The Mysteries of Udolpho by Ann Ward Radcliffe (english novels to improve english TXT) 📖

torturing suspense concerning Valancourt, seemed to be utterly impossible. There was a kind of breathless stillness in the chambers, that permitted her to distinguish from below the tender notes of the very lute she had formerly heard, and with it, a plaintive voice, made sweeter by the low rustling sound, that now began to creep along the wood-tops, till it was lost in the rising wind. Their tall heads then began to wave, while, through a forest of pine, on the left, the wind, groaning heavily, rolled onward over the woods below, bending them almost to their roots; and, as the long-resounding gale swept away, other woods, on the right, seemed to answer the ‘loud lament;’ then, others, further still, softened it into a murmur, that died into silence. Emily listened, with mingled awe and expectation, hope and fear; and again the melting sweetness of the lute was heard, and the same solemn-breathing voice. Convinced that these came from an apartment underneath, she leaned far out of her window, that she might discover whether any light was there; but the casements below, as well as those above, were sunk so deep in the thick walls of the castle, that she could not see them, or even the faint ray, that probably glimmered through their bars. She then ventured to call; but the wind bore her voice to the other end of the terrace, and then the music was heard as before, in the pause of the gust. Suddenly, she thought she heard a noise in her chamber, and she drew herself within the casement; but, in a moment after, distinguishing Annette’s voice at the door, she concluded it was her she had heard before, and she let her in. ‘Move softly, Annette, to the casement,’ said she, ‘and listen with me; the music is returned.’ They were silent till, the measure changing, Annette exclaimed, ‘Holy Virgin! I know that song well; it is a French song, one of the favourite songs of my dear country.’ This was the ballad Emily had heard on a former night, though not the one she had first listened to from the fishing-house in Gascony. ‘O! it is a Frenchman, that sings,’ said Annette: ‘it must be Monsieur Valancourt.’ ‘Hark! Annette, do not speak so loud,’

said Emily, ‘we may be overheard.’ ‘What! by the Chevalier?’ said Annette. ‘No,’ replied Emily mournfully, ‘but by somebody, who may report us to the Signor. What reason have you to think it is Monsieur Valancourt, who sings? But hark! now the voice swells louder! Do you recollect those tones? I fear to trust my own judgment.’ ‘I never happened to hear the Chevalier sing, Mademoiselle,’ replied Annette, who, as Emily was disappointed to perceive, had no stronger reason for concluding this to be Valancourt, than that the musician must be a Frenchman. Soon after, she heard the song of the fishing-house, and distinguished her own name, which was repeated so distinctly, that Annette had heard it also. She trembled, sunk into a chair by the window, and Annette called aloud, ‘Monsieur Valancourt! Monsieur Valancourt!’ while Emily endeavoured to check her, but she repeated the call more loudly than before, and the lute and the voice suddenly stopped. Emily listened, for some time, in a state of intolerable suspense; but, no answer being returned, ‘It does not signify, Mademoiselle,’ said Annette; ‘it is the Chevalier, and I will speak to him.’ ‘No, Annette,’ said Emily, ‘I think I will speak myself; if it is he, he will know my voice, and speak again.’ ‘Who is it,’ said she, ‘that sings at this late hour?’

A long silence ensued, and, having repeated the question, she perceived some faint accents, mingling in the blast, that swept by; but the sounds were so distant, and passed so suddenly, that she could scarcely hear them, much less distinguish the words they uttered, or recognise the voice. After another pause, Emily called again; and again they heard a voice, but as faintly as before; and they perceived, that there were other circumstances, besides the strength, and direction of the wind, to content with; for the great depth, at which the casements were fixed in the castle walls, contributed, still more than the distance, to prevent articulated sounds from being understood, though general ones were easily heard.

Emily, however, ventured to believe, from the circumstance of her voice alone having been answered, that the stranger was Valancourt, as well as that he knew her, and she gave herself up to speechless joy. Annette, however, was not speechless.—She renewed her calls, but received no answer; and Emily, fearing, that a further attempt, which certainly was, as present, highly dangerous, might expose them to the guards of the castle, while it could not perhaps terminate her suspense, insisted on Annette’s dropping the enquiry for this night; though she determined herself to question Ludovico, on the subject, in the morning, more urgently than she had yet done. She was now enabled to say, that the stranger, whom she had formerly heard, was still in the castle, and to direct Ludovico to that part of it, in which he was confined.

Emily, attended by Annette, continued at the casement, for some time, but all remained still; they heard neither lute or voice again, and Emily was now as much oppressed by anxious joy, as she lately was by a sense of her misfortunes. With hasty steps she paced the room, now half calling on Valancourt’s name, then suddenly stopping, and now going to the casement and listening, where, however, she heard nothing but the solemn waving of the woods. Sometimes her impatience to speak to Ludovico prompted her to send Annette to call him; but a sense of the impropriety of this at midnight restrained her.

Annette, meanwhile, as impatient as her mistress, went as often to the casement to listen, and returned almost as much disappointed.

She, at length, mentioned Signor Verezzi, and her fear, lest he should enter the chamber by the staircase, door. ‘But the night is now almost past, Mademoiselle,’ said she, recollecting herself; ‘there is the morning light, beginning to peep over those mountains yonder in the east.’

Emily had forgotten, till this moment, that such a person existed as Verezzi, and all the danger that had appeared to threaten her; but the mention of his name renewed her alarm, and she remembered the old chest, that she had wished to place against the door, which she now, with Annette, attempted to move, but it was so heavy, that they could not lift it from the floor. ‘What is in this great old chest, Mademoiselle,’ said Annette, ‘that makes it so weighty?’ Emily having replied, ‘that she found it in the chamber, when she first came to the castle, and had never examined it.’—‘Then I will, ma’amselle,’ said Annette, and she tried to lift the lid; but this was held by a lock, for which she had no key, and which, indeed, appeared, from its peculiar construction, to open with a spring. The morning now glimmered through the casements, and the wind had sunk into a calm. Emily looked out upon the dusky woods, and on the twilight mountains, just stealing in the eye, and saw the whole scene, after the storm, lying in profound stillness, the woods motionless, and the clouds above, through which the dawn trembled, scarcely appearing to move along the heavens. One soldier was pacing the terrace beneath, with measured steps; and two, more distant, were sunk asleep on the walls, wearied with the night’s watch. Having inhaled, for a while, the pure spirit of the air, and of vegetation, which the late rains had called forth; and having listened, once more, for a note of music, she now closed the casement, and retired to rest.