Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Companions of Jehu by Alexandre Dumas (best ereader for comics TXT) 📖
- Author: Alexandre Dumas
Book online «The Companions of Jehu by Alexandre Dumas (best ereader for comics TXT) 📖». Author Alexandre Dumas
“What is it you request of me, sir?”
“That you will save the gentleman who assisted you.”
“Oh! willingly,” said the lady, rising; “what am I to do?”
“Answer a question which I shall ask you.”
“I am ready, sir.”
“Wait here a moment. You will be sent for presently.”
The judge went back into the courtroom. A gendarme was placed at each door to prevent any one from approaching the lady. The judge resumed his seat.
“Gentlemen,” said he, “the session is reopened.”
General excitement prevailed. The ushers called for silence, and silence was restored.
“Bring in the witness,” said the judge.
An usher opened the door of the council-chamber, and the lady, still veiled, was brought into court. All eyes turned upon her. Who was she? Why was she there? What had she come for? Amélie’s eyes fastened upon her at once.
“O my God!” she murmured, “grant that I be mistaken.”
“Madame,” said the judge, “the prisoners are about to be brought in. Have the goodness to point out the one who, when the Geneva diligence was stopped, paid you those attentions.”
A shudder ran through the audience. They felt that some fatal trap had been laid for the prisoners.
A dozen voices began to shout: “Say nothing!” but the ushers, at a sign from the judge, cried out imperatively: “Silence!”
Amélie’s heart turned deadly cold. A cold sweat poured from her forehead. Her knees gave way and trembled under her.
“Bring in the prisoners,” said the judge, imposing silence by a look as the usher had with his voice. “And you, madame, have the goodness to advance and raise your veil.”
The veiled lady obeyed.
“My mother!” cried Amélie, but in a voice so choked that only those near her heard the words.
“Madame de Montrevel!” murmured the audience.
At that moment the first gendarme appeared at the door, then the second. After him came the prisoners, but not in the same order as before. Morgan had placed himself third, so that, separated as he was from the gendarmes by Montbar and Adler in front and d’Assas behind, he might be better able to clasp Amélie’s hand.
Montbar entered first.
Madame de Montrevel shook her head.
Then came Adler.
Madame de Montrevel made the same negative sign.
Just then Morgan passed before Amélie.
“We are lost!” she said.
He looked at her in astonishment as she pressed his hand convulsively. Then he entered.
“That is he,” said Madame de Montrevel, as soon as she saw Morgan—or, if the reader prefers it, Baron Charles de Sainte-Hermine—who was now proved one and the same man by means of Madame de Montrevel’s identification.
A long cry of distress burst from the audience. Montbar burst into a laugh.
“Ha! by my faith!” he cried, “that will teach you, dear friend, to play the gallant with fainting women.” Then, turning to Madame de Montrevel, he added: “With three short words, madame, you have decapitated four heads.”
A terrible silence fell, in the midst of which a groan was heard.
“Usher,” said the judge, “have you warned the public that all marks of approbation or disapproval are forbidden?”
The usher inquired who had disobeyed the order of the court. It was a woman wearing the dress of a Bressan peasant, who was being carried into the jailer’s room.
From that moment the accused made no further attempt at denial; but, just as Morgan had united with them when arrested, they now joined with him. Their four heads should be saved, or fall together.
That same day, at ten in the evening, the jury rendered a verdict of guilty, and the court pronounced the sentence of death.
Three days later, by force of entreaties, the lawyers obtained permission for the accused to appeal their case; but they were not admitted to bail.
CHAPTER LIII. IN WHICH AMÉLIE KEEPS HER WORD
The verdict rendered by the jury of the town of Bourg had a terrible effect, not only in the courtroom, but throughout the entire town. The four prisoners had shown such chivalric brotherhood, such noble bearing, such deep conviction in the faith they professed, that their enemies themselves admired the devotion which had made robbers and highwaymen of men of rank and family.
Madame de Montrevel, overwhelmed by the part she had been made to play at the crucial point of this drama, saw but one means of repairing the evil she had done, and that was to start at once for Paris and fling herself at the feet of the First Consul, imploring him to pardon the four condemned men. She did not even take time to go to the Château des Noires-Fontaines to see Amélie. She knew that Bonaparte’s departure was fixed for the first week in May, and this was already the 6th. When she last left Paris everything had been prepared for that departure.
She wrote a line to Amélie explaining by what fatal deception she had been instrumental in destroying the lives of four men, when she intended to save the life of one. Then, as if ashamed of having broken the pledge she had made to Amélie, and above all to herself, she ordered fresh post-horses and returned to Paris.
She arrived there on the morning of the 8th of May. Bonaparte had started on the evening of the 6th. He said on leaving that he was only going to Dijon, possibly as far as Geneva, but in any case he should not be absent more than three weeks. The prisoners’ appeal, even if rejected, would not receive final consideration for five or six weeks. All hope need not therefore be abandoned.
But, alas! it became evident that the review at Dijon was only a pretext, that the journey to Geneva had never been seriously thought of, and that Bonaparte, instead of going to Switzerland, was really on his way to Italy.
Then Madame de Montrevel, unwilling to appeal to her son, for she had heard his oath when Lord Tanlay had been left for dead, and knew the part he had played in the capture of the Companions of Jehu—then Madame de Montrevel appealed to Josephine, and Josephine promised to write to the First Consul.
Comments (0)