The Siren KATHERINE JOHN (100 best novels of all time .TXT) 📖

This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

Copyright © 2021 by Katherine St. John, Inc.

Cover design by Lynn Buckley

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Cover copyright © 2021 by Hachette Book Group, Inc.

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First edition: May 2021

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Library of Congress Cataloging-in-Publication Data

Names: St. John, Katherine, 1979– author.

Title: The siren / Katherine St. John.

Description: First edition. | New York : Grand Central Publishing, 2021.

Identifiers: LCCN 2020053572 | ISBN 9781538733684 (hardcover) | ISBN 9781538733660 (ebook)

Subjects: GSAFD: Suspense fiction.

Classification: LCC PS3619.T2484 S57 2021 | DDC 813/.6—dc23

LC record available at https://lccn.loc.gov/2020053572

ISBNs: 978-1-5387-3368-4 (hardcover), 978-1-5387-3366-0 (ebook)

E3-20210402-DA-NF-ORI

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

The Biz Report

PART I: The Calm before the Storm

Taylor

Celeb Spotter

Stella

Horror Fans Online

Felicity

The Biz Report

Taylor

Nova Weekly

Stella

Love at First Sight

Taylor

Felicity

Part II: Atmospheric Pressure

Spotlight Online

Taylor

Felicity

Stella

Family Ties

Taylor

Industry Standard

Felicity

Part III: Turbulence

Taylor

@MadisonMadeit

Stella

Felicity

Taylor

Stella

Felicity

Celeb Spotter

Taylor

Stella

@MadisonMadeit

Taylor

Part IV: Advisory

Felicity

Stella

XRay Online

Taylor

Felicity

@TheRealStellaRivers

Taylor

Stella

Felicity

Taylor

Part V: Storm Surge

Felicity

Stella

The Love of My Life

Taylor

Felicity

Stella

Taylor

Felicity

Part VI: Landfall

Stella

Felicity

Stella

Taylor

Felicity

Stella

Felicity

Stella

Felicity

Taylor

Part VII: The Aftermath

The Biz Report

The Book Blog

Hollywood Life

Epilogue: Felicity

Acknowledgments

Discover More

About the Author

Reading Group Guide

Also by Katherine St. John

For Alex

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In the future, everyone will want to be anonymous for fifteen minutes.

—Banksy

March 2, 2019The Biz ReportCole Power to Produce and Star in The Siren(Exclusive)

The first film slated for production by Cole Power’s fledgling Power Pictures will be a thriller starring Power, written and directed by Power’s son, Jackson Power. The younger Power is a recent graduate of AFI whose thesis film has been racking up accolades on the festival circuit this year. Also joining the cast is Stella Rivers, who starred opposite Cole Power in 2006’s box office hit Faster. The two were married from 2006–2007. Power Pictures is independently financing the venture, and Taylor Wasserman (formerly of Woodland Studios) has been brought on to produce.

The Siren follows a photographer (Power) married to a model (Rivers), living an idyllic life in the islands until they hire a beautiful young nanny to look after their baby. The nanny replaces the wife as the photographer’s muse, sparking a war between the women that eventually brings them all down.

The film is slated for production over six weeks beginning in June, on the southern Caribbean island of Saint Genesius, west of Saint Vincent and the Grenadines, where Cole Power owns the exclusive Genesius Resort, made famous as the on-screen resort owned by Power’s character in the Gentleman Gangster series. Power purchased the resort and the neighboring film stage last year after wrapping the fifth installment of the wildly successful Gentleman Gangster series, shot partially on the island.

PART I:The Calm before the Storm

Not So Long Ago on an Island Not So Far Away…

Taylor

Sunday, June 16

She was perched on a rock like a siren the first time I saw her, face upturned to the sun, copper skin wet with sea spray. Her toes dangled languidly into the mottled azure water while palm fronds fluttered overhead, casting pom-pom shadows on the powdered sugar sand.

I wondered who she was, how she’d gotten in. I’d personally vetted every member of our cast and crew, and she wasn’t one of them. Even from fifty yards away I could see she was a stunner, with curves in all the right places and an angelic face framed by jaw-skimming brunette waves and a heavy fringe of bangs. No, this girl wasn’t one of ours. Perhaps she was an employee. A desk clerk or maid, tanning on her lunch break. We’d reserved the entire resort and it was gated, secured by uniformed guards with giant guns slung casually over their shoulders as they ate brown-bag lunches in the shade, so she had to belong.

The beach was so shockingly vibrant it bordered on lurid. A postcard-perfect crescent of bleached pink sand swaddled the ultramarine sea, rimmed by an assortment of palms and trees with waxy green leaves that concealed pathways to the pool, spa, and restaurant. Ripples tickled the shore of the tranquil bay, which, according to the island guide in my glorious over-water bungalow, was protected from the surf by coral reefs just beyond the outcropping of rocks where the girl lounged. All up and down the shore, our crew frolicked in the sultry Caribbean sun, tossing Frisbees and floating on their backs in the crystal-clear bay as if they were in a Corona beer commercial.

This was the sort of island paradise featured on office screen savers, where rich people came to decompress in seclusion and honeymooners could enjoy the ocean without ever leaving the privacy of their luxurious accommodations. Nature was king, the rhythm of the day was determined by the weather, and no one was in a hurry.

I would’ve been bored to tears if I weren’t producing a movie.

What can I say? For better or worse, I’d never known what to do with myself in the absence of a mission. Everyone talked about the importance of meditation or yoga to relieve stress, but