Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. War and Peace by graf Leo Tolstoy (nice books to read .txt) 📖
- Author: graf Leo Tolstoy
Book online «War and Peace by graf Leo Tolstoy (nice books to read .txt) 📖». Author graf Leo Tolstoy
“Nonsense, nonsense!” cried the old man, shaking his pigtail to see whether it was firmly plaited, and grasping his by the hand. “The house for your wife is ready. Princess Mary will take her there and show her over, and they’ll talk nineteen to the dozen. That’s their woman’s way! I am glad to have her. Sit down and talk. About Mikhelson’s army I understand—Tolstóy‘s too... a simultaneous expedition.... But what’s the southern army to do? Prussia is neutral... I know that. What about Austria?” said he, rising from his chair and pacing up and down the room followed by Tíkhon, who ran after him, handing him different articles of clothing. “What of Sweden? How will they cross Pomerania?”
Prince Andrew, seeing that his father insisted, began—at first reluctantly, but gradually with more and more animation, and from habit changing unconsciously from Russian to French as he went on—to explain the plan of operation for the coming campaign. He explained how an army, ninety thousand strong, was to threaten Prussia so as to bring her out of her neutrality and draw her into the war; how part of that army was to join some Swedish forces at Stralsund; how two hundred and twenty thousand Austrians, with a hundred thousand Russians, were to operate in Italy and on the Rhine; how fifty thousand Russians and as many English were to land at Naples, and how a total force of five hundred thousand men was to attack the French from different sides. The old prince did not evince the least interest during this explanation, but as if he were not listening to it continued to dress while walking about, and three times unexpectedly interrupted. Once he stopped it by shouting: “The white one, the white one!”
This meant that Tíkhon was not handing him the waistcoat he wanted. Another time he interrupted, saying:
“And will she soon be confined?” and shaking his head reproachfully said: “That’s bad! Go on, go on.”
The third interruption came when Prince Andrew was finishing his description. The old man began to sing, in the cracked voice of old age: “Malbrook s’en va-t-en guerre. Dieu sait quand reviendra.” *
* “Marlborough is going to the wars; God knows when he’ll return.”
His son only smiled.
“I don’t say it’s a plan I approve of,” said the son; “I am only telling you what it is. Napoleon has also formed his plan by now, not worse than this one.”
“Well, you’ve told me nothing new,” and the old man repeated, meditatively and rapidly:
“Dieu sait quand reviendra. Go to the dining room.”
At the appointed hour the prince, powdered and shaven, entered the dining room where his daughter-in-law, Princess Mary, and Mademoiselle Bourienne were already awaiting him together with his architect, who by a strange caprice of his employer’s was admitted to table though the position of that insignificant individual was such as could certainly not have caused him to expect that honor. The prince, who generally kept very strictly to social distinctions and rarely admitted even important government officials to his table, had unexpectedly selected Michael Ivánovich (who always went into a corner to blow his nose on his checked handkerchief) to illustrate the theory that all men are equals, and had more than once impressed on his daughter that Michael Ivánovich was “not a whit worse than you or I.” At dinner the prince usually spoke to the taciturn Michael Ivánovich more often than to anyone else.
In the dining room, which like all the rooms in the house was exceedingly lofty, the members of the household and the footmen—one behind each chair—stood waiting for the prince to enter. The head butler, napkin on arm, was scanning the setting of the table, making signs to the footmen, and anxiously glancing from the clock to the door by which the prince was to enter. Prince Andrew was looking at a large gilt frame, new to him, containing the genealogical tree of the Princes Bolkónski, opposite which hung another such frame with a badly painted portrait (evidently by the hand of the artist belonging to the estate) of a ruling prince, in a crown—an alleged descendant of Rúrik and ancestor of the Bolkónskis. Prince Andrew, looking again at that genealogical tree, shook his head, laughing as a man laughs who looks at a portrait so characteristic of the original as to be amusing.
“How thoroughly like him that is!” he said to Princess Mary, who had come up to him.
Princess Mary looked at her brother in surprise. She did not understand what he was laughing at. Everything her father did inspired her with reverence and was beyond question.
“Everyone has his Achilles’ heel,” continued Prince Andrew. “Fancy, with his powerful mind, indulging in such nonsense!”
Princess Mary could not understand the boldness of her brother’s criticism and was about to reply, when the expected footsteps were heard coming from the study. The prince walked in quickly and jauntily as was his wont, as if intentionally contrasting the briskness of his manners with the strict formality of his house. At that moment the great clock struck two and another with a shrill tone joined in from the drawing room. The prince stood still; his lively glittering eyes from under their thick, bushy eyebrows sternly scanned all present and rested on the little princess. She felt, as courtiers do when the Tsar enters, the sensation of fear and respect which the old man inspired in all around him. He stroked her hair and then patted her awkwardly on the back of her neck.
“I’m glad, glad, to see you,” he said, looking attentively into her eyes, and then quickly went to his place and sat down. “Sit down, sit down! Sit down, Michael Ivánovich!”
He indicated a place beside him to his daughter-in-law. A footman moved the chair for her.
“Ho, ho!” said the old man, casting his eyes on her rounded figure. “You’ve been in a hurry. That’s bad!”
He laughed in his usual dry, cold, unpleasant way, with his lips only and not with his eyes.
“You must walk, walk as much as possible, as much as possible,” he said.
The little princess did not, or did not wish to, hear his words. She was silent and seemed confused. The prince asked her about her father, and she began to smile and talk. He asked about mutual acquaintances, and she became still more animated and chattered away giving him greetings from various people and retelling the town gossip.
“Countess Apráksina, poor thing, has lost her husband and she has cried her eyes out,” she said, growing more and more lively.
As she became animated the prince looked at her more and more sternly, and suddenly, as if he had studied her sufficiently and had formed a definite idea of her, he turned away and addressed Michael Ivánovich.
“Well, Michael Ivánovich, our Bonaparte will be having a bad time of it. Prince Andrew” (he always spoke thus of his son) “has been telling me what forces are being collected against him! While you and I never thought much of him.”
Michael Ivánovich did not at
Comments (0)