription from Germany.
Mrs. Opie, the novelist, who stayed with Mr. Hayley every summer, and also served as a magnet to devout sojourners at Bognor, has left an account of the poet's habits which is vastly more entertaining than his poetry. He rose at six or earlier and at once composed some devotional verse. At breakfast, he read to Mrs. Opie; afterwards Mrs. Opie read to him. At eleven they drank coffee, and before he dressed for dinner, a very temperate meal, Mrs. Opie sang. After dinner there was more reading aloud, the matter being either manuscript compositions of Mr. Hayley's, or modern publications. Mr. Hayley took cocoa and Mrs. Opie tea, and afterwards Mrs. Opie read aloud or sang. At nine, the servants came to prayers, which were original compositions of Mr. Hayley's, read by him in a very impressive manner, and before bed, Mrs. Opie sang one of Mr. Hayley's hymns.
Hayley's grave is at Felpham, and his epitaph by Mrs. Opie may be read by the industrious on the wall of the church. Among the many epitaphs on his neighbours by Hayley himself, who had a special knack of mortuary verse, is this on a Felpham blacksmith:—
The last verses that Hayley wrote have more charm and delicacy than perhaps anything else among his works:
But it is not Hayley that gives its glory to Felpham. The glory of Felpham is that William Blake was happy there for nearly three years. It was at Felpham that he saw the fairy's funeral. "Did you ever see a fairy's funeral, ma'am?" he asked a visitor. "Never, sir!" "I have!... I was walking alone in my garden; there was great stillness among the branches and flowers, and more than common sweetness in the air; I heard a low and pleasant sound, and I knew not whence it came. At last I saw the broad leaf of a flower move, and underneath I saw a procession of creatures, of the size and colour of green and grey grasshoppers, bearing a body laid out on a rose-leaf, which they buried with songs, and then disappeared. It was a fairy's funeral!"
Blake settled at Felpham to be near Hayley, for whom he had a number of commissions to execute. He engraved illustrations to Hayley's works, and painted eighteen heads for Hayley's library—among them, Shakespeare, Homer, and Hayley himself; but all have vanished, the present owner knows not where.
In some verses which Blake addressed to Anna Flaxman, the wife of the sculptor, in September, 1800, a few days before moving from London to the Sussex coast, he says:—
Blake's house still stands, a retired, thatched cottage, facing the sea, but some distance from it. In a letter to Flaxman a little later, he says, "Felpham is a sweet place for study, because it is more spiritual than London. Heaven opens here on all sides its golden gates; the windows are not obstructed by vapours; voices of celestial inhabitants are more distinctly heard, their forms more distinctly seen; and my cottage is also a shadow of their houses." Beside the sea Blake communed with the spirits of Dante and Homer, Milton and the Hebrew Prophets.
Blake's sojourn at Felpham ended in 1803. A grotesque and annoying incident marred its close, the story of which, as told by the poet in a letter to Mr. Butler, certainly belongs to the history of Sussex. It should, however, first be stated that an ex-soldier in the Royal Dragoons, named John Scholfield, had accused Blake of uttering seditious words. The letter runs:—"His enmity arises from my having turned him out of my garden, into which he was invited as an assistant by a gardener at work therein, without my knowledge that he was so invited. I desired him, as politely as possible, to go out of the garden; he made me an impertinent answer. I insisted on his leaving the garden; he refused. I still persisted in desiring his departure. He then threatened to knock out my eyes, with many abominable imprecations, and with some contempt for my person; it affronted my foolish pride. I therefore took him by the elbows, and pushed him before me until I had got him out. There I intended to have left him; but he, turning about, put himself into a posture of defiance, threatening and swearing at me. I, perhaps foolishly and perhaps not, stepped out at the gate, and, putting aside his blows, took him again by the elbows, and, keeping his back to me, pushed him forward down the road about fifty yards—he all the while endeavouring to turn round and strike me, and raging and cursing, which drew out several neighbours. At length when I had got him to where he was quartered, which was very quickly done, we were met at the gate by the master of the house—the Fox Inn—(who is the proprietor of my cottage) and his wife and daughter, and the man's comrade, and several other people. My landlord compelled the soldiers to go indoors, after many abusive threats against me and my wife from the two soldiers; but not one word of threat on account of sedition was uttered at that time."
As a result, Blake was haled before the magistrates and committed for trial. The trial was held in the Guildhall at Chichester, on January 11th, 1804. Hayley, in spite of having been thrown from his horse on a flint with, says Gilchrist, Blake's biographer, "more than usual violence" was in attendance to swear to the poet's character, and Cowper's friend Rose, a clever barrister, had been retained. According to the report in the County paper, "William Blake, an engraver at Felpham, was tried on a charge exhibited against him by two soldiers for having uttered seditious and treasonable expressions, such as 'd—n the king, d—n all his subjects, d—n his soldiers, they are all slaves; when Buonaparte comes, it will be cut-throat for cut-throat, and the weakest must go to the wall; I will help him; &c., &c.'" Blake electrified the court by calling out "False!" in the midst of the military evidence, the invented character of which was, however, so obvious that an acquittal resulted. "In defiance of all decency," the spectators cheered, and Hayley carried off the sturdy Republican (as he was at heart) to Mid Lavant, to sup at Mrs. Poole's.
Mr. Gilchrist found an old fellow who had been present at the trial, drawn thither by the promise of seeing the great man of the neighbourhood, Mr. Hayley. All that he could remember was Blake's flashing eye.
The Fox Inn, by the way, is still as it was, but the custom, I fancy, goes more to the Thatched House, which adds to the charms of refreshment a museum containing such treasures as a petrified cocoanut, the skeleton of a lobster twenty-eight years old, and a representation of Moses in the bulrushes.
A third and fourth great man, of a different type both from Hayley and Blake, met at Felpham in 1819. One was Cyril Jackson, Dean of Christ Church, who, lying on his death-bed in the Manor House, was visited by the other—his old pupil, the First Gentleman in Europe.
[2] The Sussex provincial name for the whimbrel.
Arundel
Arundel. CHAPTER VII ARUNDEL AND NEIGHBOURHOODA feudal town—Castles ruined and habitable—The old religion and the new—Bevis of Southampton—Lord Thurlow lays an egg—A noble park—A song in praise of Sussex—The father of cricket.
Seen from the river or from the east side of the Arun valley, Arundel is the most imposing town in Sussex. Many are larger, many are equally old, or older; but none wears so unusual and interesting an air, not even Lewes among her Downs.
Arundel clings to the side of a shaggy hill above the Arun. Castle, cathedral, church—these are Arundel; the town itself is secondary, subordinate, feudal. The castle is what one likes a castle to be—a mass of battlemented stone, with a keep, a gateway, and a history, and yet more habitable than ever. So many of the rich make no effort to live in their ancestral halls; and what might be a home, carrying on the tradition of ages, is so often only a mere show, that to find an
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