Stephen Archer and Other Tales by George MacDonald (best novels for students txt) 📖

is,-the main point in which was that she should never see any light but what came from the lamp. Hence her optic nerves, and indeed her whole apparatus for seeing, grew both larger and more sensitive; her eyes, indeed, stopped short only of being too large. Under her dark hair and forehead and eyebrows, they looked like two breaks in a cloudy night-sky, through which peeped the heaven where the stars and no clouds live. She was a sadly dainty little creature. No one in the world except those two was aware of the being of the little bat. Watho trained her to sleep during the day, and wake during the night. She taught her music, in which she was herself a proficient, and taught her scarcely anything else.


CHAPTER VI.

HOW PHOTOGEN GREW.


The hollow in which the castle of Watho lay, was a cleft in a plain rather than a valley among hills, for at the top of its steep sides, both north and south, was a table-land, large and wide. It was covered with rich grass and flowers, with here and there a wood, the outlying colony of a great forest. These grassy plains were the finest hunting grounds in the world. Great herds of small, but fierce cattle, with humps and shaggy manes, roved about them, also antelopes and gnus, and the tiny roedeer, while the woods were swarming with wild creatures. The tables of the castle were mainly supplied from them. The chief of Watho's huntsmen was a fine fellow, and when Photogen began to outgrow the training she could give him, she handed him over to Fargu. He with a will set about teaching him all he knew. He got him pony after pony, larger and larger as he grew, every one less manageable than that which had preceded it, and advanced him from pony to horse, and from horse to horse, until he was equal to anything in that kind which the country produced. In similar fashion he trained him to the use of bow and arrow, substituting every three months a stronger how and longer arrows; and soon he became, even on horseback, a wonderful archer. He was but fourteen when he killed his first bull, causing jubilation among the huntsmen, and, indeed, through all the castle, for there too he was the favourite. Every day, almost as soon as the sun was up, he went out hunting, and would in general be out nearly the whole of the day. But Watho had laid upon Fargu just one commandment, namely, that Photogen should on no account, whatever the plea, be out until sundown, or so near it as to wake in him the desire of seeing what was going to happen; and this commandment Fargu was anxiously careful not to break; for, although he would not have trembled had a whole herd of bulls come down upon him, charging at full speed across the level, and not an arrow left in his quiver, he was more than afraid of his mistress. When she looked at him in a certain way, he felt, he said, as if his heart turned to ashes in his breast, and what ran in his veins was no longer blood, but milk and water. So that, ere long, as Photogen grew older, Fargu began to tremble, for he found it steadily growing harder to restrain him. So full of life was he, as Fargu said to his mistress, much to her content, that he was more like a live thunderbolt than a human being. He did not know what fear was, and that not because he did not know danger; for he had had a severe laceration from the razor-like tusk of a boar-whose spine, however, he had severed with one blow of his hunting-knife, before Fargu could reach him with defence. When he would spur his horse into the midst of a herd of bulls, carrying only his bow and his short sword, or shoot an arrow into a herd, and go after it as if to reclaim it for a runaway shaft, arriving in time to follow it with a spear-thrust before the wounded animal knew which way to charge, Fargu thought with terror how it would be when he came to know the temptation of the huddle-spot leopards, and the knife-clawed lynxes, with which the forest was haunted. For the boy had been so steeped in the sun, from childhood so saturated with his influence, that he looked upon every danger from a sovereign height of courage. When, therefore, he was approaching his sixteenth year, Fargu ventured to beg of Watho that she would lay her commands upon the youth himself, and release him from responsibility for him. One might as soon hold a tawny-maned lion as Photogen, he said, Watho called the youth, and in the presence of Fargu laid her command upon him never to be out when the rim of the sun should touch the horizon, accompanying the prohibition with hints of consequences, none the less awful that they were obscure. Photogen listened respectfully, but, knowing neither the taste of fear nor the temptation of the night, her words were but sounds to him.


CHAPTER VII.

HOW NYCTERIS GREW.


The little education she intended Nycteris to have, Watho gave her by word of mouth. Not meaning she should have light enough to read by, to leave other reasons unmentioned, she never put a book in her hands. Nycteris, however, saw so much better than Watho imagined, that the light she gave her was quite sufficient, and she managed to coax Falca into teaching her the letters, after which she taught herself to read, and Falca now and then brought her a child's book. But her chief pleasure was in her instrument. Her very fingers loved it, and would wander about over its keys like feeding sheep. She was not unhappy. She knew nothing of the world except the tomb in which she dwelt, and had some pleasure in everything she did. But she desired, nevertheless, something more or different. She did not know what it was, and the nearest she could come to expressing it to herself was-that she wanted more room. Watho and Falca would go from her beyond the shine of the lamp, and come again; therefore surely there must be more room somewhere. As often as she was left alone, she would fall to poring over the coloured bas-reliefs on the walls. These were intended to represent various of the powers of Nature under allegorical similitudes, and as nothing can be made that does not belong to the general scheme, she could not fail at least to imagine a flicker of relationship between some of them, and thus a shadow of the reality of things found its way to her.

There was one thing, however, which moved and taught her more than all the rest-the lamp, namely, that hung from the ceiling, which she always saw alight, though she never saw the flame, only the slight condensation towards the centre of the alabaster globe. And besides the operation of the light itself after its kind, the indefiniteness of the globe, and the softness of the light, giving her the feeling as if her eyes could go in and into its whiteness, were somehow also associated with the idea of space and room. She would sit for an hour together gazing up at the lamp, and her heart would swell as she gazed. She would wonder what had hurt her, when she found her face wet with tears, and then would wonder how she could have been hurt without knowing it. She never looked thus at the lamp except when she was alone.


CHAPTER VIII.

THE LAMP.


Watho having given orders, took it for granted they were obeyed, and that Falca was all night long with Nycteris, whose day it was. But Falca could not get into the habit of sleeping through the day, and would often leave her alone half the night. Then it seemed to Nycteris that the white lamp was watching over her. As it was never permitted to go out-while she was awake at least-Nycteris, except by shutting her eyes, knew less about darkness than she did about light. Also, the lamp being fixed high overhead, and in the centre of everything, she did not know much about shadows either. The few there were fell almost entirely on the floor, or kept like mice about the foot of the walls.

Once, when she was thus alone, there came the noise of a far-off rumbling: she had never before heard a sound of which she did not know the origin, and here therefore was a new sign of something beyond these chambers. Then came a trembling, then a shaking; the lamp dropped from the ceiling to the floor with a great crash, and she felt as if both her eyes were hard shut and both her hands over them. She concluded that it was the darkness that had made the rumbling and the shaking, and rushing into the room, had thrown down the lamp. She sat trembling. The noise and the shaking ceased, but the light did not return. The darkness had eaten it up!

Her lamp gone, the desire at once awoke to get out of her prison. She scarcely knew what out meant; out of one room into another, where there was not even a dividing door, only an open arch, was all she knew of the world. But suddenly she remembered that she had heard Falca speak of the lamp going out : this must be what she had meant? And if the lamp had gone out, where had it gone? Surely where Falca went, and like her it would come again. But she could not wait. The desire to go out grew irresistible. She must follow her beautiful lamp! She must find it! She must see what it was about!

Now there was a curtain covering a recess in the wall, where some of her toys and gymnastic things were kept; and from behind that curtain Watho and Falca always appeared, and behind it they vanished. How they came out of solid wall, she had not an idea, all up to the wall was open space, and all beyond it seemed wall; but clearly the first and only thing she could do, was to feel her way behind the curtain. It was so dark that a cat could not have caught the largest of mice. Nycteris could see better than any cat, but now her great eyes were not of the smallest use to her. As she went she trod upon a piece of the broken lamp. She had never worn shoes or stockings, and the fragment, though, being of soft alabaster, it did not cut, yet hurt her foot. She did not know what it was, but as it had not been there before the darkness came, she suspected that it had to do with the lamp. She kneeled therefore, and searched with her hands, and bringing two large pieces together, recognized the shape of the lamp. Therewith it flashed upon her that the lamp was dead, that this brokenness was the death of which she had read without understanding, that the darkness had killed the lamp. What then could Falca have meant when she spoke of the lamp going out ? There was the lamp-dead, indeed, and so changed that she would never have taken it for a lamp but for the shape! No, it was not the lamp any more now it was dead, for all that made it a lamp was gone, namely, the bright shining of it. Then it must be the shine, the light, that had gone out! That must be what Falca meant-and