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traces of the high respect it had been kept in in the village community. Manual labour in a “mystery” was considered as a pious duty towards the citizens: a public function (Amt), as honourable as any other. An idea of “justice” to the community, of “right” towards both producer and consumer, which would seem so extravagant now, penetrated production and exchange. The tanner’s, the cooper’s, or the shoemaker’s work must be “just,” fair, they wrote in those times. Wood, leather or thread which are used by the artisan must be “right”; bread must be baked “in justice,” and so on. Transport this language into our present life, and it would seem affected and unnatural; but it was natural and unaffected then, because the medieval artisan did not produce for an unknown buyer, or to throw his goods into an unknown market. He produced for his guild first; for a brotherhood of men who knew each other, knew the technics of the craft, and, in naming the price of each product, could appreciate the skill displayed in its fabrication or the labour bestowed upon it. Then the guild, not the separate producer, offered the goods for sale in the community, and this last, in its turn, offered to the brotherhood of allied communities those goods which were exported, and assumed responsibility for their quality. With such an organization, it was the ambition of each craft not to offer goods of inferior quality, and technical defects or adulterations became a matter concerning the whole community, because, an ordinance says, “they would destroy public confidence.”214 Production being thus a social duty, placed under the control of the whole amitas, manual labour could not fall into the degraded condition which it occupies now, so long as the free city was living.

A difference between master and apprentice, or between master and worker (compayne, Geselle), existed but in the medieval cities from their very beginnings; this was at the outset a mere difference of age and skill, not of wealth and power. After a seven years’ apprenticeship, and after having proved his knowledge and capacities by a work of art, the apprentice became a master himself. And only much later, in the sixteenth century, after the royal power had destroyed the city and the craft organization, was it possible to become master in virtue of simple inheritance or wealth. But this was also the time of a general decay in medieval industries and art.

There was not much room for hired work in the early flourishing periods of the medieval cities, still less for individual hirelings. The work of the weavers, the archers, the smiths, the bakers, and so on, was performed for the craft and the city; and when craftsmen were hired in the building trades, they worked as temporary corporations (as they still do in the Russian artéls), whose work was paid en bloc. Work for a master began to multiply only later on; but even in this case the worker was paid better than he is paid now, even in this country, and very much better than he used to be paid all over Europe in the first half of this century. Thorold Rogers has familiarized English readers with this idea; but the same is true for the Continent as well, as is shown by the researches of Falke and Schönberg, and by many occasional indications. Even in the fifteenth century a mason, a carpenter, or a smith worker would be paid at Amiens four sols a day, which corresponded to forty-eight pounds of bread, or to the eighth part of a small ox (bouvard). In Saxony, the salary of the Geselle in the building trade was such that, to put it in Falke’s words, he could buy with his six days’ wages three sheep and one pair of shoes.215 The donations of workers (Geselle) to cathedrals also bear testimony of their relative well-being, to say nothing of the glorious donations of certain craft guilds nor of what they used to spend in festivities and pageants.216 In fact, the more we learn about the medieval city, the more we are convinced that at no time has labour enjoyed such conditions of prosperity and such respect as when city life stood at its highest.

More than that; not only many aspirations of our modern radicals were already realized in the middle ages, but much of what is described now as Utopian was accepted then as a matter of fact. We are laughed at when we say that work must be pleasant, but⁠—“everyone must be pleased with his work,” a medieval Kuttenberg ordinance says, “and no one shall, while doing nothing (mit nichts thun), appropriate for himself what others have produced by application and work, because laws must be a shield for application and work.”217 And amidst all present talk about an eight hours’ day, it may be well to remember an ordinance of Ferdinand I relative to the Imperial coal mines, which settled the miner’s day at eight hours, “as it used to be of old” (wie vor Alters herkommen), and work on Saturday afternoon was prohibited. Longer hours were very rare, we are told by Janssen, while shorter hours were of common occurrence. In this country, in the fifteenth century, Rogers says, “the workmen worked only forty-eight hours a week.”218 The Saturday half-holiday, too, which we consider as a modern conquest, was in reality an old medieval institution; it was bathing-time for a great part of the community, while Wednesday afternoon was bathing-time for the Geselle.219 And although school meals did not exist⁠—probably because no children went hungry to school⁠—a distribution of bath-money to the children whose parents found difficulty in providing it was habitual in several places. As to Labour Congresses, they also

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