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But the young apothecary, suspecting the king’s intention, and
probably fearing detection, at once resolved on flight, and he
succeeded in getting across the frontier into Saxony.
A reward of a thousand thalers was offered for Bottgher’s
apprehension, but in vain. He arrived at Wittenberg, and appealed
for protection to the Elector of Saxony, Frederick Augustus I.
(King of Poland), surnamed “the Strong.” Frederick was himself
very much in want of money at the time, and he was overjoyed at the
prospect of obtaining gold in any quantity by the aid of the young
alchemist. Bottgher was accordingly conveyed in secret to Dresden,
accompanied by a royal escort. He had scarcely left Wittenberg
when a battalion of Prussian grenadiers appeared before the gates
demanding the goldmaker’s extradition. But it was too late:
Bottgher had already arrived in Dresden, where he was lodged in the
Golden House, and treated with every consideration, though strictly
watched and kept under guard.
The Elector, however, must needs leave him there for a time, having
to depart forthwith to Poland, then almost in a state of anarchy.
But, impatient for gold, he wrote Bottgher from Warsaw, urging him
to communicate the secret, so that he himself might practise the
art of commutation. The young “gold-cook,” thus pressed, forwarded
to Frederick a small phial containing “a reddish fluid,” which, it
was asserted, changed all metals, when in a molten state, into
gold. This important phial was taken in charge by the Prince Furst
von Furstenburg, who, accompanied by a regiment of Guards, hurried
with it to Warsaw. Arrived there, it was determined to make
immediate trial of the process. The King and the Prince locked
themselves up in a secret chamber of the palace, girt themselves
about with leather aprons, and like true “gold-cooks” set to work
melting copper in a crucible and afterwards applying to it the red
fluid of Bottgher. But the result was unsatisfactory; for
notwithstanding all that they could do, the copper obstinately
remained copper. On referring to the alchemist’s instructions,
however, the King found that, to succeed with the process, it was
necessary that the fluid should be used “in great purity of heart;”
and as his Majesty was conscious of having spent the evening in
very bad company he attributed the failure of the experiment to
that cause. A second trial was followed by no better results, and
then the King became furious; for he had confessed and received
absolution before beginning the second experiment.
Frederick Augustus now resolved on forcing Bottgher to disclose the
golden secret, as the only means of relief from his urgent
pecuniary difficulties. The alchemist, hearing of the royal
intention, again determined to fly. He succeeded in escaping his
guard, and, after three days’ travel, arrived at Ens in Austria,
where he thought himself safe. The agents of the Elector were,
however, at his heels; they had tracked him to the “Golden Stag,”
which they surrounded, and seizing him in his bed, notwithstanding
his resistance and appeals to the Austrian authorities for help,
they carried him by force to Dresden. From this time he was more
strictly watched than ever, and he was shortly after transferred to
the strong fortress of Koningstein. It was communicated to him
that the royal exchequer was completely empty, and that ten
regiments of Poles in arrears of pay were waiting for his gold.
The King himself visited him, and told him in a severe tone that if
he did not at once proceed to make gold, he would be hung! (“Thu
mir zurecht, Bottgher, sonst lass ich dich hangen”).
Years passed, and still Bottgher made no gold; but he was not hung.
It was reserved for him to make a far more important discovery than
the conversion of copper into gold, namely, the conversion of clay
into porcelain. Some rare specimens of this ware had been brought
by the Portuguese from China, which were sold for more than their
weight in gold. Bottgher was first induced to turn his attention
to the subject by Walter von Tschirnhaus, a maker of optical
instruments, also an alchemist. Tschirnhaus was a man of education
and distinction, and was held in much esteem by Prince Furstenburg
as well as by the Elector. He very sensibly said to Bottgher,
still in fear of the gallows—“If you can’t make gold, try and do
something else; make porcelain.”
The alchemist acted on the hint, and began his experiments, working
night and day. He prosecuted his investigations for a long time
with great assiduity, but without success. At length some red
clay, brought to him for the purpose of making his crucibles, set
him on the right track. He found that this clay, when submitted to
a high temperature, became vitrified and retained its shape; and
that its texture resembled that of porcelain, excepting in colour
and opacity. He had in fact accidentally discovered red porcelain,
and he proceeded to manufacture it and sell it as porcelain.
Bottgher was, however, well aware that the white colour was an
essential property of true porcelain; and he therefore prosecuted
his experiments in the hope of discovering the secret. Several
years thus passed, but without success; until again accident stood
his friend, and helped him to a knowledge of the art of making
white porcelain. One day, in the year 1707, he found his perruque
unusually heavy, and asked of his valet the reason. The answer
was, that it was owing to the powder with which the wig was
dressed, which consisted of a kind of earth then much used for hair
powder. Bottgher’s quick imagination immediately seized upon the
idea. This white earthy powder might possibly be the very earth of
which he was in search—at all events the opportunity must not be
let slip of ascertaining what it really was. He was rewarded for
his painstaking care and watchfulness; for he found, on experiment,
that the principal ingredient of the hair-powder consisted of
kaolin, the want of which had so long formed an insuperable
difficulty in the way of his inquiries.
The discovery, in Bottgher’s intelligent hands, led to great
results, and proved of far greater importance than the discovery of
the philosopher’s stone would have been. In October, 1707, he
presented his first piece of porcelain to the Elector, who was
greatly pleased with it; and it was resolved that Bottgher should
be furnished with the means necessary for perfecting his invention.
Having obtained a skilled workman from Delft, he began to TURN
porcelain with great success. He now entirely abandoned alchemy
for pottery, and inscribed over the door of his workshop this
distich:-
“Es machte Gott, der grosse Schopfer,
Aus einem Goldmacher einen Topfer.” {16}
Bottgher, however, was still under strict surveillance, for fear
lest he should communicate his secret to others or escape the
Elector’s control. The new workshops and furnaces which were
erected for him, were guarded by troops night and day, and six
superior officers were made responsible for the personal security
of the potter.
Bottgher’s further experiments with his new furnaces proving very
successful, and the porcelain which he manufactured being found to
fetch large prices, it was next determined to establish a Royal
Manufactory of porcelain. The manufacture of delft ware was known
to have greatly enriched Holland. Why should not the manufacture
of porcelain equally enrich the Elector? Accordingly, a decree
went forth, dated the 23rd of January, 1710, for the establishment
of “a large manufactory of porcelain” at the Albrechtsburg in
Meissen. In this decree, which was translated into Latin, French,
and Dutch, and distributed by the Ambassadors of the Elector at all
the European Courts, Frederick Augustus set forth that to promote
the welfare of Saxony, which had suffered much through the Swedish
invasion, he had “directed his attention to the subterranean
treasures (unterirdischen Schatze)” of the country, and having
employed some able persons in the investigation, they had succeeded
in manufacturing “a sort of red vessels (eine Art rother Gefasse)
far superior to the Indian terra sigillata;” {17} as also “coloured
ware and plates (buntes Geschirr und Tafeln) which may be cut,
ground, and polished, and are quite equal to Indian vessels,” and
finally that “specimens of white porcelain (Proben von weissem
Porzellan)” had already been obtained, and it was hoped that this
quality, too, would soon be manufactured in considerable
quantities. The royal decree concluded by inviting “foreign
artists and handicraftmen” to come to Saxony and engage as
assistants in the new factory, at high wages, and under the
patronage of the King. This royal edict probably gives the best
account of the actual state of Bottgher’s invention at the time.
It has been stated in German publications that Bottgher, for the
great services rendered by him to the Elector and to Saxony, was
made Manager of the Royal Porcelain Works, and further promoted to
the dignity of Baron. Doubtless he deserved these honours; but his
treatment was of an altogether different character, for it was
shabby, cruel, and inhuman. Two royal officials, named Matthieu
and Nehmitz, were put over his head as directors of the factory,
while he himself only held the position of foreman of potters, and
at the same time was detained the King’s prisoner. During the
erection of the factory at Meissen, while his assistance was still
indispensable, he was conducted by soldiers to and from Dresden;
and even after the works were finished, he was locked up nightly in
his room. All this preyed upon his mind, and in repeated letters
to the King he sought to obtain mitigation of his fate. Some of
these letters are very touching. “I will devote my whole soul to
the art of making porcelain,” he writes on one occasion, “I will do
more than any inventor ever did before; only give me liberty,
liberty!”
To these appeals, the King turned a deaf ear. He was ready to
spend money and grant favours; but liberty he would not give. He
regarded Bottgher as his slave. In this position, the persecuted
man kept on working for some time, till, at the end of a year or
two, he grew negligent. Disgusted with the world and with himself,
he took to drinking. Such is the force of example, that it no
sooner became known that Bottgher had betaken himself to this vice,
than the greater number of the workmen at the Meissen factory
became drunkards too. Quarrels and fightings without end were the
consequence, so that the troops were frequently called upon to
interfere and keep peace among the “Porzellanern,” as they were
nicknamed. After a while, the whole of them, more than three
hundred, were shut up in the Albrechtsburg, and treated as
prisoners of state.
Bottgher at last fell seriously ill, and in May, 1713, his
dissolution was hourly expected. The King, alarmed at losing so
valuable a slave, now gave him permission to take carriage exercise
under a guard; and, having somewhat recovered, he was allowed
occasionally to go to Dresden. In a letter written by the King in
April, 1714, Bottgher was promised his full liberty; but the offer
came too late. Broken in body and mind, alternately working and
drinking, though with occasional gleams of nobler intention, and
suffering under constant ill-health, the result of his enforced
confinement, Bottgher lingered on for a few years more, until death
freed him from his sufferings on the 13th March, 1719, in the
thirty-fifth year of his age. He was buried AT NIGHT—as if he had
been a dog—in the Johannis Cemetery of Meissen. Such was the
treatment and such the unhappy end, of one of Saxony’s greatest
benefactors.
The porcelain manufacture immediately opened up an important source
of public revenue, and it became so productive to the Elector of
Saxony, that his example was shortly after followed by most
European monarchs. Although soft porcelain had been made
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