Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. War and Peace by graf Leo Tolstoy (nice books to read .txt) 📖
- Author: graf Leo Tolstoy
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“Well, and to whom did you apply about Bóry?” asked the countess. “You see yours is already an officer in the Guards, while my Nicholas is going as a cadet. There’s no one to interest himself for him. To whom did you apply?”
“To Prince Vasíli. He was so kind. He at once agreed to everything, and put the matter before the Emperor,” said Princess Anna Mikháylovna enthusiastically, quite forgetting all the humiliation she had endured to gain her end.
“Has Prince Vasíli aged much?” asked the countess. “I have not seen him since we acted together at the Rumyántsovs’ theatricals. I expect he has forgotten me. He paid me attentions in those days,” said the countess, with a smile.
“He is just the same as ever,” replied Anna Mikháylovna, “overflowing with amiability. His position has not turned his head at all. He said to me, ‘I am sorry I can do so little for you, dear Princess. I am at your command.’ Yes, he is a fine fellow and a very kind relation. But, Nataly, you know my love for my son: I would do anything for his happiness! And my affairs are in such a bad way that my position is now a terrible one,” continued Anna Mikháylovna, sadly, dropping her voice. “My wretched lawsuit takes all I have and makes no progress. Would you believe it, I have literally not a penny and don’t know how to equip Borís.” She took out her handkerchief and began to cry. “I need five hundred rubles, and have only one twenty-five-ruble note. I am in such a state.... My only hope now is in Count Cyril Vladímirovich Bezúkhov. If he will not assist his godson—you know he is Bóry’s godfather—and allow him something for his maintenance, all my trouble will have been thrown away.... I shall not be able to equip him.”
The countess’ eyes filled with tears and she pondered in silence.
“I often think, though, perhaps it’s a sin,” said the princess, “that here lives Count Cyril Vladímirovich Bezúkhov so rich, all alone... that tremendous fortune... and what is his life worth? It’s a burden to him, and Bóry’s life is only just beginning....”
“Surely he will leave something to Borís,” said the countess.
“Heaven only knows, my dear! These rich grandees are so selfish. Still, I will take Borís and go to see him at once, and I shall speak to him straight out. Let people think what they will of me, it’s really all the same to me when my son’s fate is at stake.” The princess rose. “It’s now two o’clock and you dine at four. There will just be time.”
And like a practical Petersburg lady who knows how to make the most of time, Anna Mikháylovna sent someone to call her son, and went into the anteroom with him.
“Good-by, my dear,” said she to the countess who saw her to the door, and added in a whisper so that her son should not hear, “Wish me good luck.”
“Are you going to Count Cyril Vladímirovich, my dear?” said the count coming out from the dining hall into the anteroom, and he added: “If he is better, ask Pierre to dine with us. He has been to the house, you know, and danced with the children. Be sure to invite him, my dear. We will see how Tarás distinguishes himself today. He says Count Orlóv never gave such a dinner as ours will be!”
“My dear Borís,” said Princess Anna Mikháylovna to her son as Countess Rostóva’s carriage in which they were seated drove over the straw covered street and turned into the wide courtyard of Count Cyril Vladímirovich Bezúkhov’s house. “My dear Borís,” said the mother, drawing her hand from beneath her old mantle and laying it timidly and tenderly on her son’s arm, “be affectionate and attentive to him. Count Cyril Vladímirovich is your godfather after all, and your future depends on him. Remember that, my dear, and be nice to him, as you so well know how to be.”
“If only I knew that anything besides humiliation would come of it...” answered her son coldly. “But I have promised and will do it for your sake.”
Although the hall porter saw someone’s carriage standing at the entrance, after scrutinizing the mother and son (who without asking to be announced had passed straight through the glass porch between the rows of statues in niches) and looking significantly at the lady’s old cloak, he asked whether they wanted the count or the princesses, and, hearing that they wished to see the count, said his excellency was worse today, and that his excellency was not receiving anyone.
“We may as well go back,” said the son in French.
“My dear!” exclaimed his mother imploringly, again laying her hand on his arm as if that touch might soothe or rouse him.
Borís said no more, but looked inquiringly at his mother without taking off his cloak.
“My friend,” said Anna Mikháylovna in gentle tones, addressing the hall porter, “I know Count Cyril Vladímirovich is very ill... that’s why I have come... I am a relation. I shall not disturb him, my friend... I only need see Prince Vasíli Sergéevich: he is staying here, is he not? Please announce me.”
The hall porter sullenly pulled a bell that rang upstairs, and turned away.
“Princess Drubetskáya to see Prince Vasíli Sergéevich,” he called to a footman dressed in knee breeches, shoes, and a swallow-tail coat, who ran downstairs and looked over from the halfway landing.
The mother smoothed the folds of her dyed silk dress before a large Venetian mirror in the wall, and in her trodden-down shoes briskly ascended the carpeted stairs.
“My dear,” she said to her son, once more stimulating him by a touch, “you promised me!”
The son, lowering his eyes, followed her quietly.
They entered the large hall, from which one of the doors led to the apartments assigned to Prince Vasíli.
Just as the mother and son, having reached the middle of the hall, were about to ask their way of an elderly footman who had sprung up as they entered, the bronze handle of one of the doors turned and Prince Vasíli came out—wearing a velvet coat with a single star on his breast, as was his custom when at home—taking leave of a good-looking, dark-haired man. This was the celebrated Petersburg doctor, Lorrain.
“Then it is certain?” said the prince.
“Prince, humanum est errare, * but...” replied the doctor, swallowing his r’s, and pronouncing the Latin words with a French accent.
* To err is human.
“Very well, very well...”
Seeing Anna Mikháylovna and her son, Prince Vasíli dismissed the doctor with a bow and approached them silently and with a look of inquiry. The son noticed that an
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