The Book of Good Manners by W. C. Green (brene brown rising strong .txt) 📖

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Bend slightly over the plate when carrying the food to the mouth, resuming upright position afterward.

When drinking from a cup or glass, raise it gracefully to the mouth and sip the contents.

Do not empty the vessel at one draught.

Guests should not amuse themselves by handling knife or fork, crumbling bread, or leaning their arms on the table. They should sit back in their chairs and assume an easy position.

A guest at a dinner should not pass a plate or any article to another guest, or serve the viands, unless asked to do so by the hostess.

Upon leaving the table, push the chair back far enough to be out of the way of others.

ACCIDENTS. Accidents, or anything that may be amiss at the table, should be unobserved by a guest unless he is the cause of it. In that event some pleasant remark as to his awkwardness should be made and no more. The

waiter should attend to the matter at once.

If a fork or a spoon is dropped it should not be picked up by the guest, but another used, or ask the waiter to provide one.

CONVERSATION. Aim at bright and general conversation, avoiding all personalities and any subject that all cannot join in. This is largely determined by the character of the company. The guests should accommodate themselves to their surroundings.

See also FINGER-BOWL, KNIFE AND FORK, SECOND HELPING, SEEDS, SPOON, TOOTHPICKS, WINES, and names of individual fruits and foods—as, APPLES, BREAD, etc.

TALKING—THEATRES. Conversation during the progress of the play or the opera should be avoided and confined to the intermissions.

The theatregoer should avoid all noise, gestures, or actions that would annoy others.

A man would be justified, when annoyed by a person talking loud near him, in asking him politely to speak lower.

TEAS.

Invitations. These need no acknowledgment.

Given by bachelors.

See BACHELORS’ TEAS.

Afternoon.

See AFTERNOON TEAS.

High.

See HIGH TEA.

TELEPHONE INVITATIONS. Telephone invitations should be sent only to those with whom the utmost intimacy exists, and who will pardon the informality.

THEATRE. A young man may invite a young woman to the theatre or opera, even if he has but a slight acquaintance with her, but of course he should secure the permission of her parents or chaperone.

It is correct for the young man to inquire if the young woman prefers a box, or, if not, he should state in what part of the house he proposes to secure seats. This will enable her to determine how to dress.

If the young woman wears street toilette, her escort may take her in any public conveyance, but if she wears evening dress, he should provide a carriage.

At the theatre he should precede the woman down the aisle to the seat or box; but if it is the latter, he should open the door and wait for her to pass.

A man may use his judgment as to the aisle seat. If a better view can be had, or seemingly objectionable people are next the inside seat, it is perfectly proper to give the woman the aisle seat.

A man should never leave his companion between the acts. The custom of both men and women going into the foyer at that time is a growing one, and is a relief to the audience.

Refreshments at some fashionable place may follow after the entertainment.

For a man to call on an acquaintance in an opera box does not relieve one of the duty of making a formal call in return for social favors.

BONNET. A woman of any consideration will either wear no bonnet at all or remove it as soon as the curtain is raised.

It would be in place for a man or woman whose view is hampered by a bonnet to politely ask the wearer to remove it, and when it is done, to thank her.

MEN—LEAVING CARDS. After a theatre party given by a man, he should call within three days on the woman he escorted or leave his card.

PRECEDENCE. In entering a theatre a man precedes the women of his party, but after he has handed his coupons to the ushers he gives the women precedence, and follows them to their seats.

TALKING. Conversation during the progress of the play or the opera should be avoided, and confined to the intermissions.

The theatregoer should avoid all noise, gestures, or actions tending to annoy others or to render himself conspicuous.

A man would be justified, when annoyed by a person talking loud near him, in asking him politely to speak lower.

THEATRE AND OPERA PARTIES.

GIVEN BY MEN. A man giving a theatre or opera party should secure one or more chaperones if women are to be present.

CALLS. The host should call upon his guests within three days or a week after the event.

CARRIAGES. The host may, if he choose, send carriages or a stage to collect all the guests.

This is a formal and agreeable way to begin the evening’s pleasure. The chaperone should be called for first. A more informal way is quite popular. The invitations having been given and accepted, the host informs each of his guests as to the others, and leaves a ticket with each one. All then meet informally at the place of amusement. If a dinner is given before the entertainment, carriages are provided to convey the guests to the theatre.

CHAPERONE. A chaperone should always be present if women are to be members of the party. And if a stage or carriage calls for the guests, it should call first for the chaperone.

The chaperone who acts as hostess should decide the hour to close the festivities.

DINNERS. If a dinner is given before the performance, it is generally given at six o’clock, the usual customs being followed. If preferred, the dinner may follow the performance, and may be given at any fashionable restaurant or hotel. If it is given before the play, at its termination the guests are conveyed in carriages or stage to the theatre at the expense of the host.

After the entertainment it is a good plan for the party to return to the banqueting-room to partake of slight refreshments.

DRESS. Men wear evening dress. Women wear full evening dress.

INVITATIONS. He may invite his guests in person or by note. In either case he should secure the parents’ permission to allow the young women to attend, and should be ready to supply all information regarding the men who will be present, and also the chaperones.

MEN. The escorts should see the women home unless they are called for by the male members of their families, in which case they may be accompanied to their conveyances. If a young woman is called for by her maid in a carriage, her escort may take her home.

Intimacy of the parties largely regulates the etiquette of such occasions. They can decide whether evening or street dress shall be worn, and seat themselves accordingly.

A carriage should be provided.

When entering an opera or theatre box for a short call, a man should stand and bow, making some pleasant remark to the chaperone.

If there is an empty chair, he may sit and talk a few minutes and retire as others enter.

WOMEN. Between the acts it is perfectly proper to go into the foyer with the escort, who should carry the woman’s wraps and see that all her wants are attended to. Should she desire anything, she should call on him first.

The hat or bonnet should be removed.

In a box the women occupy the front row while the men sit or stand in the rear.

A woman should avoid conspicuous manners, loud conversation, laughing, or acting in any way to attract attention.

GIVEN BY WOMEN. This is a popular form of entertainment during the season. They are

given by married women, and the guests are invited by note. A dinner is given at the house or at a restaurant before the departure for the opera or play. Refreshments may also be given after the entertainment at either the house or restaurant. At the dinner the same ceremonies are followed as to arrangements of guests and escorts as at any formal dinner.

TOASTS—WEDDINGS. Toasts to the bride and groom are customary at the wedding breakfast or supper.

If the groom gives a farewell bachelor dinner, he should propose a toast to the bride.

THEATRE PARTIES. See also CHAPERONE-MEN.

CHAPERONE-THEATRE.

THIRD PERSON-USED IN CORRESPONDENCE. While it was formerly the correct usage to begin formal communications in the third person, it is now the custom to begin such letters: MY

DEAR MRS SMITH, or MADAM.

The third person would be used only in writing to a workman, a strange servant, or a business firm.

TIN WEDDING. After ten years of marriage, occurs the tin wedding. The invitations sent out may have the words: NO PRESENTS RECEIVED.

Congratulations may be extended in accepting or declining the invitation.

Every conceivable device made of tin is appropriate as a gift, but, as these are limited, ingenuity may be displayed in getting up oddities. An entertainment may follow.

TIPPING.

At balls. It is not customary to tip the servants at a private ball, but at a public one it is usual to give a tip to the attendant at the cloak-room.

At christenings. The father usually gives the nurse at a christening a sum of money, and the mother gives her some article of dress or piece of jewelry.

At house; parties. See HOUSE PARTIES. GUESTS.

TIPPING SERVANTS. Also under names of servants—as, COACHMAN.

TITLES.

MEN’S CARDS. Men having titles use them before their names—as, REVEREND, REV. MR., REV. DR., Army and Navy titles, and officers on the retired list.

LL.D. and all professional titles are placed after the name. Political and judicial titles are always omitted.

Physicians may use DR. before or M.D.

after their names. On cards intended for social use, office hours and other professional matters are omitted.

WOMEN’S CARDS. The same principles govern the titles on women’s cards, with the addition that women should never use titles of their husbands.

TOOTHPICKS should not be used in public. If necessity requires it, raise the napkin over the mouth, with the hand behind it, using the toothpick as quickly as possible.

TOWN, RETURNING TO-WOMEN. Cards of the entire family should be sent by mail to all acquaintances when returning after a prolonged absence.

When using cards, if out of town, the place of a woman’s permanent residence can be written on the card thus: NEW YORK.

PHILADELPHIA.

TRAVELERS’ VISITING-CARDS. A woman visiting a place for a length of time should mail to her friends a visiting-card containing her temporary address.

A man in a similar situation should call upon his friends, and if he does not find them at home should leave his card.

TRAVELING.

MEN WITH WOMEN. When traveling with a woman, a man should see to the checking and care of her baggage.

MEN. As it is exceedingly trying and difficult for a woman to stand in a railroad train while it is in motion, it is the height of good manners for a man to offer her his seat and to insist on her taking it.

EXPENSES. On a short boat or railroad trip a man should pay the expenses of a woman who accompanies him by his invitation. But on a long trip she should insist on paying her share, and he should accept her decision.

Of course, he is at liberty, however, to pay all the expenses of slight entertainments-as, fruit, magazines, etc.

He should see to the care of her baggage and all other details.

PARLOR-CAR. When traveling a long distance accompanied by a woman, a man should secure seats in the parlor-car.

While it is admissible to offer assistance to a woman traveling in a parlor-car without an escort, it should