Girlhood and Womanhood<br />The Story of some Fortunes and Misfortunes by Sarah Tytler (ereader for comics TXT) 📖

that trifling appendage right [Page 133]into the air, and deposited it over a wall or a fence, and Will Locke was not half so quick as Dulcie in tracing the region of its flight, neither was he so active, however willing, in recovering the truant. Why, Dulcie found his own hat for him, and put it on his head to boot one day. He had deposited it on a stone, that he might the better look in the face a dripping rock, shaded with plumes of fern and tufts of grass, and formed into mosaic by tiny sprays of geranium faded into crimson and gold. It was a characteristic of Will that while he was so fanciful in his interpretation, the smallest, commonest text sufficed him. The strolls of these short autumn days were never barren of interest and advantage to him. The man carried his treasures within himself; he only needed the slightest touchstone from the outside world to draw them out. A fieldmouse's nest was nearly as good to him as an eagle's eyrie, an ox-eyed daisy as a white rose, a red hemp-nettle as a foxglove. He put down his hat and stood contemplating the bit of rock, until every morsel of leaf told him its tale, and then proceeded to fill his pockets and hands with what the poorest country boy would have deemed the veriest weeds; and at last he would have faced round, and marched home, unconscious that his fair hair, bleached like a child's, was undefended from a pitiless shower impending over his head. Dulcie lingered dutifully behind, picked up that three-cornered hat timidly, called his attention to his negligence, and while he stooped with the greatest ease in life, she, bashfully turning her eyes another way, finally clapped the covering on his crown, as a mother bonnets her child.

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[Page 134]

IV.—OTHER CASTS FOLLOWING THE CAST IN THE WAGGON.

Clary and Dulcie were slightly censured for their officiousness in the affairs of these painter fellows: but it is in the nature of women not to take well with contradiction: it is in the nature of good women to fly furiously in the face of whatever crosses their generosity, or thwarts their magnanimity.

The crisis came about in this way: Will Locke had finished his work long before Sam; not that Will was more industrious, but he had not got half the commissions at only half the price, and that was about the usual division of labour between them. The two men were born to it. Sam's art took the lucrative shape of portrait-painting; Will's the side of flower and fruit and landscape painting, which was vilely unremunerative then, and allegorical painting, which no one will be at the pains to understand, or, what is more to the purpose, to buy, in this enlightened nineteenth century. Sam, who was thriving already, fell in love with Clarissa Gage, with her six thousand pounds fortune: there was no premeditation, or expediency, or cunning, in the matter; it was the luck of the man. But Will Locke could never have done it: he, who could never make a clear subsistence for himself, must attach himself to a penniless, cheery, quick little girl like Dulcie; and where he could not well maintain one, must provide for two at the lowest estimate. Will Locke was going, and there was no talk of his return; Dulcie [Page 135]was helping him to put up his sketches with her orderly, ready, and respectful hands.

"When we are parted for good, I shall miss you," he said, simply.

Her tender heart throbbed with gratitude, but she only answered, "Are we to be parted for good? Will you never come back to Redwater?"

"I cannot come back like Sam," he affirmed, sadly, not bitterly; "I am not a rising man, Dulcie, though I may paint for future ages."

A bright thought struck Dulcie, softening and warming her girlish face, till it was like one of those faces which look out of Fra Angelico's pictures, and express what we are fond of talking about—adoration and beneficence: "Could I paint for the potteries, Master Locke?" For, in his noble thriftless way, he had initiated her into some of the very secrets of his tinting, and Dulcie was made bold by the feats she had achieved.

"What should set you labouring on paltry porringers?—you are provided with your bit and sup, Mistress Dulcie."

"I thought it might be fine to help a great painter like you," confessed the gentle lass; very gently, with reluctance and pain, for it was wrung by compulsion from her maidenliness.

"Do you think so? I love you for thinking it," he said directly: but he would never have done so, brave as he was in his fantasies, without her drawing him on.

However, after that speech, there was no further talk of their parting for good: indeed, Dulcie would do her part; and slave at these "mugs and pigs" to any extent; [Page 136]and all for a look of his painting before he quitted the easel of nights; a walk, hanging upon his arm, up Primrose Hill; a seat by his side on the Sundays in the city church where he worshipped. Dulcie did not care to trouble her friends at home with the matter: instead, she had a proud vision of surprising them with the sight of—her husband. "They would be for waiting till they could spare money to buy more clothes, or perhaps a chest of drawers; they could not afford it; no more could Will find means to fly up and down the country. Father dear will be pleased to see him so temperate: he cannot drink more than a glass of orange-wine, or a sip of cherry-brandy; he says it makes his head ache: he prefers the clear, cold water, or at most a dish of chocolate. Mother may jeer at him as unmanly; she has a fine spirit, mother: and she may think I might have done better; but mother has grown a little mercenary, and forgotten that she was once young herself, and would have liked to have served a great genius with such a loving heart and such blue eyes as Will's. Ah! the girls will all envy me, when they get a glance from Will's blue eyes: and let them, for he is too good a fellow to look at anybody but his poor ordinary silly wife, and if he did, the odds are that he would not see them: could not see whether their hair were black or red. Ah me! I am not sure whether Will always sees me—poor me—and not one of his angels from paradise."

But Dulcie did mean to tell Clary, and to ask her what she would advise her to wear for her wedding-gown, and whether she and Sam Winnington would be best maid and best man. But Clary put her foot through the plan [Page 137]neatly. Clary was in one of her vapourish moods when she inquired one night, "Is Will Locke coming down again, Dulcie? Oh! what ever is he seeking here? What more can we do for him? Nobody wants any more sheep or goats (were they sheep or goats, Dulcie?), or strawberries and currants, unless as mutton, and kid, and preserves. And, Dulcie, you must not stand in your own light, and throw away any more notice upon him; it is wasting your time, and the word of him may keep away others. A match with him would be purely preposterous: even Sam Winnington, who is a great deal more of a scamp, my dear, treats him as a sublime simpleton."

What induced Clary to attempt to lock the stable after the steed was stolen? What drove her off all of a sudden on this dreadfully candid and prudent tack? She only knew. Possibly it was to ease her own troubled conscience: but with Sam Winnington constantly dangling about her skirts, and receiving sufficient encouragement, too, it was hard for Dulcie to bear. She was in a fine passion; she would not tell Clary, after that round of advice; no, not a word. How did she know what Clary would do next? Perhaps forbid Will the house, when he came back from London with the licence, lock her into a room, and write an evil report to her friends? No, Dulcie could keep her own counsel: she was sorry to live in Clary's house, and eat the bread of deceit, but she would not risk Will's happiness as well as her own.

Will Locke reappeared on the scene within a fortnight. The lad did not tell Dulcie, though, that he had walked the most of the way, and that he had rendered himself [Page 138]footsore, in order to be able to count out Dulcie's modest expenses up to town, and perhaps a month's housekeeping beforehand: for that was the extent of his outlook. Will Locke appointed the Vicar to meet him and a young woman in Redwater church, the very morning after his return: there was no use in delay, except to melt down the first money he had hoarded; and Will and Dulcie were like two children, eager to have the business over and done with, and not to do again by the same parties. The Vicar was quite accustomed to these sudden calls, and he submitted to them with a little groan. He did not know who the young woman might be, and he did not care; it might be Mistress Cambridge, it might be Mistress Clarissa herself, it might be the still-room maid, or the barmaid at the "Rod and Fly;" it was all one to him. As for the young painter fellow, the quiet lads were as likely to slip into these scrapes as the rattles; indeed, the chances were rather against them: the Vicar was inclined to cry, "Catch Mr. Sam Winnington in such a corner." But the Vicar was in no way responsible for a youth who was not even his own parishioner; he was not accountable for his not having worldly goods wherewith to endow the young woman whom he was to lead to the altar. Oddly enough, though worldly goods are undoubtedly introduced into the service, there are no accompanying awkward questions: such as, "What are your worldly goods, M.?" or, "Have you any worldly goods, M.?" The Vicar did not care at all, except for his incipient yawns, and his disordered appetite; he was a rebuke to gossips.

[Page 139]When the hour came, Dulcie was distressed: not about wrongdoing, for the girl had no more idea that she was doing wrong than you have when you write a letter on your own responsibility, and at your own dictation; not at the absence of friends, for in Dulcie's day friends were considered very much in the way on such occasions. Indeed, the best accredited and most popular couples would take a start away from their companions and acquaintances, and ride ten miles or so to be married privately, and so escape all ceremony. Dulcie was troubled by the want of a wedding-gown; yes, a wedding-gown, whether it is to wear well or not, is to a woman what a wig is to a barrister, what a uniform is to a soldier. Dulcia's had no existence, not even in a snip; no one could call a half-worn sacque a wedding-gown, and not even her mother's tabby could be brought out for fear of observation. Only think! a scoured silk: how could Dulcie "bridle" becomingly in a scoured silk? There would have been a certain inappropriateness in its shabbiness in the case of one who had done with the vanities of this world: but a scoured silk beside bridal blushes!—alas, poor Dulcie!

In every other respect, there appears something touching as well as humorous in that primitive marriage-party on the grey October morning, with the autumn sunbeams, silver not golden, faintly brightening the yellowing vine, over the sexton's house, and the orange and grey lichens, the only ornaments outside the solid old church, with its low, heavy Saxon arches. The Vicar bowed with ceremony, and with a dignified and deliberate air, as he recognised Mistress Dulcie; the old clerk and his wrinkled wife [Page 140]stumbled into an apprehension that it was Mistress Clarissa Gage's friend who was to have the knot tied all by herself so early: but it was nothing to them either—nothing in comparison with the Christmas dole. The lad and lass so trustful, so isolated, making such a tremendous venture, deserved to have the cheery sunshine on their lot, if only for their faith and firmness.

When it was over, Dulcie plucked Will's sleeve, to turn him into the vestry. One must be the guide if not the other, and "it's main often the woman," the old clerk would tell you, with