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his new book to a man like Tesman, whom he despises. But though Tesman is a ninny, he is, as Hedda says, a "specialist"--he is a competent, plodding student of his subject. Lovborg may quite naturally wish to see how his new method, or his excursion into a new field, strikes the average scholar of the Tesman type. He is, in fact, "trying it on the dog"--neither an unreasonable nor an unusual proceeding. There is, no doubt, a certain improbability in the way in which Lovborg is represented as carrying his manuscript around, and especially in Mrs. Elvsted's production of his rough draft from her pocket; but these are mechanical trifles, on which only a niggling criticism would dream of laying stress.
Of all Ibsen's works, Hedda Gabler is the most detached, the most objective--a character-study pure and simple. It is impossible--or so it seems to me--to extract any sort of general idea from it. One cannot even call it a satire, unless one is prepared to apply that term to the record of a "case" i
* The less a man can be physically forced, and the more he can be morally forced (by the mere idea of duty), so much the freer he is. The man, for example, who is of sufficiently firm resolution and strong mind not to give up an enjoyment which he has resolved on, however much loss is shown as resulting therefrom, and who yet desists from his purpose unhesitatingly, though very reluctantly, when he finds that it would cause him to neglect an official duty or a sick father; this man proves his freedom in the highest degree by this very thing, that he cannot resist the voice of duty.
II. Exposition of the Notion of an End which is also a Duty
We can conceive the relation of end to duty in two ways; either starting from the end to find the maxim of the dutiful actions; or conversely, setting out from this to find the end which is also duty. jurisprudence proceeds in the former way. It is left to everyone's free elective will what end he will choose for his action. But its maxim is determi
w on the water as well as on the land, and then boldly put to sea to meet the Carthaginians.
There was one part of the arrangements made by the Romans in preparing their fleets which was strikingly characteristic of the determined resolution which marked all their conduct. They constructed machines containing grappling irons, which they mounted on the prows of their vessels. These engines were so contrived, that the moment one of the ships containing them should encounter a vessel of the enemy, the grappling irons would fall upon the deck of the latter, and hold the two firmly together, so as to prevent the possibility of either escaping from the other. The idea that they themselves should have any wish to withdraw from the encounter seemed entirely out of the question. Their only fear was that the Carthaginian seamen would employ their superior skill and experience in naval maneuvers in making their escape. Mankind have always regarded the action of the Romans, in this case, as one of the most strikin
ensor and You.
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Craphound =========
Craphound had wicked yard-sale karma, for a rotten, filthy alien bastard. He was too good at panning out the single grain of gold in a raging river of uselessness for me not to like him -- respect him, anyway. But then he found the cowboy trunk. It was two months' rent to me and nothing but some squirrelly alien kitsch-fetish to Craphound.
So I did the unthinkable. I violated the Code. I got into a bidding war with a buddy. Never let them tell you that women poison friendships: in my experience, wounds from women-fights heal quickly; fights over garbage leave nothing behind but scorched earth.
Craphound spotted the sign -- his karma, plus the goggles in his exoskeleton, gave him the advantage when we were doing 80 kmh on some stretch of back-highway in cottage country. He was riding shotgun while I drove, and we had the radio on to the CBC's summer-Saturday programming: eight weekends with eight hours of old radio dramas: "The Shadow,"
naudibly to himself, lifting the page a little at a time and sliding one of the transparent plastic sheets under it, working with minute delicacy. Not the delicacy of the Japanese girl's small hands, moving like the paws of a cat washing her face, but like a steam-hammer cracking a peanut. Field archaeology requires a certain delicacy of touch, too, but Martha watched the pair of them with envious admiration. Then she turned back to her own work, finishing the table of contents.
The next page was the beginning of the first article listed; many of the words were unfamiliar. She had the impression that this must be some kind of scientific or technical journal; that could be because such publications made up the bulk of her own periodical reading. She doubted if it were fiction; the paragraphs had a solid, factual look.
At length, Ivan Fitzgerald gave a short, explosive grunt.
"Ha! Got it!"
She looked up. He had detached the page and was cementing another plastic sheet onto it.
-Chancroids.
XXVI. THE CURABILITY OF VENEREAL DISEASE 174
Gonorrhea May Be Practically Cured in Every Case in Man--Extensive Gonorrheal Infection in Woman Difficult to Cure--Positive Cure in Syphilis Impossible to Guarantee.
XXVII. VENEREAL PROPHYLAXIS 177
Necessity for Douching Before and After Suspicious Intercourse--Formulæ for Douches--Precautions Against Non-venereal Sources of Infection--Syphilis Transmitted by Dentist's Instruments--Manicurists and Syphilis--Promiscuous Kissing a Source of Syphilitic Infection.
XXIII. ALCOHOL, SEX AND VENEREAL DISEASE 181
Alcoholic Indulgence and Venereal Disease--A Champagne Dinner and Syphilis--Percentage of Cases of Venereal Infection Due to Alcohol--Artificial Stimulation of Sex Instinct in Man and in Woman--Reckless Sexual Indulgence Due to Alcohol--Alcohol as an Aid to Seduction.
XXIX. MARRIAGE AND GONORRHEA 187
Decision of Physician Regarding Marriage of Patients Infected with Gonorrhea or Syphilis--A
esthesia.
Two years ago, an historic appreciation of the discovery of etherwas presented here by Professor Welch, and last year an addresson medical research was given by President Eliot. I, therefore,will not attempt a general address, but will invite yourattention to an experimental and clinical study. In presentingthe summaries of the large amount of data in these researches,I acknowledge with gratitude the great assistance rendered bymy associates, Dr. D. H. Dolley, Dr. H. G. Sloan, Dr. J. B. Austin,and Dr. M. L. Menten.
The scope of this paper may be explained by a concrete example.When a barefoot boy steps on a sharp stone there is an immediate dischargeof nervous energy in his effort to escape from the wounding stone.This is not a voluntary act. It is not due to his own personal experience--his ontogeny--but is due to the experience of his progenitorsduring the vast perio
THE COMIC IN GENERAL--THE COMIC ELEMENT IN FORMS AND MOVEMENTS--EXPANSIVE FORCE OF THE COMIC.
What does laughter mean? What is the basal element in the laughable?What common ground can we find between the grimace of a merry-andrew, a play upon words, an equivocal situation in a burlesque anda scene of high comedy? What method of distillation will yield usinvariably the same essence from which so many different productsborrow either their obtrusive odour or their delicate perfume? Thegreatest of thinkers, from Aristotle downwards, have
"Well, to make a long story short, I used to find the little man in his place every morning, always with his black bag, and for nigh unto four months never a day passed without his having his three hours' drive and paying his fare like a man at the end of it. I shifted into new quarters on the strength of it, and was able to buy a new set of harness. I don't say as I altogether swallowed the story of the doctors having recommended him on a hot day to go about in a growler with both windows up. However, it's a bad thing in this world to be too knowing, so though I own I felt a bit curious at it never put myself out o' the way to find out what the little game was. One day, I was driving up to my usual place of dropping him--for by this time we had got into the way of going a regular beat every morning--when I saw a policeman waiting, a perky sort of look about him, as if he had some job on hand. When the cab stopped out jumped the little man with his bag right into the arms of the 'bobby.'
"'I arrest you, John Malone,' says the policeman.
"'On what charge?' he answers as cool as a turnip.
"'On the charge of forging Bank of
cy over these wolves?" asked Cormac bluntly.
Skol laughed and drank once more.
"I have something each wishes. They hate each other; I play them against one another. I hold the key to the plot. They do not trust each other enough to move against me. I am Skol Abdhur! Men are puppets to dance on my strings. And women"--a vagrant and curious glint stole into his eyes--"women are food for the gods," he said strangely.
"Many men serve me," said Skol Abdhur, "emirs and generals and chiefs, as you saw. How came they here to Bab-el-Shaitan where the world ends? Ambition--intrigues--women--jealousy--hatred--now they serve the Butcher. And what brought you here, my brother? That you are an outlaw I know--that your life is forfeit to your people because you slew a certain emir of the Franks, one Count Conrad von Gonler. But only when hope is dead do men ride to Bab-el-Shaitan. There are cycles within cycles, outlaws beyond the pale of outlawry, and Bab-el-Shaitan is the end of the world."
"We