Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Madame Bovary by Gustave Flaubert (different e readers txt) 📖
- Author: Gustave Flaubert
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Book online «Madame Bovary by Gustave Flaubert (different e readers txt) 📖». Author Gustave Flaubert
He went rambling round her house. A light was burning in the kitchen. He watched for her shadow behind the curtains, but nothing appeared.
Mere Lefrancois, when she saw him, uttered many exclamations. She thought he “had grown and was thinner,” while Artemise, on the contrary, thought him stouter and darker.
He dined in the little room as of yore, but alone, without the tax-gatherer; for Binet, tired of waiting for the “Hirondelle,” had definitely put forward his meal one hour, and now he dined punctually at five, and yet he declared usually the rickety old concern “was late.”
Leon, however, made up his mind, and knocked at the doctor’s door. Madame was in her room, and did not come down for a quarter of an hour. The doctor seemed delighted to see him, but he never stirred out that evening, nor all the next day.
He saw her alone in the evening, very late, behind the garden in the lane; in the lane, as she had the other one! It was a stormy night, and they talked under an umbrella by lightning flashes.
Their separation was becoming intolerable. “I would rather die!” said Emma. She was writhing in his arms, weeping. “Adieu! adieu! When shall I see you again?”
They came back again to embrace once more, and it was then that she promised him to find soon, by no matter what means, a regular opportunity for seeing one another in freedom at least once a week. Emma never doubted she should be able to do this. Besides, she was full of hope. Some money was coming to her.
On the strength of it she bought a pair of yellow curtains with large stripes for her room, whose cheapness Monsieur Lheureux had commended; she dreamed of getting a carpet, and Lheureux, declaring that it wasn’t “drinking the sea,” politely undertook to supply her with one. She could no longer do without his services. Twenty times a day she sent for him, and he at once put by his business without a murmur. People could not understand either why Mere Rollet breakfasted with her every day, and even paid her private visits.
It was about this time, that is to say, the beginning of winter, that she seemed seized with great musical fervour.
One evening when Charles was listening to her, she began the same piece four times over, each time with much vexation, while he, not noticing any difference, cried—
“Bravo! very goodl You are wrong to stop. Go on!”
“Oh, no; it is execrable! My fingers are quite rusty.”
The next day he begged her to play him something again.
“Very well; to please you!”
And Charles confessed she had gone off a little. She played wrong notes and blundered; then, stopping short—
“Ah! it is no use. I ought to take some lessons; but—” She bit her lips and added, “Twenty francs a lesson, that’s too dear!”
“Yes, so it is—rather,” said Charles, giggling stupidly. “But it seems to me that one might be able to do it for less; for there are artists of no reputation, and who are often better than the celebrities.”
“Find them!” said Emma.
The next day when he came home he looked at her shyly, and at last could no longer keep back the words.
“How obstinate you are sometimes! I went to Barfucheres to-day. Well, Madame Liegard assured me that her three young ladies who are at La Misericorde have lessons at fifty sous apiece, and that from an excellent mistress!”
She shrugged her shoulders and did not open her piano again. But when she passed by it (if Bovary were there), she sighed—
“Ah! my poor piano!”
And when anyone came to see her, she did not fail to inform them she had given up music, and could not begin again now for important reasons. Then people commiserated her—
“What a pity! she had so much talent!”
They even spoke to Bovary about it. They put him to shame, and especially the chemist.
“You are wrong. One should never let any of the faculties of nature lie fallow. Besides, just think, my good friend, that by inducing madame to study; you are economising on the subsequent musical education of your child. For my own part, I think that mothers ought themselves to instruct their children. That is an idea of Rousseau’s, still rather new perhaps, but that will end by triumphing, I am certain of it, like mothers nursing their own children and vaccination.”
So Charles returned once more to this question of the piano. Emma replied bitterly that it would be better to sell it. This poor piano, that had given her vanity so much satisfaction—to see it go was to Bovary like the indefinable suicide of a part of herself.
“If you liked,” he said, “a lesson from time to time, that wouldn’t after all be very ruinous.”
“But lessons,” she replied, “are only of use when followed up.”
And thus it was she set about obtaining her husband’s permission to go to town once a week to see her lover. At the end of a month she was even considered to have made considerable progress.
She went on Thursdays. She got up and dressed silently, in order not to awaken Charles, who would have made remarks about her getting ready too early. Next she walked up and down, went to the windows, and looked out at the Place. The early dawn was broadening between the pillars of the market, and the chemist’s shop, with the shutters still up, showed in the pale light of the dawn the large letters of his signboard.
When the clock pointed to a quarter past seven, she went off to the “Lion d’Or,” whose door Artemise opened yawning. The girl then made up the coals covered by the cinders, and Emma remained alone in the kitchen. Now and again she went out. Hivert was leisurely harnessing his horses, listening, moreover, to Mere Lefrancois, who, passing her head and nightcap through a grating, was charging him with commissions and giving him explanations that would have confused anyone else. Emma kept beating the soles of her boots against the pavement of the yard.
At last, when he had eaten his soup, put on his cloak, lighted his pipe, and grasped his whip, he calmly installed himself on his seat.
The “Hirondelle” started at a slow trot, and for about a mile stopped here and there to pick up passengers who waited for it, standing at the border of the road, in front of their yard gates.
Those who had secured seats the evening before kept it waiting; some even were still in bed in their houses. Hivert called, shouted, swore; then he got down from his seat and went and knocked loudly at the doors. The wind blew through the cracked windows.
The four seats, however, filled up. The carriage rolled off; rows of apple-trees followed one upon another, and the road between its two long ditches, full of yellow water, rose, constantly narrowing towards the horizon.
Emma knew it from end to end; she knew that after a meadow there was a sign-post, next an elm, a barn, or the hut of a lime-kiln tender. Sometimes even, in the hope of getting some surprise, she shut her eyes, but she never lost the clear perception of the distance to be traversed.
At last the brick houses began to follow one another more closely, the earth resounded beneath the wheels, the “Hirondelle” glided between the gardens, where through an opening one saw statues, a periwinkle plant, clipped yews, and a swing. Then on a sudden the town appeared. Sloping down like an amphitheatre, and drowned in the fog, it widened out beyond the bridges confusedly. Then the open country spread away with a monotonous movement till it touched in the distance the vague line of the pale sky. Seen thus from above, the whole landscape looked immovable as a picture; the anchored ships were massed in one corner, the river curved round the foot of the green hills, and the isles, oblique in shape, lay on the water, like large, motionless, black fishes. The factory chimneys belched forth immense brown fumes that were blown away at the top. One heard the rumbling of the foundries, together with the clear chimes of the churches that stood out in the mist. The leafless trees on the boulevards made violet thickets in the midst of the houses, and the roofs, all shining with the rain, threw back unequal reflections, according to the height of the quarters in which they were. Sometimes a gust of wind drove the clouds towards the Saint Catherine hills, like aerial waves that broke silently against a cliff.
A giddiness seemed to her to detach itself from this mass of existence, and her heart swelled as if the hundred and twenty thousand souls that palpitated there had all at once sent into it the vapour of the passions she fancied theirs. Her love grew in the presence of this vastness, and expanded with tumult to the vague murmurings that rose towards her. She poured it out upon the square, on the walks, on the streets, and the old Norman city outspread before her eyes as an enormous capital, as a Babylon into which she was entering. She leant with both hands against the window, drinking in the breeze; the three horses galloped, the stones grated in the mud, the diligence rocked, and Hivert, from afar, hailed the carts on the road, while the bourgeois who had spent the night at the Guillaume woods came quietly down the hill in their little family carriages.
They stopped at the barrier; Emma undid her overshoes, put on other gloves, rearranged her shawl, and some twenty paces farther she got down from the “Hirondelle.”
The town was then awakening. Shop-boys in caps were cleaning up the shop-fronts, and women with baskets against their hips, at intervals uttered sonorous cries at the corners of streets. She walked with downcast eyes, close to the walls, and smiling with pleasure under her lowered black veil.
For fear of being seen, she did not usually take the most direct road. She plunged into dark alleys, and, all perspiring, reached the bottom of the Rue Nationale, near the fountain that stands there. It, is the quarter for theatres, public-houses, and whores. Often a cart would pass near her, bearing some shaking scenery. Waiters in aprons were sprinkling sand on the flagstones between green shrubs. It all smelt of absinthe, cigars, and oysters.
She turned down a street; she recognised him by his curling hair that escaped from beneath his hat.
Leon walked along the pavement. She followed him to the hotel. He went up, opened the door, entered—What an embrace!
Then, after the kisses, the words gushed forth. They told each other the sorrows of the week, the presentiments, the anxiety for the letters; but now everything was forgotten; they gazed into each other’s faces with voluptuous laughs, and tender names.
The bed was large, of mahogany, in the shape of a boat. The curtains were in red levantine, that hung from the ceiling and bulged out too much towards the bell-shaped bedside; and nothing in the world was so lovely as her brown head and white skin standing out against this purple colour, when, with a movement of shame, she crossed her bare arms, hiding her face in her hands.
The warm room, with its discreet carpet, its gay ornaments, and its calm light, seemed made for the intimacies of passion. The curtain-rods, ending in arrows, their brass pegs, and the great balls of the firedogs shone suddenly when the sun came in. On the chimney between the candelabra there were
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