Madame Bovary by Gustave Flaubert (different e readers txt) 📖

would like to see the curiosities of the church?”

“No!” said the other.

And he first went round the lower aisles. Then he went out to look at the Place. Emma was not coming yet. He went up again to the choir.

The nave was reflected in the full fonts with the beginning of the arches and some portions of the glass windows. But the reflections of the paintings, broken by the marble rim, were continued farther on upon the flagstones, like a many-coloured carpet. The broad daylight from without streamed into the church in three enormous rays from the three opened portals. From time to time at the upper end a sacristan passed, making the oblique genuflexion of devout persons in a hurry. The crystal lustres hung motionless. In the choir a silver lamp was burning, and from the side chapels and dark places of the church sometimes rose sounds like sighs, with the clang of a closing grating, its echo reverberating under the lofty vault.

Leon with solemn steps walked along by the walls. Life had never seemed so good to him. She would come directly, charming, agitated, looking back at the glances that followed her, and with her flounced dress, her gold eyeglass, her thin shoes, with all sorts of elegant trifles that he had never enjoyed, and with the ineffable seduction of yielding virtue. The church like a huge boudoir spread around her; the arches bent down to gather in the shade the confession of her love; the windows shone resplendent to illumine her face, and the censers would burn that she might appear like an angel amid the fumes of the sweet-smelling odours.

But she did not come. He sat down on a chair, and his eyes fell upon a blue stained window representing boatmen carrying baskets. He looked at it long, attentively, and he counted the scales of the fishes and the buttonholes of the doublets, while his thoughts wandered off towards Emma.

The beadle, standing aloof, was inwardly angry at this individual who took the liberty of admiring the cathedral by himself. He seemed to him to be conducting himself in a monstrous fashion, to be robbing him in a sort, and almost committing sacrilege.

But a rustle of silk on the flags, the tip of a bonnet, a lined cloak—it was she! Leon rose and ran to meet her.

Emma was pale. She walked fast.

“Read!” she said, holding out a paper to him. “Oh, no!”

And she abruptly withdrew her hand to enter the chapel of the Virgin, where, kneeling on a chair, she began to pray.

The young man was irritated at this bigot fancy; then he nevertheless experienced a certain charm in seeing her, in the middle of a rendezvous, thus lost in her devotions, like an Andalusian marchioness; then he grew bored, for she seemed never coming to an end.

Emma prayed, or rather strove to pray, hoping that some sudden resolution might descend to her from heaven; and to draw down divine aid she filled full her eyes with the splendours of the tabernacle. She breathed in the perfumes of the full-blown flowers in the large vases, and listened to the stillness of the church, that only heightened the tumult of her heart.

She rose, and they were about to leave, when the beadle came forward, hurriedly saying—

“Madame, no doubt, does not belong to these parts? Madame would like to see the curiosities of the church?”

“Oh, no!” cried the clerk.

“Why not?” said she. For she clung with her expiring virtue to the Virgin, the sculptures, the tombs—anything.

Then, in order to proceed “by rule,” the beadle conducted them right to the entrance near the square, where, pointing out with his cane a large circle of block-stones without inscription or carving—

“This,” he said majestically, “is the circumference of the beautiful bell of Ambroise. It weighed forty thousand pounds. There was not its equal in all Europe. The workman who cast it died of the joy—”

“Let us go on,” said Leon.

The old fellow started off again; then, having got back to the chapel of the Virgin, he stretched forth his arm with an all-embracing gesture of demonstration, and, prouder than a country squire showing you his espaliers, went on—

“This simple stone covers Pierre de Breze, lord of Varenne and of Brissac, grand marshal of Poitou, and governor of Normandy, who died at the battle of Montlhery on the 16th of July, 1465.”

Leon bit his lips, fuming.

“And on the right, this gentleman all encased in iron, on the prancing horse, is his grandson, Louis de Breze, lord of Breval and of Montchauvet, Count de Maulevrier, Baron de Mauny, chamberlain to the king, Knight of the Order, and also governor of Normandy; died on the 23rd of July, 1531—a Sunday, as the inscription specifies; and below, this figure, about to descend into the tomb, portrays the same person. It is not possible, is it, to see a more perfect representation of annihilation?”

Madame Bovary put up her eyeglasses. Leon, motionless, looked at her, no longer even attempting to speak a single word, to make a gesture, so discouraged was he at this two-fold obstinacy of gossip and indifference.

The everlasting guide went on—

“Near him, this kneeling woman who weeps is his spouse, Diane de Poitiers, Countess de Breze, Duchess de Valentinois, born in 1499, died in 1566, and to the left, the one with the child is the Holy Virgin. Now turn to this side; here are the tombs of the Ambroise. They were both cardinals and archbishops of Rouen. That one was minister under Louis XII. He did a great deal for the cathedral. In his will he left thirty thousand gold crowns for the poor.”

And without stopping, still talking, he pushed them into a chapel full of balustrades, some put away, and disclosed a kind of block that certainly might once have been an ill-made statue.

“Truly,” he said with a groan, “it adorned the tomb of Richard Coeur de Lion, King of England and Duke of Normandy. It was the Calvinists, sir, who reduced it to this condition. They had buried it for spite in the earth, under the episcopal seat of Monsignor. See! this is the door by which Monsignor passes to his house. Let us pass on quickly to see the gargoyle windows.”

But Leon hastily took some silver from his pocket and seized Emma’s arm. The beadle stood dumfounded, not able to understand this untimely munificence when there were still so many things for the stranger to see. So calling him back, he cried—

“Sir! sir! The steeple! the steeple!”

“No, thank you!” said Leon.

“You are wrong, sir! It is four hundred and forty feet high, nine less than the great pyramid of Egypt. It is all cast; it—”

Leon was fleeing, for it seemed to him that his love, that for nearly two hours now had become petrified in the church like the stones, would vanish like a vapour through that sort of truncated funnel, of oblong cage, of open chimney that rises so grotesquely from the cathedral like the extravagant attempt of some fantastic brazier.

“But where are we going?” she said.

Making no answer, he walked on with a rapid step; and Madame Bovary was already, dipping her finger in the holy water when behind them they heard a panting breath interrupted by the regular sound of a cane. Leon turned back.

“Sir!”

“What is it?”

And he recognised the beadle, holding under his arms and balancing against his stomach some twenty large sewn volumes. They were works “which treated of the cathedral.”

“Idiot!” growled Leon, rushing out of the church.

A lad was playing about the close.

“Go and get me a cab!”

The child bounded off like a ball by the Rue Quatre-Vents; then they were alone a few minutes, face to face, and a little embarrassed.

“Ah! Leon! Really—I don’t know—if I ought,” she whispered. Then with a more serious air, “Do you know, it is very improper—”

“How so?” replied the clerk. “It is done at Paris.”

And that, as an irresistible argument, decided her.

Still the cab did not come. Leon was afraid she might go back into the church. At last the cab appeared.

“At all events, go out by the north porch,” cried the beadle, who was left alone on the threshold, “so as to see the Resurrection, the Last Judgment, Paradise, King David, and the Condemned in Hell-flames.”

“Where to, sir?” asked the coachman.

“Where you like,” said Leon, forcing Emma into the cab.

And the lumbering machine set out. It went down the Rue Grand-Pont, crossed the Place des Arts, the Quai Napoleon, the Pont Neuf, and stopped short before the statue of Pierre Corneille.

“Go on,” cried a voice that came from within.

The cab went on again, and as soon as it reached the Carrefour Lafayette, set off down-hill, and entered the station at a gallop.

“No, straight on!” cried the same voice.

The cab came out by the gate, and soon having reached the Cours, trotted quietly beneath the elm-trees. The coachman wiped his brow, put his leather hat between his knees, and drove his carriage beyond the side alley by the meadow to the margin of the waters.

It went along by the river, along the towing-path paved with sharp pebbles, and for a long while in the direction of Oyssel, beyond the isles.

But suddenly it turned with a dash across Quatremares, Sotteville, La Grande-Chaussee, the Rue d’Elbeuf, and made its third halt in front of the Jardin des Plantes.

“Get on, will you?” cried the voice more furiously.

And at once resuming its course, it passed by Saint-Sever, by the Quai’des Curandiers, the Quai aux Meules, once more over the bridge, by the Place du Champ de Mars, and behind the hospital gardens, where old men in black coats were walking in the sun along the terrace all green with ivy. It went up the Boulevard Bouvreuil, along the Boulevard Cauchoise, then the whole of Mont-Riboudet to the Deville hills.

It came back; and then, without any fixed plan or direction, wandered about at hazard. The cab was seen at Saint-Pol, at Lescure, at Mont Gargan, at La Rougue-Marc and Place du Gaillardbois; in the Rue Maladrerie, Rue Dinanderie, before Saint-Romain, Saint-Vivien, Saint-Maclou, Saint-Nicaise—in front of the Customs, at the “Vieille Tour,” the “Trois Pipes,” and the Monumental Cemetery. From time to time the coachman, on his box cast despairing eyes at the public-houses. He could not understand what furious desire for locomotion urged these individuals never to wish to stop. He tried to now and then, and at once exclamations of anger burst forth behind him. Then he lashed his perspiring jades afresh, but indifferent to their jolting, running up against things here and there, not caring if he did, demoralised, and almost weeping with thirst, fatigue, and depression.

And on the harbour, in the midst of the drays and casks, and in the streets, at the corners, the good folk opened large wonder-stricken eyes at this sight, so extraordinary in the provinces, a cab with blinds drawn, and which appeared thus constantly shut more closely than a tomb, and tossing about like a vessel.

Once in the middle of the day, in the open country, just as the sun beat most fiercely against the old plated lanterns, a bared hand passed beneath the small blinds of yellow canvas, and threw out some scraps of paper that scattered in the wind, and farther off lighted like white butterflies on a field of red clover all in bloom.

At about six o’clock the carriage stopped in a back street of the Beauvoisine Quarter, and a woman got out, who walked with her veil down, and without turning her head.