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drawn out delights of going through the original serial none will ever taste again.

The compilations from the old poets by Sarada Mitter and Akshay Sarkar were also of great interest to me. Our elders were subscribers, but not very regular readers, of these series, so that it was not difficult for me to get at them. Vidyapati’s quaint and corrupt Maithili language attracted me all the more because of its unintelligibility. I tried to make out his sense without the help of the compiler’s notes, jotting down in my own note book all the more obscure words with their context as many times as they occurred. I also noted grammatical peculiarities according to my lights.

XVII My Home Environment

One great advantage which I enjoyed in my younger days was the literary and artistic atmosphere which pervaded our house. I remember how, when I was quite a child, I would be leaning against the verandah railings which overlooked the detached building comprising the reception rooms. These rooms would be lighted up every evening. Splendid carriages would draw up under the portico, and visitors would be constantly coming and going. What was happening I could not very well make out, but would keep staring at the rows of lighted casements from my place in the darkness. The intervening space was not great but the gulf between my infant world and these lights was immense.

My elder cousin Ganendra had just got a drama written by Pandit Tarkaratna and was having it staged in the house. His enthusiasm for literature and the fine arts knew no bounds. He was the centre of the group who seem to have been almost consciously striving to bring about from every side the renaissance which we see today. A pronounced nationalism in dress, literature, music, art and the drama had awakened in and around him. He was a keen student of the history of different countries and had begun but could not complete a historical work in Bengali. He had translated and published the Sanskrit drama, Vikramorvasi, and many a well-known hymn is his composition. He may be said to have given us the lead in writing patriotic poems and songs. This was in the days when the Hindu Mela was an annual institution and there his song “Ashamed Am I to Sing of India’s Glories” used to be sung.

I was still a child when my cousin Ganendra died in the prime of his youth, but for those who have once beheld him it is impossible to forget his handsome, tall and stately figure. He had an irresistible social influence. He could draw men round him and keep them bound to him; while his powerful attraction was there, disruption was out of the question. He was one of those⁠—a type peculiar to our country⁠—who, by their personal magnetism, easily establish themselves in the centre of their family or village. In any other country, where large political, social or commercial groups are being formed, such would as naturally become national leaders. The power of organising a large number of men into a corporate group depends on a special kind of genius. Such genius in our country runs to waste, a waste, as pitiful, it seems to me, as that of pulling down a star from the firmament for use as a lucifer match.

I remember still better his younger brother, my cousin Gunendra.32 He likewise kept the house filled with his personality. His large, gracious heart embraced alike relatives, friends, guests and dependants. Whether in his broad south verandah, or on the lawn by the fountain, or at the tank-edge on the fishing platform, he presided over self-invited gatherings, like hospitality incarnate. His wide appreciation of art and talent kept him constantly radiant with enthusiasm. New ideas of festivity or frolic, theatricals or other entertainments, found in him a ready patron, and with his help would flourish and find fruition.

We were too young then to take any part in these doings, but the waves of merriment and life to which they gave rise came and beat at the doors of our curiosity. I remember how a burlesque composed by my eldest brother was once being rehearsed in my cousin’s big drawing room. From our place against the verandah railings of our house we could hear, through the open windows opposite, roars of laughter mixed with the strains of a comic song, and would also occasionally catch glimpses of Akshay Mazumdar’s extraordinary antics. We could not gather exactly what the song was about, but lived in hopes of being able to find that out sometime.

I recall how a trifling circumstance earned for me the special regard of cousin Gunendra. Never had I got a prize at school except once for good conduct. Of the three of us my nephew Satya was the best at his lessons. He once did well at some examination and was awarded a prize. As we came home I jumped off the carriage to give the great news to my cousin who was in the garden. “Satya has got a prize,” I shouted as I ran to him. He drew me to his knees with a smile. “And have you not got a prize?” he asked. “No,” said I, “not I, it’s Satya.” My genuine pleasure at Satya’s success seemed to touch my cousin particularly. He turned to his friends and remarked on it as a very creditable trait. I well remember how mystified I felt at this, for I had not thought of my feeling in that light. This prize that I got for not getting a prize did not do me good. There is no harm in making gifts to children, but they should not be rewards. It is not healthy for youngsters to be made self-conscious.

After the midday meal cousin Gunendra would attend the estate offices in our part of the house. The office room of our elders was a sort of club

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