My Reminiscences Rabindranath Tagore (book series for 12 year olds TXT) 📖

where laughter and conversation were freely mixed with matters of business. My cousin would recline on a couch, and I would seize some opportunity of edging up to him.

He usually told me stories from Indian history. I still remember the surprise with which I heard how Clive, after establishing British rule in India, went back home and cut his own throat. On the one hand new history being made, on the other a tragic chapter hidden away in the mysterious darkness of a human heart. How could there be such dismal failure within and such brilliant success outside? This weighed heavily on my mind the whole day.

Some days cousin Gunendra would not be allowed to remain in any doubt as to the contents of my pocket. At the least encouragement out would come my manuscript book, unabashed. I need hardly state that my cousin was not a severe critic; in point of fact the opinions he expressed would have done splendidly as advertisements. None the less, when in any of my poetry my childishness became too obtrusive, he could not restrain his hearty “Ha! Ha!”

One day it was a poem on “Mother India” and as at the end of one line the only rhyme I could think of meant a cart, I had to drag in that cart in spite of there not being the vestige of a road by which it could reasonably arrive⁠—the insistent claims of rhyme would not hear of any excuses mere reason had to offer. The storm of laughter with which cousin Gunendra greeted it blew away the cart back over the same impossible path it had come by, and it has not been heard of since.

My eldest brother was then busy with his masterpiece “The Dream Journey,” his cushion seat placed in the south verandah, a low desk before him. Cousin Gunendra would come and sit there for a time every morning. His immense capacity for enjoyment, like the breezes of spring, helped poetry to sprout. My eldest brother would go on alternately writing and reading out what he had written, his boisterous mirth at his own conceits making the verandah tremble. My brother wrote a great deal more than he finally used in his finished work, so fertile was his poetic inspiration. Like the superabounding mango flowerets which carpet the shade of the mango topes in spring time, the rejected pages of his “Dream Journey” were to be found scattered all over the house. Had anyone preserved them they would have been today a basketful of flowers adorning our Bengali literature.

Eavesdropping at doors and peeping round corners, we used to get our full share of this feast of poetry, so plentiful was it, with so much to spare. My eldest brother was then at the height of his wonderful powers; and from his pen surged, in untiring wave after wave, a tidal flood of poetic fancy, rhyme and expression, filling and overflowing its banks with an exuberantly joyful paean of triumph. Did we quite understand “The Dream Journey”? But then did we need absolutely to understand in order to enjoy it? We might not have got at the wealth in the ocean depths⁠—what could we have done with it if we had?⁠—but we revelled in the delights of the waves on the shore; and how gaily, at their buffettings, did our lifeblood course through every vein and artery!

The more I think of that period the more I realise that we have no longer the thing called a mujlis.33 In our boyhood we beheld the dying rays of that intimate sociability which was characteristic of the last generation. Neighbourly feelings were then so strong that the mujlis was a necessity, and those who could contribute to its amenities were in great request. People nowadays call on each other on business, or as a matter of social duty, but not to foregather by way of mujlis. They have not the time, nor are there the same intimate relations! What goings and comings we used to see, how merry were the rooms and verandahs with the hum of conversation and the snatches of laughter! The faculty our predecessors had of becoming the centre of groups and gatherings, of starting and keeping up animated and amusing gossip, has vanished. Men still come and go, but those same verandahs and rooms seem empty and deserted.

In those days everything from furniture to festivity was designed to be enjoyed by the many, so that whatever of pomp or magnificence there might have been did not savour of hauteur. These appendages have since increased in quantity, but they have become unfeeling, and know not the art of making high and low alike feel at home. The bare-bodied, the indigently clad, no longer have the right to use and occupy them, without a permit, on the strength of their smiling faces alone. Those whom we nowadays seek to imitate in our house-building and furnishing, they have their own society, with its wide hospitality. The mischief with us is that we have lost what we had, but have not the means of building up afresh on the European standard, with the result that our home-life has become joyless. We still meet for business or political purposes, but never for the pleasure of simply meeting one another. We have ceased to contrive opportunities to bring men together simply because we love our fellow-men. I can imagine nothing more ugly than this social miserliness; and, when I look back on those whose ringing laughter, coming straight from their hearts, used to lighten for us the burden of household cares, they seem to have been visitors from some other world.

XIX Literary Companions

There came to me in my boyhood a friend whose help in my literary progress was invaluable. Akshay Chowdhury was a schoolfellow of my fourth brother. He was an M.A. in English Literature for which his love was as great as