Highways & Byways in Sussex by E. V. Lucas (beautiful books to read .txt) đź“–
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Beyond Parham, less than two miles to the east, is Storrington, a quiet Sussex village far from the rail and the noise of the world, with the Downs within hail, and fine sparsely-inhabited country between them and it to wander in. The church is largely modern. I find the following sententious paragraph in the county paper for 1792:—"This is an age of Sights and polite entertainment in the country as well as in the city.—The little town of Storrington has lately been visited by a Company of Comedians,—a Mountebank Doctor,—and a Puppet Show. One day the Doctor's Jack Pudding finding the shillings come in but slowly, exclaimed to his Master, 'Gad, Sir, it is not worth our while to stay here any longer, players have got all the gold, we all the silver, and Punch all the copper, so, like sagacious locusts, let us migrate from the place we helped to impoverish."
Amberley Church
Amberley Church.This reminds me that I saw recently at Petworth, whither we are now moving, a travelling circus whose programme included a comic interlude that cannot have received the slightest modification since it was first planned, perhaps hundreds of years ago. It was sheer essential elemental horse-play straight from Bartholomew Fair, and the audience received it with rapture that was vouchsafed to nothing else. The story would be too long to tell; but briefly, it was a dumb show representation of the visit of a guest (the clown) to a wife, unknown to her husband. The scenery consisted of a table, a large chest, a heap of straw and a huge barrel. The fun consisted in the clown, armed with a bladder on a string, hiding in the barrel, from which he would spring up and deliver a sounding drub upon the head of whatever other character—husband or policeman—might be passing, to their complete perplexity. They were, of course, incapable of learning anything from experience. At other times he hid himself or others in the straw, in the chest, or under the table. When, in a country district such as this, one hears the laughter that greets so venerable a piece of pantomime, one is surprised that circus owners think it worth while to secure novelties at all. The primitive taste of West Sussex, at any rate, cannot require them.
Pulborough Church
Pulborough Church. CHAPTER X PETWORTHPulborough and its past—Stopham—Fittleworth—The natural advantages of the Swan—Petworth's feudal air—An historical digression naming many Percies—The third Earl of Egremont—The Petworth pictures—Petworth Park—Cobbett's opinion—The vicissitudes of the Petworth ravens—Tillington's use to business men—A charming epitaph—Noah Mann of the Hambledon Club.
Petworth is not on the direct road to Horsham, which is our next centre, but it is easily gained from Arundel by rail (changing at Pulborough), or by road through Bury, Fittleworth, and Egdean.
Pulborough is now nothing: once it was a Gibraltar, guarding Stane Street for Rome. The fort was on a mound west of the railway, corresponding with the church mound on the east. Here probably was a catapulta and certainly a vigilant garrison. Pulborough has no invader now but the floods, which every winter transform the green waste at her feet into a silver sea, of which Pulborough is the northern shore and Amberley the southern. The Dutch polder are not flatter or greener than are these intervening meadows. The village stands high and dry above the water level, extended in long line quite like a seaside town. Excursionists come too, as to a watering place, but they bring rods and creels and return at night with fish for the pan.
Between Pulborough and Petworth lie Stopham and Fittleworth, both on the Rother, which joins the Arun a little to the west of Pulborough. Stopham has the most beautiful bridge in Sussex, dating from the fourteenth century, and a little church filled with memorials of the Bartelott family. One of Stopham's rectors was Thomas Newcombe, a descendant of the author of The Faerie Queene, the friend of the author of Night Thoughts, and the author himself of a formidable poem in twelve books, after Milton, called The Last Judgment.
Fittleworth has of late become an artists' Mecca, partly because of its pretty woods and quaint architecture, and partly because of the warm welcome that is offered by the "Swan," which is probably the most ingeniously placed inn in the world. Approaching it from the north it seems to be the end of all things; the miles of road that one has travelled apparently have been leading nowhere but to the "Swan." Runaway horses or unsettled chauffeurs must project their passengers literally into the open door. Coming from the south, one finds that the road narrows by this inn almost to a lane, and the "Swan's" hospitable sign, barring the way, exerts such a spell that to enter is a far simpler matter than to pass.
At Pulborough
At Pulborough.The "Swan" is a venerable and rambling building, stretching itself lazily with outspread arms; one of those inns (long may they be preserved from the rebuilders!) in which one stumbles up or down into every room, and where eggs and bacon have an appropriateness that make them a more desirable food than ambrosia. The little parlour is wainscoted with the votive paintings—a village Diploma Gallery—of artists who have made the "Swan" their home.
Fittleworth has a dual existence. In the south it is riparian and low, much given to anglers and visitors. In the north it is high and sandy, with clumps of firs, living its own life and spreading gorse-covered commons at the feet of the walker. Between its southern border and Bignor Park is a superb common of sand and heather, an inland paradise for children.
Petworth station and Petworth town are far from being the same thing, and there are few more fatiguing miles than that which separates them. A 'bus, it is true, plies between, but it is one of those long, close prisons with windows that annihilate thought by their shattering unfixedness. Petworth's spire is before one all the way, Petworth itself clustering on the side of the hill, a little town with several streets rather than a great village all on one artery. I say several streets, but this is dead in the face of tradition, which has a joke to the effect that a long timber waggon once entered Petworth's single, circular street, and has never yet succeeded in emerging. I certainly met it.
The town seems to be beneath the shadow of its lord even more than Arundel: it is like Pompeii, with Vesuvius emitting glory far above. One must, of course, live under the same conditions if one is to feel the authentic thrill; the mere sojourner cannot know it. One wonders, in these feudal towns, what it would be like to leave democratic London or the independence of one's country fastness, and pass for a while beneath the spell of a Duke of Norfolk, or a Baron Leconfield—a spell possibly not consciously cast by them at all, but existing none the less, largely through the fostering care of the townspeople on the rent-roll, largely through the officers controlling the estates; at any rate unmistakable, as present in the very air of the streets as is the presage of a thunderstorm. Surely, to be so dominated, without actual influence, must be very restful. Petworth must be the very home of low-pulsed peace; and yet a little oppressive too, with the great house and its traditions at the top of the town—like a weight on the forehead. I should not like to make Petworth my home, but as a place of pilgrimage, and a stronghold of architectural taste, it is almost unique.
Stopham Bridge
Stopham Bridge.In the Domesday Book Petworth is called Peteorde. It was rated at 1,080 acres, and possessed a church, a mill worth a sovereign, a river containing 1,620 eels, and pannage for 80 hogs. In the time of the Confessor the manor was worth ÂŁ18; a few years later the price went down to ten shillings. Robert de Montgomerie held Petworth till 1102, when he defied the king and lost it. Adeliza, widow of Henry I., having a brother Josceline de Louvaine whom she wished to benefit, Petworth was given to him. Josceline married Agnes, daughter of William de Percy, the descendant of one of the Conqueror's chief friends, and, doing so, took his name. In course of time came Harry Hotspur, whose sword, which he swung at the Battle of Shrewsbury, is kept at Petworth House. The second Earl was his son, also Henry, who fought at Chevy Chase; he was not, however, slain there, as the balladmonger says, but at St. Albans. Henry, the third Earl, fell at Towton; Henry, the fourth Earl, was assassinated at Cock Lodge, Thirsk; Henry, the fifth Earl, led a regiment at the Battle of the Spurs; Henry, the sixth Earl, fell in love with Anne Boleyn, but had the good sense not to let Henry the Eighth see it. Thomas, his brother, was beheaded for treason; Thomas, the seventh Earl, took arms against Queen Elizabeth, and was beheaded in Scotland; Henry, the eighth Earl, attempted to liberate Mary Queen of Scots, and was imprisoned in the Tower, where he slew himself; Henry, the ninth Earl, was accused of assisting Guy Fawkes and locked up for fifteen years. He was set at liberty only after paying ÂŁ30,000, and promising never to go more than thirty miles from Petworth House. This kept him out of London.
The last two noble Earls of Northumberland were Algernon, Lord High Admiral of England, who married Lady Anna Cecil, and planted an oak in the Park (it is still there) to commemorate the union; and Josceline, eleventh Earl, who died in 1670, leaving no son. He left, however, a daughter, a little Elizabeth, Baroness Percy, who had countless suitors and was married three times before she was sixteen. Her third husband was Charles Seymour, sixth Duke of Somerset, who became in time the father of thirteen children. Of these all died save three girls, and a boy, Algernon, who became seventh Duke of Somerset. Through one of the daughters, Catherine, who married Sir William Wyndham, the estates fell to the present family. The next important Lord of Petworth was George O'Brien Wyndham, third Earl of Egremont, the friend of art and agriculture, who collected most of the pictures. The present owner is the third Baron Leconfield.
The Rother at Fittleworth
The Rother at Fittleworth.C. R. Leslie, who painted more than one picture in the Petworth gallery, has much to say in his Autobiographical Recollections of its noble founder the third Earl, his generosity, courtesy, kindly thoughtfulness, and extreme modesty of bearing. One story contains half his biography. I give it in Leslie's words. After referring to his Lordship's men-servants and their importance in the house, the painter continues: "His own dress, in the morning, being very plain, he was sometimes by strangers mistaken for one of them. This happened with a maid of one of his lady guests, who had not been at Petworth before. She met him, crossing the hall, as the bell was ringing for the servants' dinner, and said: 'Come, old gentleman, you
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