Early Britain by Grant Allen (best e book reader for android TXT) 📖
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But the sequel to the Norman Conquest shows us most clearly how the whole nomenclature of a nation may be entirely altered without any large change of race. Immediately after the Conquest the native English names begin to disappear, and in their place we get a crop of Williams, Walters, Rogers, Henries, Ralphs, Richards, Gilberts, and Roberts. Most of these were originally High German forms, taken into Gaul by the Franks, borrowed from them by the Normans, and then copied by the English from their foreign lords. A few, however, such as Arthur, Owen, and Alan, were Breton Welsh. Side by side with these French names, the Normans introduced the Scriptural forms, John, Matthew, Thomas, Simon, Stephen, Piers or Peter, and James; for though a few cases of Scriptural names occur in the earlier history–for example, St. John of Beverley and Daniel, bishop of the West Saxons–these are always borne by ecclesiastics, probably as names of religion. All through the middle ages, and down to very recent times, the vast majority of English men and women continued to bear these baptismal names of Norman introduction. Only two native English forms practically survived–Edward and Edmund–owing to mere accidents of royal favour. They were the names of two great English saints, Eadward the Confessor and Eadmund of East Anglia; and Henry III. bestowed them upon his two sons, Edward I. and Edmund of Lancaster. In this manner they became adopted into the royal and fashionable circle, and so were perpetuated to our own day. All the others died out in mediæval times, while the few old forms now current, such as Alfred, Edgar, Athelstane, and Edwin, are mere artificial revivals of the two last centuries. If we were to judge by nomenclature alone, we might almost fancy that the Norman Conquest had wholly extinguished the English people.
A few steps towards the adoption of surnames were taken even before the Conquest. Titles of office were usually placed after the personal name, as Ælfred King, Lilla Thegn, Wulfnoth Cild, Ælfward Bishop, Æthelberht Ealdorman, and Harold Earl. Double names occasionally occur, the second being a nickname or true surname, as Osgod Clapa, Benedict Biscop, Thurkytel Myranheafod, Godwine Bace, and Ælfric Cerm. Trade names are also found, as Ecceard smith, or Godwig boor. Everywhere, but especially in the Danish North, patronymics were in common use; for example, Harold Godwine's son, or Thored Gunnor's son. In all these cases we get surnames in the germ; but their general and official adoption dates from after the Norman Conquest.
Local nomenclature also demands a short explanation. Most of the Roman towns continued to be called by their Roman names: Londinium, Lunden, London; Eburacum, Eoforwic, Eurewic, York; Lindum Colonia, Lincolne, Lincoln. Often _ceaster_, from _castrum_, was added: Gwent, Venta Belgarum, Wintan-ceaster, Winteceaster, Winchester; Isca, Exan-ceaster, Execestre, Exeter; Corinium, Cyren-ceaster, Cirencester. Almost every place which is known to have had a name at the English Conquest retained that name afterwards, in a more or less clipped or altered form. Examples are Kent, Wight, Devon, Dorset; Manchester, Lancaster, Doncaster, Leicester, Gloucester, Worcester, Colchester, Silchester, Uttoxeter, Wroxeter, and Chester; Thames, Severn, Ouse, Don, Aire, Derwent, Swale, and Tyne. Even where the Roman name is now lost, as at Pevensey, the old form was retained in Early English days; for the "Chronicle" calls it Andredes-ceaster, that is to say, Anderida. So the old name of Bath is Akemannes-ceaster, derived from the Latin _Aqua_, Cissan-ceaster, Chichester, forms an almost solitary exception. Canterbury, or Cant-wara-byrig, was correctly known as Dwrovernum or Doroberna in Latin documents of the Anglo-Saxon period.
On the other hand, the true English towns which grew up around the strictly English settlements, bore names of three sorts. The first were the clan villages, the _hams_ or _tuns_, such as Bænesingatun, Bensington; Snotingaham, Nottingham; Glæstingabyrig, Glastonbury; and Wæringwica, Warwick. These have already been sufficiently illustrated; and they were situated, for the most part, in the richest agricultural lowlands. The second were towns which grew up slowly for purposes of trade by fords of rivers or at ports: such are Oxeneford, Oxford; Bedcanford, Bedford (a British town); Stretford, Stratford; and Wealingaford, Wallingford. The third were the towns which grew up in the wastes and wealds, with names of varied form but more modern origin. As a whole, it may be said that during the entire early English period the names of cities were mostly Roman, the names of villages and country towns were mostly English.
CHAPTER XX.
ANGLO-SAXON LITERATURE.
Nothing better illustrates the original peculiarities and subsequent development of the early English mind than the Anglo-Saxon literature. A vast mass of manuscripts has been preserved for us, embracing works in prose and verse of the most varied kind; and all the most important of these have been made accessible to modern readers in printed copies. They cast a flood of light upon the workings of the English mind in all ages, from the old pagan period in Sleswick to the date of the Norman Conquest, and the subsequent gradual supplanting of our native literature by a new culture based upon the Romance models.
All national literature everywhere begins with rude songs. From the earliest period at which the English and Saxon people existed as separate tribes at all, we may be sure that they possessed battle-songs, like those common to the whole Aryan stock. But among the Teutonic races poetry was not distinguished by either of the peculiarities–rime or metre–which mark off modern verse from prose, so far as its external form is concerned. Our existing English system of versification is not derived from our old native poetry at all; it is a development of the Romance system, adopted by the school of Gower and Chaucer from the French and Italian poets. Its metre, or syllabic arrangement, is an adaptation from the Greek quantitative prosody, handed down through Latin and the neo-Latin dialects; its rime is a Celtic peculiarity borrowed by the Romance nationalities, and handed on through them to modern English literature by the Romance school of the fourteenth century. Our original English versification, on the other hand, was neither rimed nor rhythmic. What answered to metre was a certain irregular swing, produced by a roughly recurrent number of accents in each couplet, without restriction as to the number of feet or syllables. What answered to rime was a regular and marked alliteration, each couplet having a certain key-letter, with which three principal words in the couplet began. In addition to these two poetical devices, Anglo-Saxon verse shows traces of parallelism, similar to that which distinguishes Hebrew poetry. But the alliteration and parallelism do not run quite side by side, the second half of each alliterative couplet being parallel with the first half of the next couplet. Accordingly, each new sentence begins somewhat clumsily in the middle of the couplet. All these peculiarities are not, however, always to be distinguished in every separate poem.
The following rough translation of a very early Teutonic spell for the cure of a sprained ankle, belonging to the heathen period, will illustrate the earliest form of this alliterative verse. The key-letter in each couplet is printed in capitals, and the verse is read from end to end, not as two separate columns.[1]
Balder and Woden Went to the Woodland:
There Balder's Foal Fell, wrenching its Foot.
Then Sinthgunt beguiled him, and Sunna her Sister:
Then Frua beguiled him, and Folla her sister,
Then Woden beguiled him, as Well he knew how;
Wrench of blood, Wrench of bone, and eke Wrench of limb:
Bone unto Bone, Blood unto Blood,
Limb unto Limb as though Limèd it were.
[1] The original of this heathen charm is in the Old High
German dialect; but it is quoted here as a good specimen of
the early form of alliterative verse. A similar charm
undoubtedly existed in Anglo-Saxon, though no copy of it has
come down to our days, as we possess a modernised and
Christianised English version, in which the name of our Lord
is substituted for that of Balder.
In this simple spell the alliteration serves rather as an aid to memory than as an ornamental device. The following lines, translated from the ballad on Æthelstan's victory at Brunanburh, in 937, will show the developed form of the same versificatory system. The parallelism and alliteration are here well marked:–
Æthelstan king, lord of Earls,
Bestower of Bracelets, and his Brother eke,
Eadmund the Ætheling, honour Eternal
Won in the Slaughter, with edge of the Sword
By Brunnanbury. The Bucklers they clave,
Hewed the Helmets, with Hammered steel,
Heirs of Edward, as was their Heritage,
From their Fore-Fathers, that oft the Field
They should Guard their Good folk Gainst every comer,
Their Home and their Hoard. The Hated foe cringed to them,
The Scottish Sailors, and the Northern Shipmen;
Fated they Fell. The Field lay gory
With Swordsmen's blood Since the Sun rose
On Morning tide a Mighty globe,
To Glide o'er the Ground, God's candle bright,
The endless Lord's taper, till the great Light
Sank to its Setting.
But the sequel to the Norman Conquest shows us most clearly how the whole nomenclature of a nation may be entirely altered without any large change of race. Immediately after the Conquest the native English names begin to disappear, and in their place we get a crop of Williams, Walters, Rogers, Henries, Ralphs, Richards, Gilberts, and Roberts. Most of these were originally High German forms, taken into Gaul by the Franks, borrowed from them by the Normans, and then copied by the English from their foreign lords. A few, however, such as Arthur, Owen, and Alan, were Breton Welsh. Side by side with these French names, the Normans introduced the Scriptural forms, John, Matthew, Thomas, Simon, Stephen, Piers or Peter, and James; for though a few cases of Scriptural names occur in the earlier history–for example, St. John of Beverley and Daniel, bishop of the West Saxons–these are always borne by ecclesiastics, probably as names of religion. All through the middle ages, and down to very recent times, the vast majority of English men and women continued to bear these baptismal names of Norman introduction. Only two native English forms practically survived–Edward and Edmund–owing to mere accidents of royal favour. They were the names of two great English saints, Eadward the Confessor and Eadmund of East Anglia; and Henry III. bestowed them upon his two sons, Edward I. and Edmund of Lancaster. In this manner they became adopted into the royal and fashionable circle, and so were perpetuated to our own day. All the others died out in mediæval times, while the few old forms now current, such as Alfred, Edgar, Athelstane, and Edwin, are mere artificial revivals of the two last centuries. If we were to judge by nomenclature alone, we might almost fancy that the Norman Conquest had wholly extinguished the English people.
A few steps towards the adoption of surnames were taken even before the Conquest. Titles of office were usually placed after the personal name, as Ælfred King, Lilla Thegn, Wulfnoth Cild, Ælfward Bishop, Æthelberht Ealdorman, and Harold Earl. Double names occasionally occur, the second being a nickname or true surname, as Osgod Clapa, Benedict Biscop, Thurkytel Myranheafod, Godwine Bace, and Ælfric Cerm. Trade names are also found, as Ecceard smith, or Godwig boor. Everywhere, but especially in the Danish North, patronymics were in common use; for example, Harold Godwine's son, or Thored Gunnor's son. In all these cases we get surnames in the germ; but their general and official adoption dates from after the Norman Conquest.
Local nomenclature also demands a short explanation. Most of the Roman towns continued to be called by their Roman names: Londinium, Lunden, London; Eburacum, Eoforwic, Eurewic, York; Lindum Colonia, Lincolne, Lincoln. Often _ceaster_, from _castrum_, was added: Gwent, Venta Belgarum, Wintan-ceaster, Winteceaster, Winchester; Isca, Exan-ceaster, Execestre, Exeter; Corinium, Cyren-ceaster, Cirencester. Almost every place which is known to have had a name at the English Conquest retained that name afterwards, in a more or less clipped or altered form. Examples are Kent, Wight, Devon, Dorset; Manchester, Lancaster, Doncaster, Leicester, Gloucester, Worcester, Colchester, Silchester, Uttoxeter, Wroxeter, and Chester; Thames, Severn, Ouse, Don, Aire, Derwent, Swale, and Tyne. Even where the Roman name is now lost, as at Pevensey, the old form was retained in Early English days; for the "Chronicle" calls it Andredes-ceaster, that is to say, Anderida. So the old name of Bath is Akemannes-ceaster, derived from the Latin _Aqua_, Cissan-ceaster, Chichester, forms an almost solitary exception. Canterbury, or Cant-wara-byrig, was correctly known as Dwrovernum or Doroberna in Latin documents of the Anglo-Saxon period.
On the other hand, the true English towns which grew up around the strictly English settlements, bore names of three sorts. The first were the clan villages, the _hams_ or _tuns_, such as Bænesingatun, Bensington; Snotingaham, Nottingham; Glæstingabyrig, Glastonbury; and Wæringwica, Warwick. These have already been sufficiently illustrated; and they were situated, for the most part, in the richest agricultural lowlands. The second were towns which grew up slowly for purposes of trade by fords of rivers or at ports: such are Oxeneford, Oxford; Bedcanford, Bedford (a British town); Stretford, Stratford; and Wealingaford, Wallingford. The third were the towns which grew up in the wastes and wealds, with names of varied form but more modern origin. As a whole, it may be said that during the entire early English period the names of cities were mostly Roman, the names of villages and country towns were mostly English.
CHAPTER XX.
ANGLO-SAXON LITERATURE.
Nothing better illustrates the original peculiarities and subsequent development of the early English mind than the Anglo-Saxon literature. A vast mass of manuscripts has been preserved for us, embracing works in prose and verse of the most varied kind; and all the most important of these have been made accessible to modern readers in printed copies. They cast a flood of light upon the workings of the English mind in all ages, from the old pagan period in Sleswick to the date of the Norman Conquest, and the subsequent gradual supplanting of our native literature by a new culture based upon the Romance models.
All national literature everywhere begins with rude songs. From the earliest period at which the English and Saxon people existed as separate tribes at all, we may be sure that they possessed battle-songs, like those common to the whole Aryan stock. But among the Teutonic races poetry was not distinguished by either of the peculiarities–rime or metre–which mark off modern verse from prose, so far as its external form is concerned. Our existing English system of versification is not derived from our old native poetry at all; it is a development of the Romance system, adopted by the school of Gower and Chaucer from the French and Italian poets. Its metre, or syllabic arrangement, is an adaptation from the Greek quantitative prosody, handed down through Latin and the neo-Latin dialects; its rime is a Celtic peculiarity borrowed by the Romance nationalities, and handed on through them to modern English literature by the Romance school of the fourteenth century. Our original English versification, on the other hand, was neither rimed nor rhythmic. What answered to metre was a certain irregular swing, produced by a roughly recurrent number of accents in each couplet, without restriction as to the number of feet or syllables. What answered to rime was a regular and marked alliteration, each couplet having a certain key-letter, with which three principal words in the couplet began. In addition to these two poetical devices, Anglo-Saxon verse shows traces of parallelism, similar to that which distinguishes Hebrew poetry. But the alliteration and parallelism do not run quite side by side, the second half of each alliterative couplet being parallel with the first half of the next couplet. Accordingly, each new sentence begins somewhat clumsily in the middle of the couplet. All these peculiarities are not, however, always to be distinguished in every separate poem.
The following rough translation of a very early Teutonic spell for the cure of a sprained ankle, belonging to the heathen period, will illustrate the earliest form of this alliterative verse. The key-letter in each couplet is printed in capitals, and the verse is read from end to end, not as two separate columns.[1]
Balder and Woden Went to the Woodland:
There Balder's Foal Fell, wrenching its Foot.
Then Sinthgunt beguiled him, and Sunna her Sister:
Then Frua beguiled him, and Folla her sister,
Then Woden beguiled him, as Well he knew how;
Wrench of blood, Wrench of bone, and eke Wrench of limb:
Bone unto Bone, Blood unto Blood,
Limb unto Limb as though Limèd it were.
[1] The original of this heathen charm is in the Old High
German dialect; but it is quoted here as a good specimen of
the early form of alliterative verse. A similar charm
undoubtedly existed in Anglo-Saxon, though no copy of it has
come down to our days, as we possess a modernised and
Christianised English version, in which the name of our Lord
is substituted for that of Balder.
In this simple spell the alliteration serves rather as an aid to memory than as an ornamental device. The following lines, translated from the ballad on Æthelstan's victory at Brunanburh, in 937, will show the developed form of the same versificatory system. The parallelism and alliteration are here well marked:–
Æthelstan king, lord of Earls,
Bestower of Bracelets, and his Brother eke,
Eadmund the Ætheling, honour Eternal
Won in the Slaughter, with edge of the Sword
By Brunnanbury. The Bucklers they clave,
Hewed the Helmets, with Hammered steel,
Heirs of Edward, as was their Heritage,
From their Fore-Fathers, that oft the Field
They should Guard their Good folk Gainst every comer,
Their Home and their Hoard. The Hated foe cringed to them,
The Scottish Sailors, and the Northern Shipmen;
Fated they Fell. The Field lay gory
With Swordsmen's blood Since the Sun rose
On Morning tide a Mighty globe,
To Glide o'er the Ground, God's candle bright,
The endless Lord's taper, till the great Light
Sank to its Setting.
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