Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖
Book online «The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖». Author Baron Edward Bulwer Lytton Lytton
“Hush, hush, hush,”—the girl could say no more, but she recoiled from his side.
The recoil did not wound him: there was no hate in it. He advanced, he caught her hand, and continued, in one of those voices which become so musical in summer nights under starry skies:
“Isaura, there is one name which I can never utter without a reverence due to the religion which binds earth to heaven—a name which to man should be the symbol of life cheered and beautified, exalted, hallowed. That name is ‘wife.’ Will you take that name from me?”
And still Isaura made no reply. She stood mute, and cold, and rigid as a statue of marble. At length, as if consciousness had been arrested and was struggling back, she sighed heavily, and passed her hands slowly over her forehead.
“Mockery, mockery,” she said then, with a smile half bitter, half plaintive, on her colourless lips. “Did you wait to ask me that question till you knew what my answer must be? I have pledged the name of wife to another.”
“No, no; you say that to rebuke, to punish me! Unsay it! unsay it!”
Isaura beheld the anguish of his face with bewildered eyes. “How can my words pain you?” she said, drearily. “Did you not write that I had unfitted myself to be wife to you?”
“I?”
“That I had left behind me the peaceful immunities of private life? I felt you were so right! Yes! I am affianced to one who thinks that in spite of that misfortune—”
“Stop, I command you—stop! You saw my letter to Mrs. Morley. I have not had one moment free from torture and remorse since I wrote it. But whatever in that letter you might justly resent—”
“I did not resent—”
Graham heard not the interruption, but hurried on. “You would forgive could you read my heart. No matter. Every sentiment in that letter, except those which conveyed admiration, I retract. Be mine, and instead of presuming to check in you the irresistible impulse of genius to the first place in the head or the heart of the world, I teach myself to encourage, to share, to exult in it. Do you know what a difference there is between the absent one and the present one—between the distant image against whom our doubts, our fears, our suspicions, raise up hosts of imaginary giants, barriers of visionary walls, and the beloved face before the sight of which the hosts are fled, the walls are vanished? Isaura, we meet again. You know now from my own lips that I love you. I think your lips will not deny that you love me. You say that you are affianced to another. Tell the man frankly, honestly, that you mistook your heart. It is not yours to give. Save yourself, save him, from a union in which there can be no happiness.”
“It is too late,” said Isaura, with hollow tones, but with no trace of vacillating weakness on her brow and lips. “Did I say now to that other one, ‘I break the faith that I pledged to you,’ I should kill him, body and soul. Slight thing though I be, to him I am all in all; to you, Mr. Vane, to you a memory—the memory of one whom a year, perhaps a month, hence, you will rejoice to think you have escaped.”
She passed from him—passed away from the flowers and the starlight; and when Graham,—recovering from the stun of her crushing words, and with the haughty mien and stop of the man who goes forth from the ruin of his hopes, leaning for support upon his pride,—when Graham re-entered the room, all the guests had departed save only Alain, who was still exchanging whispered words with Valerie.
CHAPTER IV.
The next day, at the hour appointed, Graham entered Alain’s apartment. “I am glad to tell you,” said the Marquis, gaily, “that the box has arrived, and we will very soon examine its contents. Breakfast claims precedence.” During the meal Alain was in gay spirits, and did not at first notice the gloomy countenance and abstracted mood of his guest. At length, surprised at the dull response to his lively sallies on the part of a man generally so pleasant in the frankness of his speech, and the cordial ring of his sympathetic laugh, it occurred to him that the change in Graham must be ascribed to something that had gone wrong in the meeting with Isaura the evening before; and remembering the curtness with which Graham had implied disinclination to converse about the fair Italian, he felt perplexed how to reconcile the impulse of his good nature with the discretion imposed on his good-breeding. At all events, a compliment to the lady whom Graham had so admired could do no harm.
“How well Mademoiselle Cicogna looked last night!”
“Did she? It seemed to me that, in health at least, she did not look very well. Have you heard what day M. Thiers will speak on the war?”
“Thiers? No. Who cares about Thiers? Thank heaven his day is past! I don’t know any unmarried woman in Paris, not even Valerie—I mean Mademoiselle Duplessis—who has so exquisite a taste in dress as Mademoiselle Cicogna. Generally speaking, the taste of a female author is atrocious.”
“Really—I did not observe her dress. I am no critic on subjects so dainty as the dress of ladies, or the tastes of female authors.”
“Pardon me,” said the beau Marquis, gravely. “As to dress, I think that so essential a thing in the mind of woman, that no man who cares about women ought to disdain critical study of it. In woman, refinement of character is never found in vulgarity of dress. I have only observed that truth since I came up from Bretagne.”
“I presume, my dear Marquis, that you may have read in Bretagne books which very few not being professed scholars have ever read at Paris; and possibly you may remember that Horace ascribes the most exquisite refinement in dress, denoted by the untranslatable words, ‘simplex munditiis,’ to a lady who was not less distinguished by the ease and rapidity with which she could change her affection. Of course that allusion does not apply to Mademoiselle Cicogna, but there are many other exquisitely dressed ladies at Paris of whom an ill-fated admirer
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