Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖
Book online «The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖». Author Baron Edward Bulwer Lytton Lytton
The force which but a few days ago his reasonings had given to the arguments that forbade him to think of Isaura, became weaker and weaker, as now in an altered mood of reflection he resummoned and reweighed them.
All those prejudices—which had seemed to him such rational common-sense truths, when translated from his own mind into the words of Lady Janet’s letter,—was not Mrs. Morley right in denouncing them as the crotchets of an insolent egotism? Was it not rather to the favour than to the disparagement of Isaura, regarded even in the man’s narrow-minded view of woman’s dignity, that this orphan girl could, with character so unscathed, pass through the trying ordeal of the public babble, the public gaze-command alike the esteem of a woman so pure as Mrs. Morley, the reverence of a man so chivalrously sensitive to honour as Alain de Rochebriant?
Musing thus, Graham’s countenance at last brightened—a glorious joy entered into and possessed him. He felt as a man who had burst asunder the swathes and trammels which had kept him galled and miserable with the sense of captivity, and from which some wizard spell that took strength from his own superstition had forbidden to struggle.
He was free!—and that freedom was rapture!—yes, his resolve was taken.
The day was now far advanced. He should have just time before the dinner with Duplessis to drive to A———, where he still supposed Isaura resided. How, as his fiacre rolled along the well-remembered road—how completely he lived in that world of romance of which he denied himself to be a denizen.
Arrived at the little villa, he found it occupied only by workmen—it was under repair. No one could tell him to what residence the ladies who occupied it the last year had removed.
“I shall learn from Mrs. Morley,” thought Graham, and at her house he called in going back, but Mrs. Morley was not at home; he had only just time, after regaining his apartment, to change his dress for the dinner to which he was invited. As it was, he arrived late, and while apologising to his host for his want of punctuality, his tongue faltered. At the farther end of the room he saw a face, paler and thinner than when he had seen it last—a face across which a something of grief had gone.
The servant announced that dinner was served.
“Mr. Vane,” said Duplessis, “will you take into dinner Mademoiselle Cicogna?”
BOOK XI.
CHAPTER I.
Amoung the frets and checks to the course that “never did run smooth,” there is one which is sufficiently frequent, for many a reader will remember the irritation it caused him. You have counted on a meeting with the beloved one unwitnessed by others, an interchange of confessions and vows which others may not hear. You have arranged almost the words in which your innermost heart is to be expressed; pictured to yourself the very looks by which those words will have their sweetest reply. The scene you have thus imagined appears to you vivid and distinct, as if foreshown in a magic glass. And suddenly, after long absence, the meeting takes place in the midst of a common companionship: nothing that you wished to say can be said. The scene you pictured is painted out by the irony of Chance; and groups and backgrounds of which you had never dreamed start forth from the disappointing canvas. Happy if that be all! But sometimes, by a strange, subtle intuition, you feel that the person herself is changed; and sympathetic with that change, a terrible chill comes over your own heart.
Before Graham had taken his seat at the table beside Isaura, he felt that she was changed to him. He felt it by her very touch as their hands met at the first greeting,—by the tone of her voice in the few words that passed between them,—by the absence of all glow in the smile which had once lit up her face, as a burst of sunshine lights up a day in spring, and gives a richer gladness of colour to all its blooms. Once seated side by side they remained for some moments silent. Indeed, it would have been rather difficult for anything less than the wonderful intelligence of lovers between whom no wall can prevent the stolen interchange of tokens, to have ventured private talk of their own amid the excited converse which seemed all eyes, all tongues, all ears, admitting no one present to abstract himself from the common emotion. Englishmen do not recognise the old classic law which limited the number of guests, where banquets are meant to be pleasant, to that of the Nine-Muses. They invite guests so numerous, and so shy of launching talk across the table, that you may talk to the person next to you not less secure from listeners than you would be in talking with the stranger whom you met at a well in the Sahara. It is not so, except on state occasions, at Paris. Difficult there to retire into solitude with your next neighbour. The guests collected by Duplessis completed with himself the number of the Sacred Nine—the host, Valerie, Rochebriant, Graham, Isaura, Signora Venosta, La Duchesse de Tarascon, the wealthy and high-born Imperialist, Prince ————, and last and least, one who shall be nameless.
I have read somewhere, perhaps in one of the books which American superstition dedicates to the mysteries of Spiritualism, how a gifted seer, technically styled medium, sees at the opera a box which to other eyes appears untenanted and empty, but to him is full of ghosts, well dressed in costume de-regle, gazing on the boards and listening to the music. Like such ghosts are certain beings whom I call Lookers-on. Though still living, they have no share in the life they survey, they come as from another world to hear and to see what is passing in ours. In ours they lived once, but that troubled sort of life they have survived. Still we amuse them as stage-players and puppets amuse ourselves. One of these Lookers-on completed the party at the house of Duplessis.
How lively, how animated the talk was at the financier’s pleasant table that day, the 8th of July! The excitement of the coming war made itself loud in every Gallic voice, and kindled in every Gallic eye. Appeals at every second minute were made, sometimes courteous, sometimes sarcastic, to the Englishman—promising son of an eminent statesman, and native of a country in which France is always coveting an ally, and always suspecting an enemy. Certainly Graham could not have found a less propitious moment for asking Isaura if she really were changed. And certainly the honour of Great Britain was never less ably represented (that is saying a great deal) than it was on this occasion by the young man reared to diplomacy and aspiring to Parliamentary distinction. He answered all questions with a constrained voice and an insipid smile,—all questions pointedly addressed to him as to what demonstrations of admiring sympathy with the gallantry of France might be
Comments (0)