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Read online books Drama in English at worldlibraryebooks.comIn literature a drama genre deserves your attention. Dramas are usually called plays. Every person is made up of two parts: good and evil. Due to life circumstances, the human reveals one or another side of his nature. In drama we can see the full range of emotions : it can be love, jealousy, hatred, fear, etc. The best drama books are full of dialogue. This type of drama is one of the oldest forms of storytelling and has existed almost since the beginning of humanity. Drama genre - these are events that involve a lot of people. People most often suffer in this genre, because they are selfish. People always think to themselves first, they want have a benefit.


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All problems are in our heads. We want to be pitied. Every single person sooner or later experiences their own personal drama, which can leave its mark on him in his later life and forces him to perform sometimes unexpected actions. Sometimes another person can become the subject of drama for a person, whom he loves or fears, then the relationship of these people may be unexpected. Exactly in drama books we are watching their future fate.
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Read books online » Drama » Stephen Archer and Other Tales by George MacDonald (best novels for students txt) 📖

Book online «Stephen Archer and Other Tales by George MacDonald (best novels for students txt) 📖». Author George MacDonald



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had left her, he was dismayed to hear sounds of soft weeping from the bed. Some tone or stray word, never intended to reach her ear, had been enough to reveal the truth concerning her baby.

"Hush! hush!" he said, with more love in his heart than had moved there for many months, and therefore more in his tone than she had heard for as many;-"if you cry you will be ill. Hush, my dear!"

In a moment, ere he could prevent her, she had flung her arms around his neck as he stooped over her.

"Husband! husband!" she cried, "is it my fault?"

"You behaved perfectly," he returned. "No woman could have been braver."

"Ah, but I wouldn't stay at home when you wanted me."

"Never mind that now, my child," he said.

At the word she pulled his face down to hers.

"I have you , and I don't care," he added.

" Do you care to have me?" she said, with a sob that ended in a loud cry. "Oh! I don't deserve it. But I will be good after tins. I promise you I will."

"Then you must begin now, my darling. You must lie perfectly still, and not cry a bit, or you will go after the baby, and I shall be left alone."

She looked up at him with such a light in her face as he had never dreamed of there before. He had never seen her so lovely. Then she withdrew her arms, repressed her tears, smiled, and turned her face away. He put her hands under the clothes, and in a minute or two she was again fast asleep.


CHAPTER VII.


That day, when Phosy and her father had sat down to their Christmas dinner, he rose again, and taking her up as she sat, chair and all, set her down close to him, on the other side of the corner of the table. It was the first of a new covenant between them. The father's eyes having been suddenly opened to her character and preciousness, as well as to his own neglected duty in regard to her, it was as if a well of life had burst forth at his feet. And every day, as he looked in her face and talked to her, it was with more and more respect for what he found in her, with growing tenderness for her predilections, and reverence for the divine idea enclosed in her ignorance, for her childish wisdom, and her calm seeking-until at length he would have been horrified at the thought of training her up in his way: had she not a way of her own to go-following-not the dead Jesus, but Him who liveth for evermore? In the endeavour to help her, he had to find his own position towards the truth; and the results were weighty.-Nor did the child's influence work forward merely. In his intercourse with her he was so often reminded of his first wife, and that, with the gloss or comment of a childish reproduction, that his memories of her at length grew a little tender, and through the child he began to understand the nature and worth of the mother. In her child she had given him what she could not be herself. Unable to keep up with him, she had handed him her baby, and dropped on the path.

Nor was little Sophy his only comfort. Through their common loss and her husband's tenderness, Letty began to grow a woman. And her growth was the more rapid that, himself taught through Phosy, her husband no longer desired to make her adopt his tastes, and judge with his experiences, but, as became the elder and the tried, entered into her tastes and experiences-became, as it were, a child again with her, that, through the thing she was, he might help the thing she had to be.

As soon as she was able to bear it, he told her the story of the dead Jesus, and with the tale came to her heart love for Phosy. She had lost a son for a season, but she had gained a daughter for ever.

Such were the gifts the Christ-child brought to one household that Christmas. And the days of the mourning of that household were ended.


THE HISTORY OF PHOTOGEN AND NYCTERIS.


A DAY AND NIGHT MAeHRCHEN .


CHAPTER I.

WATHO.


There was once a witch who desired to know everything. But the wiser a witch is, the harder she knocks her head against the wall when she comes to it. Her name was Watho, and she had a wolf in her mind. She cared for nothing in itself-only for knowing it. She was not naturally cruel, but the wolf had made her cruel.

She was tall and graceful, with a white skin, red hair, and black eyes, which had a red fire in them. She was straight and strong, but now and then would fall bent together, shudder, and sit for a moment with her head turned over her shoulder, as if the wolf had got out of her mind on to her back.


CHAPTER II.

AURORA.


This witch got two ladies to visit her. One of them belonged to the court, and her husband had been sent on a far and difficult embassy. The other was a young widow whose husband had lately died, and who had since lost her sight, Watho lodged them in different parts of her castle, and they did not know of each other's existence.

The castle stood on the side of a hill sloping gently down into a narrow valley, in which was a river, with a pebbly channel and a continual song. The garden went down to the bank of the river, enclosed by high walls, which crossed the river and there stopped. Each wall had a double row of battlements, and between the rows was a narrow walk.

In the topmost story of the castle the Lady Aurora occupied a spacious apartment of several large rooms looking southward. The windows projected oriel-wise over the garden below, and there was a splendid view from them both up and down and across the river. The opposite side of the valley was steep, but not very high. Far away snow-peaks were visible. These rooms Aurora seldom left, but their airy spaces, the brilliant landscape and sky, the plentiful sunlight, the musical instruments, books, pictures, curiosities, with the company of Watho who made herself charming, precluded all dulness. She had venison and feathered game to eat, milk and pale sunny sparkling wine to drink.

She had hair of the yellow gold, waved and rippled; her skin was fair, not white like Watho's, and her eyes were of the blue of the heavens when bluest; her features were delicate but strong, her mouth large and finely curved, and haunted with smiles.


CHAPTER III.

VESPER.


Behind the castle the hill rose abruptly; the north-eastern tower, indeed, was in contact with the rock, and communicated with the interior of it. For in the rock was a series of chambers, known only to Watho and the one servant whom she trusted, called Falca. Some former owner had constructed these chambers after the tomb of an Egyptian king, and probably with the same design, for in the centre of one of them stood what could only be a sarcophagus, but that and others were walled off. The sides and roofs of them were carved in low relief, and curiously painted. Here the witch lodged the blind lady, whose name was Vesper. Her eyes were black, with long black lashes; her skin had a look of darkened silver, but was of purest tint and grain; her hair was black and fine and straight-flowing; her features were exquisitely formed, and if less beautiful yet more lovely from sadness; she always looked as if she wanted to lie down and not rise again. She did not know she was lodged in a tomb, though now and then she wondered she never touched a window. There were many couches, covered with richest silk, and soft as her own cheek, for her to lie upon; and the carpets were so thick, she might have cast herself down anywhere-as befitted a tomb. The place was dry and warm, and cunningly pierced for air, so that it was always fresh, and lacked only sunlight. There the witch fed her upon milk, and wine dark as a carbuncle, and pomegranates, and purple grapes, and birds that dwell in marshy places; and she played to her mournful tunes, and caused wailful violins to attend her, and told her sad tales, thus holding her ever in an atmosphere of sweet sorrow.


CHAPTER IV.

PHOTOGEN.


Watho at length had her desire, for witches often get what they want: a splendid boy was born to the fair Aurora. Just as the sun rose, he opened his eyes. Watho carried him immediately to a distant part of the castle, and persuaded the mother that he never cried but once, dying the moment he was born. Overcome with grief, Aurora left the castle as soon as she was able, and Watho never invited her again.

And now the witch's care was, that the child should not know darkness. Persistently she trained him until at last he never slept during the day, and never woke during the night. She never let him see anything black, and even kept all dull colours out of his way. Never, if she could help it, would she let a shadow fall upon him, watching against shadows as if they had been live things that would hurt him. All day he basked in the full splendour of the sun, in the same large rooms his mother had occupied. Watho used him to the sun, until he could bear more of it than any dark-blooded African. In the hottest of every day, she stript him and laid him in it, that he might ripen like a peach; and the boy rejoiced in it, and would resist being dressed again. She brought all her knowledge to bear on making his muscles strong and elastic and swiftly responsive-that his soul, she said laughing, might sit in every fibre, be all in every part, and awake the moment of call. His hair was of the red gold, but his eyes grew darker as he grew, until they were as black as Vesper's. He was the merriest of creatures, always laughing, always loving, for a moment raging, then laughing afresh. Watho called him Photogen.


CHAPTER V.

NYCTERIS.


Five or six months after the birth of Photogen, the dark lady also gave birth to a baby: in the windowless tomb of a blind mother, in the dead of night, under the feeble rays of a lamp in an alabaster globe, a girl came into the darkness with a wail. And just as she was born for the first time, Vesper was born for the second, and passed into a world as unknown to her as this was to her child-who would have to be born yet again before she could see her mother.

Watho called her Nycteris, and she grew as like Vesper as possible-in all but one particular. She had the same dark skin, dark eyelashes and brows, dark hair, and gentle sad look; but she had just the eyes of Aurora, the mother of Photogen, and if they grew darker as she grew older, it was only a darker blue. Watho, with the help of Falca, took the greatest possible care of her-in every way consistent with her plans, that
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