The Companions of Jehu by Alexandre Dumas (great novels of all time .TXT) đ
- Author: Alexandre Dumas
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I cannot tell youâmy researches (those who know me will do me the justice to admit that when I have an end in view, I do not count them)âmy researches have not discovered an answer. It was a whim of Fashion, and Fashion is the one goddess more capricious than Fortune.
Our readers will hardly know to-day who FrĂ©ron was. The FrĂ©ron who was Voltaireâs assailant was better known than he who was the patron of these elegant assassins; one was the son of the other. Louis Stanislas was son of Elie-Catherine. The father died of rage when Miromesnil, Keeper of the Seals, suppressed his journal. The other, irritated by the injustices of which his father had been the victim, had at first ardently embraced the revolutionary doctrines. Instead of the âAnnĂ©e LittĂ©raire,â strangled to death in 1775, he created the âOrateur du Peuple,â in 1789. He was sent to the Midi on a special mission, and Marseilles and Toulon retain to this day the memory of his cruelty. But all was forgotten when, on the 9th Thermidor, he proclaimed himself against Robespierre, and assisted in casting from the altar the Supreme Being, the colossus who, being an apostle, had made himself a god. FrĂ©ron, repudiated by the Mountain, which abandoned him to the heavy jaws of Moise Bayle; FrĂ©ron, disdainfully repulsed by the Girondins, who delivered him over to the imprecations of Isnard; FrĂ©ron, as the terrible and picturesque orator of the Var said, âFrĂ©ron naked and covered with the leprosy of crime,â was accepted, caressed and petted by the Thermidorians. From them he passed into the camp of the royalists, and without any reason whatever for obtaining that fatal honor, found himself suddenly at the head of a powerful party of youth, energy and vengeance, standing between the passions of the day, which led to all, and the impotence of the law, which permitted all.
It was to the midst of this jeunesse FrĂ©ron, mouthing its words, slurring its râs, giving its âword of honorâ about everything, that Morgan now made his way.
It must be admitted that this jeunesse, in spite of the clothes it wore, in spite of the memories these clothes evoked, was wildly gay. This seems incomprehensible, but it is true. Explain if you can that Dance of Death at the beginning of the fifteenth century, which, with all the fury of a modern galop, led by Musard, whirled its chain through the very Cemetery of the Innocents, and left amid its tombs fifty thousand of its votaries.
Morgan was evidently seeking some one.
A young dandy, who was dipping into the silver-gilt comfit-box of a charming victim, with an ensanguined finger, the only part of his delicate hand that had escaped the almond paste, tried to stop him, to relate the particulars of the expedition from which he had brought back this bloody trophy. But Morgan smiled, pressed his other hand which was gloved, and contented himself with replying: âI am looking for some one.â
âImportant?â
âCompany of Jehu.â
The young man with the bloody finger let him pass. An adorable Fury, as Corneille would have called her, whose hair was held up by a dagger with a blade as sharp as a needle, barred his way, saying: âMorgan, you are the handsomest, the bravest, the most deserving of love of all the men present. What have you to say to the woman who tells you that?â
âI answer that I love,â replied Morgan, âand that my heart is too narrow to hold one hatred and two loves.â And he continued on his search.
Two young men who were arguing, one saying, âHe was English,â the other, âHe was German,â stopped him.
âThe deuce,â cried one; âhere is the man who can settle it for us.â
âNo,â replied Morgan, trying to push past them; âIâm in a hurry.â
âThereâs only a word to say,â said the other. âWe have made a bet, Saint-Amand and I, that the man who was tried and executed at the Chartreuse du Seillon, was, according to him, a German, and, according to me, an Englishman.â
âI donât know,â replied Morgan; âI wasnât there. Ask Hector; he presided that night.â
âTell us where Hector is?â
âTell me rather where Tiffauges is; I am looking for him.â
âOver there, at the end of the room,â said the young man, pointing to a part of the room where the dance was more than usually gay and animated. âYou will recognize him by his waistcoat; and his trousers are not to be despised. I shall have a pair like them made with the skin of the very first hound I meet.â
Morgan did not take time to ask in what way Tiffaugesâ waistcoat was remarkable, or by what queer cut or precious material his trousers had won the approbation of a man as expert in such matters as he who had spoken to him. He went straight to the point indicated by the young man, saw the person he was seeking dancing an Ă©tĂ©, which seemed, by the intricacy of its weaving, if I may be pardoned for this technical term, to have issued from the salons of Vestris himself.
Morgan made a sign to the dancer. Tiffauges stopped instantly, bowed to his partner, led her to her seat, excused himself on the plea of the urgency of the matter which called him away, and returned to take Morganâs arm.
âDid you see him,â Tiffauges asked Morgan.
âI have just left him,â replied the latter.
âDid you deliver the Kingâs letter?â
âTo himself.â
âDid he read it?â
âAt once.â
âHas he sent an answer?â
âTwo; one verbal, one written; the second dispenses with the first.â
âYou have it?â
âHere it is.â
âDo you know the contents?â
âA refusal.â
âPositive?â
âNothing could be more positive.â
âDoes he know that from the moment he takes all hope away from us we shall treat him as an enemy?â
âI told him so.â
âWhat did he answer?â
âHe didnât answer; he shrugged his shoulders.â
âWhat do you think his intentions are?â
âItâs not difficult to guess.â
âDoes he mean to keep the power himself?â
âIt looks like it.â
âThe power, but not the throne?â
âWhy not the throne?â
âHe would never dare to make himself king.â
âOh! I canât say he means to be absolutely king, but Iâll answer for it that he means to be something.â
âBut he is nothing but a soldier of fortune!â
âMy dear fellow, better in these days to be the son of his deeds, than the grandson of a king.â
The young man thought a moment.
âI shall report it all to Cadoudal,â he said.
âAnd add that the First Consul said these very words: âI hold the VendĂ©e in the hollow of my hand, and if I choose in three months not another shot will be fired.ââ
âItâs a good thing to know.â
âYou know it; let Cadoudal know it, and take measures.â
Just then the music ceased; the hum of the dancers died away; complete silence prevailed; and, in the midst of this silence, four names were pronounced in a sonorous and emphatic voice.
These four names were Morgan, Montbar, Adler and dâAssas.
âPardon me,â Morgan said to Tiffauges, âthey are probably arranging some expedition in which I am to take part. I am forced, therefore, to my great regret, to bid you farewell. Only before I leave you let me look closer at your waistcoat and trousers, of which I have heardâcuriosity of an amateur; I trust you will excuse it.â
âSurely!â exclaimed the young VendĂ©an, âmost willingly.â
With a rapidity and good nature that did honor to his courtesy, he went close to the candelabra, which were burning on the chimney-piece. The waistcoat and trousers seemed to be of the same stuff; but what was that stuff? The most experienced connoisseur would have been puzzled.
The trousers were tight-fitting as usual, of a light tint between buff and flesh color; the only remarkable thing about them was the absence of the seam, and the closeness with which they clung to the leg. The waistcoat, on the other hand, had two characteristic signs which attracted attention; it had been pierced by three balls, which had the holes gaping, and these were stained a carmine, so like blood, that it might easily have been mistaken for it. On the left side was painted a bloody heart, the distinguishing sign of the Vendéans. Morgan examined the two articles with the closest attention, but without result.
âIf I were not in such a hurry,â said he, âI should like to look into the matter for myself. But you heard for yourself; in all probability, some news has reached the committee; government money probably. You can announce it to Cadoudal; only we shall have to take it first. Ordinarily, I command these expeditions; if I delay, some one may take my place. So tell me what your waistcoat and trousers are made of.â
âMy dear Morgan,â replied the VendĂ©an, âperhaps you have heard that my brother was captured near Bressure, and shot by the Blues?â
âYes, I know that.â
âThe Blues were retreating; they left the body at the corner of the hedge. We were pursuing them so closely that we arrived just after them. I found the body of my brother still warm. In one of his wounds a sprig was stuck with these words: âShot as a brigand by me, Claude Flageolet, corporal of the Third Battalion of Paris.â I took my brotherâs body, and had the skin removed from his breast. I vowed that this skin, pierced with three holes, should eternally cry vengeance before my eyes. I made it my battle waistcoat.â
âAh!â exclaimed Morgan, with a certain astonishment, in which, for the first time, was mingled something akin to terrorââAh! then that waistcoat is made of your brotherâs skin? And the trousers?â
âOh!â replied the VendĂ©an, âthe trousers, thatâs another matter. They are made of the skin of Claude Flageolet, corporal of the Third Battalion of Paris.â
At that moment the voice again called out, in the same order, the names of Morgan, Montbar, Adler and dâAssas.
Morgan rushed out of the study, crossed the dancing-hall from end to end, and made his way to a little salon on the other side of the dressing-room. His three companions, Montbar, Adler and dâAssas, were there already. With them was a young man in the government livery of a bearer of despatches, namely a green and gold coat. His boots were dusty, and he wore a visored cap and carried the despatch-box, the essential accoutrements of a cabinet courier.
One of Cassiniâs maps, on which could be followed the whole lay of the land, was spread on the table.
Before saying why this courier was there, and with what object the map was unfolded, let us cast a glance at the three new personages whose names had echoed through the ballroom, and who are destined to play an important part in the rest of this history.
The reader already knows Morgan, the Achilles and the Paris of this strange association; Morgan, with his blue eyes, his black hair, his tall, well-built figure, graceful, easy, active bearing; his eye, which was never without animation; his mouth, with its fresh lips and white teeth, that was never without a smile; his remarkable countenance, composed of mingling elements that seemed so foreign to each otherâstrength and tenderness, gentleness and energy; and, through it all, that bewildering expression of gayety that was at times alarming when one remembered that this man was perpetually rubbing shoulders with death, and the most terrifying of all deathsâthat of the scaffold.
As for dâAssas, he was a man from thirty-five to thirty-eight years of age, with bushy hair that was turning gray, and mustaches as black as ebony. His eyes were of that wonderful
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