Robert Burns by Principal Shairp (read books for money .TXT) 📖

this time that, happening to meet a neighbour in the street, the poet talked with her seriously of his health, and said among other things this: "I find that a man may live like a fool, but he will scarcely die like one." As from time to time he appeared on the street during the early months of 1796, others of his old acquaintance were struck by the sight of a tall man of slovenly appearance and sickly aspect, whom a second look showed to be Burns, and that he was dying. Yet in that February there were still some flutters of song, one of which was, Hey for the Lass wi' a Tocher , written in answer to Thomson's beseeching inquiry if he was never to hear from him again. Another was a rhymed epistle, in which he answers the inquiries of the colonel of his Volunteer Corps after his health.

From about the middle of April, Burns seldom left his room, and for a great part of each day was confined to bed. May came - a beautiful May - and it was hoped that its genial influences might revive him. But while young Jeffrey was writing, "It is the finest weather in the world - the whole country is covered with green and blossoms; and the sun shines perpetually through a light east wind," Burns was shivering at every breath of the breeze. At this crisis his faithful wife was laid aside, unable to attend him. But a young neighbour, Jessie Lewars, sister of a brother exciseman, came to their house, assisted in (p. 178) all household work, and ministered to the dying poet. She was at this time only a girl, but she lived to be a wife and mother, and to see an honoured old age. Whenever we think of the last days of the poet, it is well to remember one who did so much to smooth his dying pillow.

Burns himself was deeply grateful, and his gratitude as usual found vent in song. But the old manner still clung to him. Even then he could not express his gratitude to his young benefactress without assuming the tone of a fancied lover. Two songs in this strain he addressed to Jessie Lewars. Of the second of these it is told, that one morning the poet said to her that if she would play to him any favourite tune, for which she desired to have new words, he would do his best to meet her wish. She sat down at the piano, and played over several times the air of an old song beginning thus: -

The robin cam to the wren's nest,
And keekit in, and keekit in.

As soon as Burns had taken in the melody, he set to, and in a few minutes composed these beautiful words, the second of the songs which he addressed to Jessie: -

Oh! wert thou in the cauld blast,
On yonder lea, on yonder lea,
My plaidie to the angry airt,
I'd shelter thee, I'd shelter thee.
Or did misfortune's bitter storms
Around thee blaw, around thee blaw,
Thy bield should be my bosom,
To share it a', to share it a.'

Or were I in the wildest waste, (p. 179)
Sae black and bare, sae black and bare,
The desert were a paradise,
If thou wert there, if thou wert there:
Or were I monarch o' the globe,
Wi' thee to reign, wi' thee to reign,
The brightest jewel in my crown
Wad be my queen, wad be my queen.

Mendelssohn is said to have so much admired this song, that he composed for it what Chambers pronounces an air of exquisite pathos.

June came, but brought no improvement, rather rapid decline of health. On the 4th of July (1796) he wrote to Johnson, "Many a merry meeting this publication (the Museum ) has given us, and possibly it may give us more, though, alas, I fear it. This protracting, slow consuming illness, will, I doubt much, my ever dear friend, arrest my sun before he has reached his middle career, and will turn over the poet to far more important concerns than studying the brilliancy of wit or the pathos of sentiment." On the day on which he wrote these words, he left Dumfries for a lonely place called Brow on the Solway shore, to try the effects of sea-bathing. He went alone, for his wife was unable to accompany him. While he was at Brow, his former friend, Mrs. Walter Riddel, to whom, after their estrangement, he had been reconciled, happened to be staying for the benefit of her health in the neighbourhood. She asked Burns to dine with her, and sent her carriage to bring him to her house. This is part of the account she gives of that interview: -

"I was struck with his appearance on entering the room. The stamp of death was imprinted on his features. He seemed already touching the brink of eternity. His first salutation was. 'Well, madam, have (p. 180) you any commands for the other world?' I replied that it seemed a doubtful case, which of us should be there soonest, and that I hoped he would yet live to write my epitaph. He looked in my face with an air of great kindness, and expressed his concern at seeing me look so ill, with his accustomed sensibility.... We had a long and serious conversation about his present situation, and the approaching termination of all his earthly prospects. He spoke of his death without any of the ostentation of philosophy, but with firmness as well as feeling, as an event likely to happen very soon, and which gave him concern chiefly from leaving his four children so young and unprotected, and his wife hourly expecting a fifth. He mentioned, with seeming pride and satisfaction, the promising genius of his eldest son, and the flattering marks of approbation he had received from his teachers, and dwelt particularly on his hopes of that boy's future conduct and merit. His anxiety for his family seemed to hang heavy on him, and the more perhaps from the reflection that he had not done them all the justice he was so well qualified to do. Passing from this subject, he showed great concern about the care of his literary fame, and particularly the publication of his posthumous works. He said he was well aware that his death would create some noise, and that every scrap of his writing would be revived against him to the injury of his future reputation; that his letters and verses written with unguarded and improper freedom, and which he earnestly wished to have buried in oblivion, would be handed about by idle vanity or malevolence, when no dread of his resentment would restrain them, or prevent the censures of shrill-tongued malice, or the insidious sarcasms of envy, from pouring forth all their venom to blast his fame.

"He lamented that he had written many epigrams on persons against (p. 181) whom he entertained no enmity, and whose characters he would be sorry to wound; and many indifferent poetical pieces, which he feared would now, with all their imperfections on their head, be thrust upon the world. On this account he deeply regretted having deferred to put his papers in a state of arrangement, as he was now incapable of the exertion.... The conversation," she adds, "was kept up with great evenness and animation on his side. I had seldom seen his mind greater or more collected. There was frequently a considerable degree of vivacity in his sallies, and they would probably have had a greater share, had not the concern and dejection I could not disguise damped the spirit of pleasantry he seemed not unwilling to indulge.

"We parted about sunset on the evening of that day (the 5th July, 1796), the next day I saw him again, and we parted to meet no more!"

It is not wonderful that Burns should have felt some anxiety about the literary legacy he was leaving to mankind. Not about his best poems; these, he must have known, would take care of themselves. Yet even among the poems which he had published with his name, were some, "which dying" he well might "wish to blot." There lay among his papers letters too, and other "fallings from him," which he no doubt would have desired to suppress, but of which, if they have not all been made public, enough have appeared to justify his fears of that idle vanity, if not malevolence, which after his death, would rake up every scrap he had written, uncaring how it might injure his good name, or affect future generations of his admirers. No poet perhaps has suffered more from the indiscriminate and unscrupulous curiosity of editors, (p. 182) catering too greedily for the public, than Burns has done.

Besides anxieties of this kind, he, during those last days, had to bear another burden of care that pressed even more closely home. To pain of body, absence from his wife and children, and haunting anxiety on their account, was added the pressure of some small debts and the fear of want. By the rules of the Excise, his full salary would not be allowed him during his illness; and though the Board agreed to continue Burns in his full pay, he never knew this in time to be comforted by it. With his small income diminished, how could he meet the increased expenditure caused by sickness? We have seen how at the beginning of the year he had written to his friend Mitchell to ask the loan of a guinea. One or two letters, asking for the payment of some old debts due to him by a former companion, still remain. During his stay at Brow, on the 12th of July, he wrote to Thomson the following memorable letter: -

"After all my boasted independence, curst necessity compels me to implore you for five pounds. A cruel scoundrel of a haberdasher, to whom I owe an account, taking it into his head that I am dying, has commenced a process, and will infallibly put me into jail. Do, for God's sake, send that sum, and that by return of post. Forgive me this earnestness, but