Robert Burns by Principal Shairp (read books for money .TXT) 📖

became, if Johnson and Thomson had not, as it were, set him a congenial task, he might not have produced anything at all during those years. There is, however, another aspect in which the continual composition of love-ditties must be regretted. The few genuine love-songs, straight from the heart, which he composed, such as Of a' the Airts ,
To Mary in Heaven , Ye Banks and Braes , can hardly be too highly prized. But there are many others, which arose from a lower and fictitious source of inspiration. He himself tells Thomson that when he wished to compose a love-song, his recipe was to put himself on a "regimen of admiring a beautiful woman." This was a dangerous regimen, and when it came to be often repeated, as it was, it cannot have tended to his peace of heart, or to the purity of his life.

The first half of the year 1794 was a more than usually unhappy time with Burns. It was almost entirely songless. Instead of poetry, we hear of political dissatisfaction, excessive drinking-bouts, quarrels, and self-reproach. This was the time when our country was at war with the French Republic - a war which Burns bitterly disliked, but his employment under Government forced him to set "a seal on his lips as to those unlucky politics." A regiment of soldiers was quartered in the town of Dumfries, and to Burns's eye the sight of their red coats was so offensive, that he would not go down the plain-stones lest he should meet "the epauletted puppies," who thronged the street. One of these epauletted puppies, whom he so disliked, found occasion to pull Burns up rather smartly. The poet, when in his cups, had in the hearing of a certain captain proposed as a toast, "May our (p. 162) success in the present war be equal to the justice of our cause." The soldier called him to account - a duel seemed imminent, and Burns had next day to write an apologetic letter, in order to avoid the risk of ruin. About the same time he was involved, through intemperance, in another and more painful quarrel. It has been already noticed that at Woodley Park he was a continual guest. With Mrs. Riddel, who was both beautiful and witty, he carried on a kind of poetic flirtation. Mr. Walter Riddel, the host, was wont to press his guests to deeper potations than were usual even in those hard-drinking days. One evening, when the guests had sat till they were inflamed with wine, they entered the drawing-room, and Burns in some way grossly insulted the fair hostess. Next day he wrote a letter of the most abject and extravagant penitence. This, however, Mr. and Mrs. Riddel did not think fit to accept. Stung by this rebuff, Burns recoiled at once to the opposite extreme of feeling, and penned a grossly scurrilous monody on "a lady famed for her caprice." This he followed up by other lampoons, full of "coarse rancour against a lady, who had showed him many kindnesses." The Laird of Friars Carse and his lady naturally sided with their relatives, and grew cold to their old friend of Ellisland. While this coldness lasted, Mr. Riddel, of Friars Carse, died in the spring-time, and the poet, remembering his friend's worth and former kindness, wrote a sonnet over him - not one of his best or most natural performances, yet showing the return of his better heart. During the same spring we hear of Burns going to the house of one of the neighbouring gentry, and dining there, not with the rest of the party, but, by his own choice, it would seem, with the housekeeper in her room, and joining the gentlemen in the dining-room, after the (p. 163) ladies had retired. He was now, it seems, more disliked by ladies than by men, - a change since those Edinburgh days, when the highest dames of the land had spoken so rapturously of the charm of his conversation.

Amid the gloom of this unhappy time (1791), Burns turned to his old Edinburgh friend, Alexander Cunningham, and poured forth this passionate and well-known complaint: - "Canst thou minister to a mind diseased? Canst thou speak peace and rest to a soul tossed on a sea of troubles, without one friendly star to guide her course, and dreading that the next surge may overwhelm her? Of late, a number of domestic vexations, and some pecuniary share in the ruin of these cursed times, - losses which, though trifling, were what I could ill bear, - have so irritated me, that my feelings at times could only be envied by a reprobate spirit listening to the sentence that dooms it to perdition. - Are you deep in the language of consolation? I have exhausted in reflection every topic of comfort. A heart at ease would have been charmed with my sentiments and reasonings; but as to myself, I was like Judas Iscariot preaching the Gospel.... Still there are two great pillars that bear us up amid the wreck of misfortune and misery. The one is composed of a certain noble, stubborn something in man, known by the names of Courage, Fortitude, Magnanimity. The other is made up of those feelings and sentiments which, however the sceptic may deny them, or the enthusiast may disfigure them, are yet, I am convinced, original and component parts of the human soul, those senses of the mind - if I may be allowed the expression - which connect us with, and link us to those awful obscure realities - an all-powerful and equally beneficent God, and a world to come, beyond death and the grave. The first gives the nerve of combat, while a ray of hope (p. 164) beams on the field: the last pours the balm of comfort into the wounds which time can never cure."

This remarkable, or, as Lockhart calls it, noble letter was written on February 25, 1794. It was probably a few months later, perhaps in May of the same year, while Burns was still under this depression, that there occurred an affecting incident, which has been preserved by Lockhart. Mr. David McCulloch, of Ardwell, told Lockhart, "that he was seldom more grieved, than when, riding into Dumfries one fine summer's evening, to attend a country ball, he saw Burns walking alone, on the shady side of the principal street of the town, while the opposite part was gay with successive groups of gentlemen and ladies, all drawn together for the festivities of the night, not one of whom seemed willing to recognize the poet. The horseman dismounted, and joined Burns, who, on his proposing to him to cross the street, said, 'Nay, nay, my young friend, that's all over now,' and quoted, after a pause, some verses of Lady Grizzell Baillie's pathetic ballad: -

His bonnet stood ance fu' fair on his brow,
His auld ane looked better than mony ane's new;
But now he lets 't wear ony way it will hing,
And caste himsell dowie upon the corn-bing.

O, were we young, as we ance hae been,
We suld hae been galloping down on yon green,
And linking it owre the lily-white lea, -
And werena my heart light, I wad die.

"It was little in Burns's character to let his feelings on certain subjects escape in this fashion. He immediately after citing these verses assumed the sprightliness of his most pleasing manner; and taking his young friend home with him, entertained him very (p. 165) agreeably until the hour of the ball arrived, with a bowl of his usual potation, and Bonnie Jean's singing of some verses which he had recently composed."

In June we find him expressing to Mrs. Dunlop the earliest hint that he felt his health declining. "I am afraid," he says, "that I am about to suffer for the follies of my youth. My medical friends threaten me with flying gout; but I trust they are mistaken." And again, a few months later, we find him, when writing to the same friend, recurring to the same apprehensions. Vexation and disappointment within, and excesses, if not continual, yet too frequent, from without, had for long been undermining his naturally strong but nervously sensitive frame, and those symptoms were now making themselves felt, which were soon to lay him in an early grave. As the autumn drew on, his singing powers revived, and till the close of the year he kept pouring into Thomson a stream of songs, some of the highest stamp, and hardly one without a touch such as only the genuine singer can give.

The letters, too, to Thomson, with which he accompanies his gifts, are full of suggestive thoughts on song, hints most precious to all who care for such matters. For the forgotten singers of his native land he is full of sympathy. "By the way," he writes to Thomson, "are you not vexed to think that those men of genius, for such they certainly were, who composed our fine Scottish lyrics, should be unknown?"

Many of the songs of that autumn were, as usual, love-ditties; but when the poet could forget the lint-white locks of Chloris, of which kind of stuff there is more than enough, he would write as good songs on other and manlier subjects. Two of these, written, the one in (p. 166) November, 1794, the other in January, 1795, belong to the latter order, and are worthy of careful regard, not only for their excellence as songs, but also as illustrations of the poet's mood of mind at the time when he composed them.

The first is this, - -

Contented wi' little, and cantie wi' mair,
Whene'er I forgather wi' sorrow and care,
I gie them a skelp as they're creepin' alang,
Wi' a cog o' gude swats, and an auld Scottish sang.

I whyles claw the elbow o' troublesome thought;
But man is a soger, and life is a faught;
My mirth and gude humour are coin in my pouch,
And my Freedom's my lairdship nae monarch dare touch.

A towmond o' trouble, should that be my fa',
A night o' gude fellowship sowthers it a';
When at the blythe end o' our journey at last,
Wha the deil ever thinks o' the road he has