Three Soldiers by John Dos Passos (best e book reader android .txt) đ
- Author: John Dos Passos
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âAnd why should you eat a lampâchimney, Bob?â came a hoarse voice beside them.
Andrews looked up into a round, white face with large grey eyes hidden behind thick steel-rimmed spectacles. Except for the eyes, the face had a vaguely Chinese air.
âHello, Heinz! Mr. Andrews, Mr. Heineman,â said Henslowe.
âGlad to meet you,â said Heineman in a jovially hoarse voice. âYou guys seem to be overeating, to reckon by the way things are piled up on the table.â Through the hoarseness Andrews could detect a faint Yankee tang in Heinemanâs voice.
âYouâd better sit down and help us,â said Henslowe.
âSureâŠ.Dâyou know my name for this guy?â He turned to AndrewsâŠ. âSinbad!â
âSinbad was in bad in Tokio and Rome, In bad in Trinidad And twice as bad at home.â
He sang the words loudly, waving a bread stick to keep time.
âShut up, Heinz, or youâll get us run out of here the way you got us run out of the Olympia that night.â
They both laughed.
âAnâ dâyou remember Monsieur Le Guy with his coat?
âDo I? God!â They laughed till the tears ran down their cheeks. Heineman took off his glasses and wiped them. He turned to Andrews.
âOh, Paris is the best yet. First absurdity: the Peace Conference and its nine hundred and ninety-nine branches. Second absurdity: spies. Third: American officers A.W.O.L. Fourth: The seven sisters sworn to slay.â He broke out laughing again, his chunky body rolling about on the chair.
âWhat are they?â
âThree of them have sworn to slay Sinbad, and four of them have sworn to slay meâŠ. But thatâs too complicated to tell at lunch timeâŠ. Eighth: there are the lady relievers, Sinbadâs specialty. Ninth: thereâs SinbadâŠ.â
âShut up, Heinz, youâre getting me maudlin,â spluttered Henslowe.
âO Sinbad was in bad all around,â
chanted Heineman. âBut no oneâs given me anything to drink,â he said suddenly in a petulant voice. âGarcon, une bouteille de Macon, pour un Cadet de GascogneâŠ. Whatâs the next? It ends with vergogne. Youâve seen the play, havenât you? Greatest play goingâŠ. Seen it twice sober and seven other times.â
âCyrano de Bergerac?â
âThatâs it. Nous sommes les Cadets de Gasgogne, rhymes with ivrogne and sans vergogneâŠ. You see I work in the Red CrossâŠ. You know Sinbad, old Petersonâs a brickâŠ. Iâm supposed to be taking photographs of tubercular children at this minuteâŠ. The noblest of my professions is that of artistic photographerâŠ. Borrowed the photographs from the rickets man. So I have nothing to do for three months and five hundred francs travelling expenses. Oh, children, my only prayer is âgive us this day our red workerâs permitâ and the Red Cross does the rest.â Heineman laughed till the glasses rang on the table. He took off his glasses and wiped them with a rueful air.
âSo now I call the Red Cross the Cadets!â cried Heineman, his voice a thin shriek from laughter.
Andrews was drinking his coffee in little sips, looking out of the window at the people that passed. An old woman with a stand of flowers sat on a small cane chair at the corner. The pink and yellow and blue-violet shades of the flowers seemed to intensify the misty straw color and azured grey of the wintry sun and shadow of the streets. A girl in a tight-fitting black dress and black hat stopped at the stand to buy a bunch of pale yellow daisies, and then walked slowly past the window of the restaurant in the direction of the gardens. Her ivory face and slender body and her very dark eyes sent a sudden flush through Andrewsâs whole frame as he looked at her. The black erect figure disappeared in the gate of the gardens.
Andrews got to his feet suddenly.
âIâve got to go,â he said in a strange voiceâŠ. âI just remember a man was waiting for me at the School Headquarters.â
âLet him wait.â
âWhy, you havenât had a liqueur yet,â cried Heineman.
âNoâŠbut where can I meet you people later?â
âCafe de Rohan at fiveâŠopposite the Palais Royal.â
âYouâll never find it.â
âYes I will,â said Andrews.
âPalais Royal metro station,â they shouted after him as he dashed out of the door.
He hurried into the gardens. Many people sat on benches in the frail sunlight. Children in bright-colored clothes ran about chasing hoops. A woman paraded a bunch of toy balloons in carmine and green and purple, like a huge bunch of parti-colored grapes inverted above her head. Andrews walked up and down the alleys, scanning faces. The girl had disappeared. He leaned against a grey balustrade and looked down into the empty pond where traces of the explosion of a Bertha still subsisted. He was telling himself that he was a fool. That even if he had found her he could not have spoken to her; just because he was free for a day or two from the army he neednât think the age of gold had come back to earth. Smiling at the thought, he walked across the gardens, wandered through some streets of old houses in grey and white stucco with slate mansard roofs and fantastic complications of chimney-pots till he came out in front of a church with a new classic facade of huge columns that seemed toppling by their own weight.
He asked a woman selling newspapers what the churchâs name was. âMais, Monsieur, câest Saint Sulpice,â said the woman in a surprised tone.
Saint Sulpice. Manonâs songs came to his head, and the sentimental melancholy of eighteenth century Paris with its gambling houses in the Palais Royal where people dishonored themselves in the presence of their stern Catonian fathers, and its billets doux written at little gilt tables, and its coaches lumbering in covered with mud from the provinces through the Porte dâOrleans and the Porte de Versailles; the Paris of Diderot and Voltaire and Jean-Jacques, with its muddy streets and its ordinaries where one ate bisques and larded pullets and souffles; a Paris full of mouldy gilt magnificence, full of pompous ennui of the past and insane hope of the future.
He walked down a narrow, smoky street full of antique shops and old bookshops and came out unexpectedly on the river opposite the statue of Voltaire. The name on the corner was quai Malaquais. Andrews crossed and looked down for a long time at the river. Opposite, behind a lacework of leafless trees, were the purplish roofs of the Louvre with their high peaks and their ranks and ranks of chimneys; behind him the old houses of the quai and the wing, topped by a balustrade with great grey stone urns of a domed building of which he did not know the name. Barges were coming upstream, the dense green water spuming under their blunt bows, towed by a little black tugboat with its chimney bent back to pass under the bridges. The tug gave a thin shrill whistle. Andrews started walking downstream. He crossed by the bridge at the corner of the Louvre, turned his back on the arch Napoleon built to receive the famous horses from St. Marcâs,âa pinkish pastry-like affairâand walked through the Tuileries which were full of people strolling about or sitting in the sun, of doll-like children and nursemaids with elaborate white caps, of fluffy little dogs straining at the ends of leashes. Suddenly a peaceful sleepiness came over him. He sat down in the sun on a bench, watching, hardly seeing them, the people who passed to and fro casting long shadows. Voices and laughter came very softly to his ears above the distant stridency of traffic. From far away he heard for a few moments notes of a military band playing a march. The shadows of the trees were faint blue-grey in the ruddy yellow gravel. Shadows of people kept passing and repassing across them. He felt very languid and happy.
Suddenly he started up; he had been dozing. He asked an old man with a beautifully pointed white beard the way to rue du Faubourg St. Honore.
After losing his way a couple of times, he walked listlessly up some marble steps where a great many men in khaki were talking. Leaning against the doorpost was Walters. As he drew near Andrews heard him saying to the man next to him:
âWhy, the Eiffel tower was the first piece of complete girder construction ever builtâŠ. Thatâs the first thing a feller whoâs wide awake ought to see.â
âTell me the Operyâs the grandest thing to look at,â said the man next it.
âIf thereâs wine anâ women there, me for it.â
âAnâ donât forget the song.â
âBut that isnât interesting like the Eiffel tower is,â persisted Walters.
âSay, Walters, I hope you havenât been waiting for me,â stammered Andrews.
âNo, Iâve been waiting in line to see the guy about coursesâŠ. I want to start this thing right.â
âI guess Iâll see them tomorrow,â said Andrews.
âSay have you done anything about a room, Andy? Letâs you and me be bunkies.â
âAll rightâŠ. But maybe you wonât want to room where I do, Walters.â
âWhereâs that? In the Latin Quarter?⊠You bet. I want to see some French life while I am about it.â
âWell, itâs too late to get a room to-day.â
âIâm going to the âYâ tonight anyway.â
âIâll get a fellow I know to put me upâŠ. Then tomorrow, weâll see. Well, so long,â said Andrews, moving away.
âWait. Iâm coming with youâŠ. Weâll walk around town together.â
âAll right,â said Andrews.
The rabbit was rather formless, very fluffy and had a glance of madness in its pink eye with a black center. It hopped like a sparrow along the pavement, emitting a rubber tube from its back, which went up to a bulb in a manâs hand which the man pressed to make the rabbit hop. Yet the rabbit had an air of organic completeness. Andrews laughed inordinately when he first saw it. The vendor, who had a basket full of other such rabbits on his arm, saw Andrews laughing and drew timidly near to the table; he had a pink face with little, sensitive lips rather like a real rabbitâs, and large frightened eyes of a wan brown.
âDo you make them yourself?â asked Andrews, smiling.
The man dropped his rabbit on the table with a negligent air.
âOh, oui, Monsieur, dâapres la nature.â
He made the rabbit turn a somersault by suddenly pressing the bulb hard. Andrews laughed and the rabbit man laughed.
âThink of a big strong man making his living that way,â said Walters, disgusted.
âI do it allâŠde matiere premiere au profit de lâaccapareur,â said the rabbit man.
âHello, AndyâŠlate as hellâŠ. Iâm sorry,â said Henslowe, dropping down into a chair beside them. Andrews introduced Walters, the rabbit man took off his hat, bowed to the company and went off, making the rabbit hop before him along the edge of the curbstone.
âWhatâs happened to Heineman?â
âHere he comes now,â said Henslowe.
An open cab had driven up to the curb in front of the cafe. In it sat Heineman with a broad grin on his face and beside him a woman in a salmon-colored dress, ermine furs and an emerald-green hat. The cab drove off and Heineman, still grinning, walked up to the table.
âWhereâs the lion cub?â asked Henslowe.
âThey say itâs got pneumonia.â
âMr. Heineman. Mr. Walters.â
The grin left Heinemanâs face; he said: âHow do you do?â curtly, cast a furious glance at Andrews and settled himself in a chair.
The sun had set. The sky was full of lilac and bright purple and carmine. Among the deep blue shadows lights were coming
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