Rienzi, the Last of the Roman Tribunes by Baron Edward Bulwer Lytton Lytton (distant reading .txt) đź“–
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But not to such a solitude had the earlier dreams of Adrian dedicated the place. Here had he thought—should one bright being have presided—here should love have found its haven: and hither, when love at length admitted of intrusion, hither might wealth and congenial culture have invited all the gentler and better spirits which had begun to move over the troubled face of Italy, promising a second and younger empire of poesy, and lore, and art. To the graceful and romantic but somewhat pensive and inert, temperament of the young noble, more adapted to calm and civilized than stormy and barbarous times, ambition proffered no reward so grateful as lettered leisure and intellectual repose. His youth coloured by the influence of Petrarch, his manhood had dreamed of a happier Vaucluse not untenanted by a Laura. The visions which had connected the scene with the image of Irene made the place still haunted by her shade; and time and absence only ministering to his impassioned meditations, deepened his melancholy and increased his love.
In this lone retreat—which even in describing from memory, for these eyes have seen, these feet have trodden, this heart yet yearneth for, the spot—which even, I say, in thus describing, seems to me (and haply also to the gentle reader) a grateful and welcome transit from the storms of action and the vicissitudes of ambition, so long engrossing the narrative;—in this lone retreat Adrian passed the winter, which visits with so mild a change that intoxicating clime. The roar of the world without was borne but in faint and indistinct murmurings to his ear. He learned only imperfectly, and with many contradictions, the news which broke like a thunderbolt over Italy, that the singular and aspiring man—himself a revolution—who had excited the interest of all Europe, the brightest hopes of the enthusiastic, the profusest adulation of the great, the deepest terror of the despot, the wildest aspirations of all free spirits, had been suddenly stricken from his state, his name branded and his head proscribed. This event, which happened at the end of December, reached Adrian, through a wandering pilgrim, at the commencement of March, somewhat more than two months after the date; the March of that awful year 1348, which saw Europe, and Italy especially, desolated by the direst pestilence which history has recorded, accursed alike by the numbers and the celebrity of its victims, and yet strangely connected with some not unpleasing images by the grace of Boccaccio and the eloquence of Petrarch.
The pilgrim who informed Adrian of the revolution at Rome was unable to give him any clue to the present fate of Rienzi or his family. It was only known that the Tribune and his wife had escaped, none knew whither; many guessed that they were already dead, victims to the numerous robbers who immediately on the fall of the Tribune settled back to their former habits, sparing neither age nor sex, wealth nor poverty. As all relating to the ex-Tribune was matter of eager interest, the pilgrim had also learned that, previous to the fall of Rienzi, his sister had left Rome, but it was not known to what place she had been conveyed.
The news utterly roused Adrian from his dreaming life. Irene was then in the condition his letter dared to picture—severed from her brother, fallen from her rank, desolate and friendless. “Now,” said the generous and high-hearted lover, “she may be mine without a disgrace to my name. Whatever Rienzi’s faults, she is not implicated in them. Her hands are not red with my kinsman’s blood; nor can men say that Adrian di Castello allies himself with a House whose power is built upon the ruins of the Colonnas. The Colonna are restored—again triumphant—Rienzi is nothing—distress and misfortune unite me at once to her on whom they fall!”
But how were these romantic resolutions to be executed—Irene’s dwelling-place unknown? He resolved himself to repair to Rome and make the necessary inquiries: accordingly he summoned his retainers:—blithe tidings to them, those of travel! The mail left the armoury—the banner the hall—and after two days of animated bustle, the fountain by which Adrian had passed so many hours of revery was haunted only by the birds of the returning spring; and the nightly lamp no longer cast its solitary ray from his turret chamber over the bosom of the deserted lake.
Chapter 6.II. The Seeker.
It was a bright, oppressive, sultry morning, when a solitary horseman was seen winding that unequalled road, from whose height, amidst figtrees, vines, and olives, the traveller beholds gradually break upon his gaze the enchanting valley of the Arno, and the spires and domes of Florence. But not with the traveller’s customary eye of admiration and delight passed that solitary horseman, and not upon the usual activity, and mirth, and animation of the Tuscan life, broke that noon-day sun. All was silent, void, and hushed; and even in the light of heaven there seemed a sicklied and ghastly glare. The cottages by the road-side were some shut up and closed, some open, but seemingly inmateless. The plough stood still, the distaff plied not: horse and man had a dreary holiday. There was a darker curse upon the land than the curse of Cain! Now and then a single figure, usually clad in the gloomy robe of a friar, crossed the road, lifting towards the traveller a livid and amazed stare, and then hurried on, and vanished beneath some roof, whence issued a faint and dying moan, which but for the exceeding stillness around could scarcely have pierced the threshold. As the traveller neared the city, the scene became less solitary, yet more dread. There might be seen carts and litters, thick awnings wrapped closely round them, containing those who sought safety in flight, forgetful that the Plague was everywhere! And while these gloomy vehicles, conducted by horses, gaunt, shadowy skeletons, crawling heavily along, passed by, like hearses of the dead, sometimes a cry burst the silence in which they moved, and the traveller’s steed started aside, as some wretch, on whom the disease had broke forth, was dropped from the vehicle by the selfish inhumanity of his comrades, and left to perish by the way. Hard by the gate a waggon paused, and a man with a mask threw out its contents in a green slimy ditch that bordered the road. These were garments and robes of all kind and value; the broidered mantle of the gallant, the hood and veil of my lady, and the rags of the peasant. While glancing at the labour of the masker, the cavalier beheld a herd of swine, gaunt and half famished, run to the spot in the hopes of food, and the traveller shuddered to think what food they might have anticipated! But ere he reached the gate, those of the animals that had been busiest rooting at the infectious heap, dropped down dead amongst their fellows. (The same spectacle greeted, and is recorded by, Boccaccio.)
“Ho, ho,” said the masker, and his hollow voice sounded yet more hollow through his vizard,—“comest thou here to die, stranger? See, thy brave mantle of triple-pile and golden broidery will not save thee from the gavocciolo. (The tumour that made the fatal symptom.) Ride on, ride on;—today fit morsel for thy lady’s kiss, tomorrow too foul for the
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