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enamel had not melted yet! There remained the shelving. Another
noise of the wrenching of timber was heard within the house; and
the shelves were torn down and hurled after the furniture into the
fire. Wife and children then rushed from the house, and went
frantically through the town, calling out that poor Palissy had
gone mad, and was breaking up his very furniture for firewood! {10}
For an entire month his shirt had not been off his back, and he was
utterly worn out—wasted with toil, anxiety, watching, and want of
food. He was in debt, and seemed on the verge of ruin. But he had
at length mastered the secret; for the last great burst of heat had
melted the enamel. The common brown household jars, when taken out
of the furnace after it had become cool, were found covered with a
white glaze! For this he could endure reproach, contumely, and
scorn, and wait patiently for the opportunity of putting his
discovery into practice as better days came round.
Palissy next hired a potter to make some earthen vessels after
designs which he furnished; while he himself proceeded to model
some medallions in clay for the purpose of enamelling them. But
how to maintain himself and his family until the wares were made
and ready for sale? Fortunately there remained one man in Saintes
who still believed in the integrity, if not in the judgment, of
Palissy—an innkeeper, who agreed to feed and lodge him for six
months, while he went on with his manufacture. As for the working
potter whom he had hired, Palissy soon found that he could not pay
him the stipulated wages. Having already stripped his dwelling, he
could but strip himself; and he accordingly parted with some of his
clothes to the potter, in part payment of the wages which he owed
him.
Palissy next erected an improved furnace, but he was so unfortunate
as to build part of the inside with flints. When it was heated,
these flints cracked and burst, and the spiculae were scattered
over the pieces of pottery, sticking to them. Though the enamel
came out right, the work was irretrievably spoilt, and thus six
more months’ labour was lost. Persons were found willing to buy
the articles at a low price, notwithstanding the injury they had
sustained; but Palissy would not sell them, considering that to
have done so would be to “decry and abate his honour;” and so he
broke in pieces the entire batch. “Nevertheless,” says he, “hope
continued to inspire me, and I held on manfully; sometimes, when
visitors called, I entertained them with pleasantry, while I was
really sad at heart… . Worst of all the sufferings I had to
endure, were the mockeries and persecutions of those of my own
household, who were so unreasonable as to expect me to execute work
without the means of doing so. For years my furnaces were without
any covering or protection, and while attending them I have been
for nights at the mercy of the wind and the rain, without help or
consolation, save it might be the wailing of cats on the one side
and the howling of dogs on the other. Sometimes the tempest would
beat so furiously against the furnaces that I was compelled to
leave them and seek shelter within doors. Drenched by rain, and in
no better plight than if I had been dragged through mire, I have
gone to lie down at midnight or at daybreak, stumbling into the
house without a light, and reeling from one side to another as if I
had been drunken, but really weary with watching and filled with
sorrow at the loss of my labour after such long toiling. But alas!
my home proved no refuge; for, drenched and besmeared as I was, I
found in my chamber a second persecution worse than the first,
which makes me even now marvel that I was not utterly consumed by
my many sorrows.”
At this stage of his affairs, Palissy became melancholy and almost
hopeless, and seems to have all but broken down. He wandered
gloomily about the fields near Saintes, his clothes hanging in
tatters, and himself worn to a skeleton. In a curious passage in
his writings he describes how that the calves of his legs had
disappeared and were no longer able with the help of garters to
hold up his stockings, which fell about his heels when he walked.
{11} The family continued to reproach him for his recklessness,
and his neighbours cried shame upon him for his obstinate folly.
So he returned for a time to his former calling; and after about a
year’s diligent labour, during which he earned bread for his
household and somewhat recovered his character among his
neighbours, he again resumed his darling enterprise. But though he
had already spent about ten years in the search for the enamel, it
cost him nearly eight more years of experimental plodding before he
perfected his invention. He gradually learnt dexterity and
certainty of result by experience, gathering practical knowledge
out of many failures. Every mishap was a fresh lesson to him,
teaching him something new about the nature of enamels, the
qualities of argillaceous earths, the tempering of clays, and the
construction and management of furnaces.
At last, after about sixteen years’ labour, Palissy took heart and
called himself Potter. These sixteen years had been his term of
apprenticeship to the art; during which he had wholly to teach
himself, beginning at the very beginning. He was now able to sell
his wares and thereby maintain his family in comfort. But he never
rested satisfied with what he had accomplished. He proceeded from
one step of improvement to another; always aiming at the greatest
perfection possible. He studied natural objects for patterns, and
with such success that the great Buffon spoke of him as “so great a
naturalist as Nature only can produce.” His ornamental pieces are
now regarded as rare gems in the cabinets of virtuosi, and sell at
almost fabulous prices. {12} The ornaments on them are for the
most part accurate models from life, of wild animals, lizards, and
plants, found in the fields about Saintes, and tastefully combined
as ornaments into the texture of a plate or vase. When Palissy had
reached the height of his art he styled himself “Ouvrier de Terre
et Inventeur des Rustics Figulines.”
We have not, however, come to an end of the sufferings of Palissy,
respecting which a few words remain to be said. Being a
Protestant, at a time when religious persecution waxed hot in the
south of France, and expressing his views without fear, he was
regarded as a dangerous heretic. His enemies having informed
against him, his house at Saintes was entered by the officers of
“justice,” and his workshop was thrown open to the rabble, who
entered and smashed his pottery, while he himself was hurried off
by night and cast into a dungeon at Bordeaux, to wait his turn at
the stake or the scaffold. He was condemned to be burnt; but a
powerful noble, the Constable de Montmorency, interposed to save
his life—not because he had any special regard for Palissy or his
religion, but because no other artist could be found capable of
executing the enamelled pavement for his magnificent chateau then
in course of erection at Ecouen, about four leagues from Paris. By
his influence an edict was issued appointing Palissy Inventor of
Rustic Figulines to the King and to the Constable, which had the
effect of immediately removing him from the jurisdiction of
Bourdeaux. He was accordingly liberated, and returned to his home
at Saintes only to find it devastated and broken up. His workshop
was open to the sky, and his works lay in ruins. Shaking the dust
of Saintes from his feet he left the place never to return to it,
and removed to Paris to carry on the works ordered of him by the
Constable and the Queen Mother, being lodged in the Tuileries {13}
while so occupied.
Besides carrying on the manufacture of pottery, with the aid of his
two sons, Palissy, during the latter part of his life, wrote and
published several books on the potter’s art, with a view to the
instruction of his countrymen, and in order that they might avoid
the many mistakes which he himself had made. He also wrote on
agriculture, on fortification, and natural history, on which latter
subject he even delivered lectures to a limited number of persons.
He waged war against astrology, alchemy, witchcraft, and like
impostures. This stirred up against him many enemies, who pointed
the finger at him as a heretic, and he was again arrested for his
religion and imprisoned in the Bastille. He was now an old man of
seventy-eight, trembling on the verge of the grave, but his spirit
was as brave as ever. He was threatened with death unless he
recanted; but he was as obstinate in holding to his religion as he
had been in hunting out the secret of the enamel. The king, Henry
III., even went to see him in prison to induce him to abjure his
faith. “My good man,” said the King, “you have now served my
mother and myself for forty-five years. We have put up with your
adhering to your religion amidst fires and massacres: now I am so
pressed by the Guise party as well as by my own people, that I am
constrained to leave you in the hands of your enemies, and to-morrow you will be burnt unless you become converted.” “Sire,”
answered the unconquerable old man, “I am ready to give my life for
the glory of God. You have said many times that you have pity on
me; and now I have pity on you, who have pronounced the words I
AM CONSTRAINED! It is not spoken like a king, sire; it is what
you, and those who constrain you, the Guisards and all your people,
can never effect upon me, for I know how to die.” {14} Palissy did
indeed die shortly after, a martyr, though not at the stake. He
died in the Bastille, after enduring about a year’s imprisonment,—
there peacefully terminating a life distinguished for heroic
labour, extraordinary endurance, inflexible rectitude, and the
exhibition of many rare and noble virtues. {15}
The life of John Frederick Bottgher, the inventor of hard
porcelain, presents a remarkable contrast to that of Palissy;
though it also contains many points of singular and almost romantic
interest. Bottgher was born at Schleiz, in the Voightland, in
1685, and at twelve years of age was placed apprentice with an
apothecary at Berlin. He seems to have been early fascinated by
chemistry, and occupied most of his leisure in making experiments.
These for the most part tended in one direction—the art of
converting common on metals into gold. At the end of several
years, Bottgher pretended to have discovered the universal solvent
of the alchemists, and professed that he had made gold by its
means. He exhibited its powers before his master, the apothecary
Zorn, and by some trick or other succeeded in making him and
several other witnesses believe that he had actually converted
copper into gold.
The news spread abroad that the apothecary’s apprentice had
discovered the grand secret, and crowds collected about the shop to
get a sight of the wonderful young “gold-cook.” The king himself
expressed a wish to see and converse with him, and when Frederick
I. was presented with a piece of the gold pretended to have been
converted from copper, he was so dazzled with the prospect of
securing an infinite quantity of it—Prussia being then in great
straits for money—that he determined to secure Bottgher and employ
him to make gold for him within the strong
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