Girlhood and Womanhood<br />The Story of some Fortunes and Misfortunes by Sarah Tytler (ereader for comics TXT) 📖

Winnington did not take it amiss or contradict her. He said she was right, and he had no doubt she would keep her word, and there was a quick, half-comic, half-serious gleam from the depths of his grey eyes which made Clarissa Gage look more bashful and lovelier than any man had ever yet beheld her. Pity the member or the peer could not have been that man!

Imagine the party after Mistress Cambridge had provided them with some of her favourite chickens, and more substantial Dutch beef, with wet fruit and dry, cold Rhenish and sugar, and mulled wine against the dew and damp feet, collecting merrily round the smoky fire, with little jets of flame shooting up and flashing out on the six couples! Sam Winnington in his silk stockings and points neatly trussed at the knee, was on all-fours poking the blue and red potatoes into the glowing holes. Another man with rough waggishness suddenly stirred the fire with an oak branch, and sent a shower of sparks like rockets into the dark blue sky, but so near that it [Page 126]caused the women to recoil, screaming and hiding their faces on convenient shoulders, and lodged half-a-dozen instruments of ignition and combustion in Sam Winnington's hair, singeing it and scorching his ears. Had Sam not been the best-natured and most politic fellow in the world, he would have dragged the aggressor by the collar or the cuff over the smoking crackling wood, and made the ladies shriek in greater earnest.

There was the strange ruddy light now on this face, now on that—on Will Locke's as he overturned a shovel of groats at Dulcie's feet, and on Dulcie's, so eager to cover his blunder, that she quite forgot the circumstances of the case, and never came to herself till she had burnt all the five tips of her rosy fingers catching the miller's pearls. Then Will Locke was so sorry, stroked the fingers so daintily, hung upon Cambridge so beseechingly, imploring her to prepare a cool mash for Mistress Dulcie's finger points, the moment they were all gone—that Dulcie could have cried for his tenderness of heart, and quickness and keenness of remorse.

Conjure up the whole fourteen—the Vicar and Cambridge of the number—when the fire had sunk white in ashes, when they could scarcely see each other's faces, and only guess each other's garments, having a round at "Puss in the corner," running here and rushing there, seizing this shoulder-knot, holding tight like a child by that skirt, drawing up, pulling back, whirling round all blowsy, all panting, all faint with fun and laughter, and the roguish familiarity which yet thought no evil. Very romping, was it not? very hoydenish? yes certainly. [Page 127]Very improper? by no means. It was practised by dignitaries of the Church, still more classic than the Vicar scuttling and ducking after Cambridge (you never saw the like), and by the pink and pride of English womanhood.

Redwater was hospitable to these painter lads, as we understand hospitality, unquestionably, ungrudgingly hospitable; but it was more than hospitable to them, it was profitable to them in a pecuniary sense, without which great test of its merits they could not long have tarried within its bounds. They were neither fools nor hypocrites to pretend to be clean indifferent to the main chance.

The Vicar fancied a likeness of himself in his surplice, which his parishioners might buy and engrave, if they had a mind to preserve his lineaments when he was no longer among them. The Justice took a notion to have his big girls and his little girls, his boy and nurse, his wife, and himself as the sheltering stem of the whole young growth, in one canvas.

But the great achievement was Sam Winnington's picture of Clarissa, "not as a crazy Kate this time," she told him saucily, "but myself in my hair and brocade, to show what a grand lady I can be." Thus Clarissa dressed herself out in one of those magnificent toilettes all in the autumn mornings, and sat there in state for hours, for the sole benefit of posterity, unless Sam Winnington was to reap a passing advantage by the process. Clarissa in her brocade, with the stiff body and the skirt standing on end, her neckerchief drawn through the straps of her bodice, her bouquet pinned, "French fashion," on her side; [Page 128]surely that picture was a masterpiece. So speaking was the copy of her deep brown hair, her soft, proud cheek, the wave of her ripe red lips, that a tame white pigeon, accustomed to sit on her shoulder, flew into the window right at the canvas, and, striking against the hard, flat surface, fell fluttering and cooing in consternation to the ground. If that was not an acknowledgment of the limner's fidelity, what could be?

Clary, in person, played my lady very well, reclining in her father's great chair. Her hall was roomy enough; it had its space for Sam Winnington's easel as well as Clary's harpsichord, and, what was more useful, her spinning-wheel, besides closets and cupboards without number. Sam Winnington entertained Clarissa; he was famous in years to come for keeping his sisters in good humour. He told her of the academy and the president's parties, of the public gardens and the wild beast shows; and how the Princesses had their trains borne as they crossed the park. He asked her what quality in herself she valued the most; and owned that he was hugely indebted to his coolness. When his colours were not drying fast enough, he read her a page or two of grand heroic reading from Pope's 'Homer' about Agamemnon and Achilles, Helen and Andromache; when she tired of that he was back again to the sparkling gossip of the town, for he was a brilliant fellow, with a clear intellect and a fine taste; and he had stored up and arranged elegantly on the shelves of his memory all the knowledge that was current, and a little more besides.

When he was gone, Clary would meditate what powers [Page 129]of conversation he had, and consider rather glumly how she would miss the portrait painter when he migrated to his native air, the town; how dull Redwater would be; how another face would soon supplant hers on the canvas! He had shown her others in his portfolio quite as blooming and dignified, though he had tumbled them carelessly over; and so he would treat hers when another's was fresh before him. Clary would be restless and cross at her own suppositions; for where is the use of being a beauty and a wit if one must submit to be either forgotten or beaten, even by a portrait painter?

In the meantime, the Vicar also wanted a facsimile of his hayfield, as it looked when the haymakers were among the tedded grass, or under the Redwater ash-trees, to present him with a pleasant spectacle within, now that the bleak autumn was coming on, and there would be nothing without but soaked or battered ground, dark skies, and muddy or snowy ways. The Mayor desired a pig-sty, with the most charming litter of little black and white pigs, as nice as guinea-pigs, and their considerably coarser grunting mamma, done to hand. He was a jolly, prosaic man, Master Mayor, very proud of his prosaicness, as you rarely see a real man of his poetry: he maintained, though Mrs. Mayor nearly swooned at the idea, that he would sooner have a pig-sty than a batch of heroes. Perhaps the heroes of Master Mayor's day had sometimes wallowed in the mire to suggest the comparison. And Clarissa Gage would have her bower done—her clematis bower before the leaves were brown and shrivelled and there only remained the loving spindle-shanked stems [Page 130]clinging faithfully to the half-rotten framework which they could no longer clothe with verdure.

What a bower Will Locke made of Clary's bower! as unique as Sam Winnington's portrait of Clary herself. It was not the literal bower; and it would not have suited Master Mayor or the Justice, though it might have had a charm for the Vicar. We will go with the Vicar; although he also had his bombast, and, when elevated by company and cheer, denominated Cambridge a goddess, and raised in the poor woman's breast expectations never to be realized. We don't altogether approve that wonderful bit of work, but we like it. There never were such deep damask roses as hung over the trellis, there never were such flaming sunflowers, or pure white lilies as looked in at the sides. Squirrels don't frequent garden bowers unless they are tamed and chained by the leg. Our robin redbreasts are in the fields in summer, and do not perch on boughs opposite speckled thrushes when they can get abundance of worms and flies among the barley. We have not little green lizards at large in England; the only one ever seen at Redwater was in the apothecary's bottle. Still what a bower that is! What a blushing, fluttering bower, trilling with song, glancing and glowing with the bronze mail of beetles and the softened glory of purple emperors! What a thing it was to examine; how you could look in and discover afresh, and dwell for five minutes at a time on that hollow petal of a flower steeped in honey, on that mote of a ladybird crawling to its couch of olive moss.

Dulcie was speechless with admiration before this vision [Page 131]of Clarissa's bower. Heigho! it was an enchanted bower to Dulcie as to Will Locke. It was veritably alive to him, and he could tell her the secrets of that life. What perfume the rose was shedding—he smelt it about his palette; what hour of the clock the half-closed sunflower was striking; whence the robin and the thrush had come, and what bean fields they had flown over, and what cottage doors they had passed; of what the lizard was dreaming in south or east as he turned over on his slimy side—all were plain to him.

Ostensibly Dulcie was taking lessons from Will Locke in flower-painting, for Dulcie had a delicate hand and a just eye for colours, and the sweetest, natural fondness for this simple, common, beautiful world. And Will Locke was a patient, indulgent teacher. He was the queerest mixture of gentleness and stubbornness, shyness and confidence, reserve and candour. He claimed little from other people, he exacted a great deal from himself. He was the most retiring lad in society, backward and out of place; he was free with Dulcie as a girl of her own stamp could be. He had the most unhesitating faith in his own ability, he relied on it as on an inspiration, he talked of it to Dulcie, he impressed it upon her until he infected her with his own credulity until she believed him to be one of the greatest painters under the sun. She credited his strangest imagination, and that quiet lad had the fancy of a prince of dreamers.

In the end Dulcie was humble and almost awed in Will Locke's presence. Now here comes the sign of Dulcie's innate beauty of character. Had Dulcie been a [Page 132]commonplace, coarse girl, she would have been wearied, aggrieved, fairly disgusted by Will Locke in three days. But Dulcie was brimfull of reverence, she was generous to the ends of her hair, she liked to feel her heart in her mouth with admiration.

The truth of the matter was, Dulcie would have been fain to lift up Will Locke's pencil as they pretend Cæsar served Titian, to clean his palette, gather flowers for him, busk them into a nosegay, preserve them in pure water, and never steal the meanest for her own use. Will Locke was her saint, Dulcie was quite ready to be absorbed in his beams. Well for her if they did not scorch her, poor little moth!

Oh! Dulcie, Dulcie, your friends could not have thought it of you—not even Clary, tolerably misled on her own account, would have believed you serious in your enamourment, though you had gone down on your knees and sworn it to them. It was nothing but the obliging humour of Mistress Dulcie and the single-heartedness of the youth; still even in this mild view of the case, if their friends had paid proper attention to them, they would have counselled Dulcie to abide more securely by her chair covers, and my simple man to stick more closely to his card or his ivory, his hedges or his hurdles.

Sometimes, late as the season was, Will Locke and Dulcie went out picking their steps in search of plants and animals, and it was fortunate for Dulcie that she could pull her mohair gown through her pocket-holes, and tuck her mob-cap under her chin beneath her hat, for occasionally the boisterous wind lifted