Rienzi, the Last of the Roman Tribunes by Baron Edward Bulwer Lytton Lytton (distant reading .txt) 📖

“Sing hey, sing ho, for the royal DEATH, That scatters a host with a single breath; That opens the prison to spoil the palace, And rids honest necks from the hangman’s malice. Here’s a health to the Plague! Let the mighty ones dread, The poor never lived till the wealthy were dead. A health to the Plague! May She ever as now Loose the rogue from his chain and the nun from her vow: To the gaoler a sword, to the captive a key, Hurrah for Earth’s Curse—‘tis a Blessing to me!”

Ere this fearful stave was concluded, Adrian, sensible that in such orgies there was no chance of prosecuting his inquiries, left the desecrated chamber and fled, scarcely drawing breath, so great was the terror that seized him, till he stood once more in the court amidst the hot, sickly, stagnant sunlight, that seemed a fit atmosphere for the scenes on which it fell. He resolved, however, not to desert the place without making another effort at inquiry; and while he stood without the court, musing and doubtful, he saw a small chapel hard by, through whose long casement gleamed faintly, and dimmed by the noon-day, the light of tapers. He turned towards its porch, entered, and saw beside the sanctuary a single nun kneeling in prayer. In the narrow aisle, upon a long table, (at either end of which burned the tall dismal tapers whose rays had attracted him,) the drapery of several shrouds showed him the half-distinct outline of human figures hushed in death. Adrian himself, impressed by the sadness and sanctity of the place, and the touching sight of that solitary and unselfish watcher of the dead, knelt down and intensely prayed.

As he rose, somewhat relieved from the burthen at his heart, the nun rose also, and started to perceive him.

“Unhappy man!” said she, in a voice which, low, faint, and solemn, sounded as a ghost’s—“what fatality brings thee hither? Seest thou not thou art in the presence of clay which the Plague hath touched—thou breathest the air which destroys! Hence! and search throughout all the desolation for one spot where the Dark Visitor hath not come!”

“Holy maiden,” answered Adrian, “the danger you hazard does not appal me;—I seek one whose life is dearer than my own.”

“Thou needest say no more to tell me thou art newly come to Florence! Here son forsakes his father, and mother deserts her child. When life is most hopeless, these worms of a day cling to it as if it were the salvation of immortality! But for me alone, death has no horror. Long severed from the world, I have seen my sisterhood perish—the house of God desecrated—its altar overthrown, and I care not to survive,—the last whom the Pestilence leaves at once unperjured and alive.”

The nun paused a few moments, and then, looking earnestly at the healthful countenance and unbroken frame of Adrian, sighed heavily—“Stranger, why fly you not?” she said. “Thou mightst as well search the crowded vaults and rotten corruption of the dead, as search the city for one living.”

“Sister, and bride of the blessed Redeemer!” returned the Roman, clasping his hands—“one word I implore thee. Thou art, methinks, of the sisterhood of yon dismantled convent; tell me, knowest thou if Irene di Gabrini, (The family name of Rienzi was Gabrini.)—guest of the late Abbess, sister of the fallen Tribune of Rome,—be yet amongst the living?”

“Art thou her brother, then?” said the nun. “Art thou that fallen Sun of the Morning?”

“I am her betrothed,” replied Adrian, sadly. “Speak.”

“Oh, flesh! flesh! how art thou victor to the last, even amidst the triumphs and in the lazar-house of corruption!” said the nun. “Vain man! Think not of such carnal ties; make thy peace with heaven, for thy days are surely numbered!”

“Woman!” cried Adrian, impatiently—“talk not to me of myself, nor rail against ties whose holiness thou canst not know. I ask thee again, as thou thyself hopest for mercy and for pardon, is Irene living?”

The nun was awed by the energy of the young lover, and after a moment, which seemed to him an age of agonized suspense, she replied—

“The maiden thou speakest of died not with the general death. In the dispersion of the few remaining, she left the convent—I know not whither; but she had friends in Florence—their names I cannot tell thee.”

“Now bless thee, holy sister! bless thee! How long since she left the convent?”

“Four days have passed since the robber and the harlot have seized the house of Santa Maria,” replied the nun, groaning: “and they were quick successors to the sisterhood.”

“Four days!—and thou canst give me no clue?”

“None—yet stay, young man!”—and the nun, approaching, lowered her voice to a hissing whisper—“Ask the Becchini.” (According to the usual custom of Florence, the dead were borne to their resting-place on biers, supported by citizens of equal rank; but a new trade was created by the plague, and men of the lowest dregs of the populace, bribed by immense payment, discharged the office of transporting the remains of the victims. These were called Becchini.)

Adrian started aside, crossed himself hastily, and quitted the convent without answer. He returned to his horse, and rode back into the silenced heart of the city. Tavern and hotel there were no more; but the palaces of dead princes were free to the living stranger. He entered one—a spacious and splendid mansion. In the stables he found forage still in the manger; but the horses, at that time in the Italian cities a proof of rank as well as wealth, were gone with the hands that fed them. The highborn Knight assumed the office of groom, took off the heavy harness, fastened his steed to the rack, and as the wearied animal, unconscious of the surrounding horrors, fell eagerly upon its meal, its young lord turned away, and muttered, “Faithful servant, and sole companion! may the pestilence that spareth neither beast nor man, spare thee! and mayst thou bear me hence with a lighter heart!”

A spacious hall, hung with arms and banners—a wide flight of marble stairs, whose walls were painted in the stiff outlines and gorgeous colours of the day, conducted to vast chambers, hung with velvets and cloth of gold, but silent as the tomb. He threw himself upon the cushions which were piled in the centre of the room, for he had ridden far that morning, and for many days before, and he was wearied and exhausted, body and limb; but he could not rest. Impatience, anxiety, hope, and fear, gnawed his heart and fevered his veins, and, after a brief and unsatisfactory attempt to sober his own thoughts, and devise some plan of search more certain than that which chance might afford him, he rose, and traversed the apartments, in the unacknowledged hope which chance alone could suggest.

It was easy to see that he had made his resting-place in the home of one of the princes of the land; and the splendour of all around him far outshone the barbarous and rude magnificence of the less civilized and wealthy Romans. Here, lay the lute as last touched—the gilded and illumined volume as last conned; there, were seats drawn familiarly together, as when lady and gallant had interchanged whispers last.

“And such,” thought Adrian,—“such desolation may soon swallow