Girlhood and Womanhood<br />The Story of some Fortunes and Misfortunes by Sarah Tytler (ereader for comics TXT) 📖

had an earnest consultation on the accident, which resulted in their proceeding to tuck up [Page 118]their skirts, empty the receptacle with the greatest care and tenderness, and repack it with such skill that a rope would replace its rent hinges. Dulcie was not for walking.

Clarissa was thus forced to saunter alone, and after she had got to the brook and the pollards, she sat down, and leant her arms on the bars of an old farm gate. Soon tiring of looking about her, staring at the minnows and the late orange coltsfoot and white wild ranunculus, and the straw-coloured willow-leaves drooping into the water, she took out of her pocket that little brown French classic, Pharamond, and started again to accompany the French storyteller, advancing on the very tallest of stilts that storyteller ever mounted. It was a wonder truly that Clary on her mossy bank, and by a rustic stile, had not preferred the voices of the winds and the waters, the last boom of the beetle, the last screech of the martin, the last loud laugh of the field-workers borne over a hedge or two on the breeze, to the click and patter of these absurd Frenchmen's tongues.

At last Clarissa bethought her of the hour, sprang up, carefully put away her volume—volumes and verses were precious then—and began to pick her steps homewards. Ah! there had been a wretch of a man looking at her—actually drawing her in his portfolio—the ugly fellow in the waggon. Thank goodness, he could not have recognized her as his fellow-traveller; he had copied the old farm-gate from the other side, and he could only have got a glimpse of her figure through the bars with not so much as the crown of her hat above them. He had only put her in faithfully by a line or two, and three dots, and he [Page 119]did not observe her now as she passed behind him and scanned his performance ere she scampered off. But what a risk she had run of having her likeness taken without her knowledge or consent, and carried about the country by a walking gentleman!

It was quite an adventure; yet how could Clary think it so when an earthquake and a whole town burnt to ashes were nothing in her French novels! But, still true to the instinct of personality which causes us to think a molehill in reference to our dear selves a world more momentous and interesting than a mountain in reference to a princess of the blood-royal, stately Clarissa flew off like a lapwing to tell Dulcie that she had just had such an escape, and hit on such a discovery—she had found out all about the two fellows; they were a couple of painters. Marry! it was a marvel to see the one so hearty, and the other so rosy. Doubtless they did not have an odd penny in their purse between them.

Clarissa came too late; she encountered Dulcie running out to meet her, all alive with the same news, only gathered in a more orthodox manner. The fair, soft lad, whom they had reckoned a nincompoop, had shaken himself up in his companion's absence, and had offered his landlady a drawing for his share of the dinner, "if you will score the value off the bill." And the landlady had repeated the story to Cambridge and Dulcie when she showed the picture to them, and expressed her conviction that the lad was far gone in the spleen—he seemed always in a brown study; too quiet-like for a lad. She should have no peace in her mind about him if she were in any [Page 120]way related to him. Bless her heart! he would sell another for something much less than a crown.

Dulcie, all in a glow, had actually been chaffering with the painter for one of those wonderful groups of luscious peaches, mellow pears, July flowers, and striped balsamine, singing birds and fluttering insects, full of extravagant beauty. In the business, too, Dulcie had been by far the more overcome of the two. The painter, roused to a job, had not cheated her; on the contrary, he had been as usual a conscientious spendthrift of his powers. He had conducted the negotiation in the plainest, manliest spirit, looking the eager girl in the face with his blue eyes, and receiving her crown-piece in his hand, which was nobler than his face, inasmuch as it was seamed with the action of his paints and tools, without a notion of anything unbecoming or degrading.

The brother painter shook his head when he returned, and found what Will had been about in his absence.

"Man, man, didn't I bargain that I was to pay for your company, and haven't I put you in the worst bed, and allowed you the burnt meat and the sodden bread, and the valise to carry twice as often as I took it myself, to satisfy your plaguy scruples? And yet you could go and scurvily steal a march upon me the moment you were out of my sight! But," brightening immeasurably, and bowing low, "you have certainly contrived what I had not the face to attempt—an introduction to the ladies—although, no doubt, it was very simply done, and you are a very modest man, as I do not need to tell them. Ladies, I am Sam Winnington, son of the late gallant Captain Winnington, though [Page 121]I should not call him so; and this is Will Locke, the vagrant child of an excellent man, engaged, I believe, in the bookselling and stationery trade. We are painters, if it please you, on a tour in search of sketches and commissions. I beg to assure you, that I do portraits on a great scale as well as a small, and Will sometimes does lions in the jungle, as well as larks in a tuft of grass."

Cambridge was more posed than ever by the fresh advance included in this merry speech; but the girls were quite of another mind, and took the matter forthwith into their own hands, as is usual with the class, and bore down caution and experience, particularly when it proceeded from their housekeeper. They liked the young man's congenial sense and spirit, they secretly hankered after his vivacity; they were, with their dear woman's romance, all afire in three minutes about pictures, gods, and goddesses, historic scenes, and even scratches in Indian ink. A true woman and a painter are hand and glove at a moment's warning in any age. Cambridge could but drop naturally into the background, and regard the constant puzzle, "How girls can talk with fellows!"

The chance companions were once more packed into the waggon, pleasantly mixed together this time, and away they trundled yet many weary miles by the sunset and the light of the moon. The boughs in the horses' collars dangled brown, Cambridge and the waggoner nodded drowsily; but, divine privilege of youth! the spirits of the lads and lasses only freshened as the long day waned and they neared the goal. They were dramatis personæ on a moving stage, jesting like country folks going to a fair. [Page 122]Even Will Locke was roused and lively as he answered Dulcie's pertinacious, pertinent questions about the animal and vegetable life he loved so well; while Dulcie, furtively remembering the landlady's suggestion, wondered, kind heart! if she could use the freedom to mention to him that ground ivy was all but infallible in early stages of the spleen, and that turnip broth might be relied on to check every incipient cough. Clarissa was coquettish, Sam Winnington was gallant. With all the girls' mock heroism, and all their arrogance and precision, trust me, girls and lads formed a free and friendly company in the end.

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III.—REDWATER HOSPITALITY.

Clarissa and Dulcie did do the young men service in their calling. They said it would be a shame not to help two such likely fellows (you know they had undauntedly set the one down as a fright and the other as a goose in the morning); they were sure they were industrious and worthy, and they would give bail for their honesty. So they spoke right and left to the few influential families who were at Redwater of the two young painters, who by mere luck had come with them in the waggon, had put up at the "Rod and Fly," and were waiting for commissions. Had the Warrens or the Lorimers not heard of them? they would come bound they were a couple of geniuses, from their conversation.

The old world grinned, and said to the girls' faces that the lasses had better not be too zealous for the lads; they were generally fit to manage their own business, and some[Page 123]thing more into the bargain. Uncle Barnet would not care to have his niece Clary fling herself away with her tidy fortune on a walking gentleman, though he were a genius.

The result was that Dulcie "bridled" in a twitter of wounded faith and anger. Clarissa was superb and scornful. She ordered a full-length portrait, and fixed the hour for the sitting within the week. Dulcie set off alone with Master Will Locke—Dulcie, who knew no more of Redwater than he should have done, if his wits had not been woolgathering—to find the meadow which was beginning to purple over with the meadow saffron.

But for all the townspeople laughed at Mistress Clary's and Mistress Dulcie's flights, they never dreamt of them as unbecoming or containing a bit of harm. Fine girls like Clary and Dulcie, especially an accomplished girl like Clary, who could read French and do japan, besides working to a wish in cross-stitch and tent-sketch, were not persons to be slighted. The inhabitants saw for themselves that the painters had coats which were not out at elbows, and tongues, one of which was always wagging, and the other generally at rest, but which never said a word fairly out of joint. They needed no further introduction; the gentlemen called for the young men, the ladies curtsied to them in the bar of the "Rod and Fly," in the church-porch, in the common shop, and began conversations with them while they were chaffering at the same counter for the same red ribbons to tie up the men and the women's hair alike; and they felt that their manners were vastly polite and gracious, an opinion which was not far from the truth.

[Page 124]The Vicar lent the painters books. The Mayor invited them to supper. The nearest Justice, who was a family man, with a notable wife, had them to a domestic party, where they heard a little girl repeat a fable, and saw the little coach which the Justice had presented to his son and heir, then in long clothes, in which he was to be drawn along the smooth oak boarded passages of the paternal mansion as soon as he could sit upright.

Lastly, Clarissa Gage, under the sufficient guardianship of Cambridge, treated the strangers to a real piece of sport—a hop on the washing-green, under her mulberry-tree. It commenced at four o'clock in the afternoon, and ended with dusk and the bats, and a gipsy fire, and roasting groats and potatoes in the hot ashes, in imitation of the freakish oyster supper which Clary had attended in town.

Clary took care to have her six couples well assorted, and not to be severed till the merry-making was over; she did not mind uniting herself to Master Sam Winnington, and Dulcie to Master Will Locke—mind! the arrangement was a courteous compliment to the chief guests, and it gave continual point to the entertainment. The company took a hilarious pleasure in associating the four two-and-two, and commented openly on the distribution: "Mistress Clary is mighty condescending to this jackanapes." "Mistress Dulcie and t'other form a genteel pair."

To be sure the two young men heard the remarks, which they might have taken as broad hints, and the girls heard them too, uttered as they were without disguise; but so healthy were our ancestors, that nobody was put out—not even soft, mooning Will Locke. Nothing came of [Page 125]it that evening, unless a way Dulcie had of pressing her red lips together, throwing back her little brown head, shaking out the powder from her curls, and shaking down the curls themselves, with a gleeful laugh, which appeared to turn her own "bridling" into derision; and a high assertion of Clary's that she was determined never to wed a man beneath the rank of a county member or a peer. Now, really, after Clary had danced fifteen dances, and was about to dance other five, without stopping, with a portrait painter, of her own free will, this was drawing a longish and very unnecessary bow. But then Sam