The Super Man and the Bugout by Cory Doctorow (korean novels in english .TXT) 📖

Copyright (C) 2001 Cory Doctorow

The Super Man and the Bugout

Cory Doctorow

From "A Place So Foreign and Eight More," a short story collection published in
September, 2003 by Four Walls Eight Windows Press (ISBN 1568582862). See
http://craphound.com/place for more.

Originally published in On Spec, Fall 2001


"It is certainly worth noting that the story in this issue which flagrantly
violates the length limit, Cory Doctorow's 'The Super Man and the Bugout,' at
close to 10,000 words, is also by far the best story... The story is both very
funny, and a portrayal of a quite believable non-human human being."

- Rich Horton,
Tangent Online
http://www.tangentonline.com/reviews/magazine.php3?review=463

--


Blurbs and quotes:

* Cory Doctorow straps on his miner's helmet and takes you deep into the
caverns and underground rivers of Pop Culture, here filtered through SF-coloured
glasses. Enjoy.

- Neil Gaiman
Author of American Gods and Sandman


* Few writers boggle my sense of reality as much as Cory Doctorow. His vision
is so far out there, you'll need your GPS to find your way back.

- David Marusek
Winner of the Theodore Sturgeon Award, Nebula Award nominee

* Cory Doctorow is one of our best new writers: smart, daring, savvy,
entertaining, ambitious, plugged-in, and as good a guide to the wired world of
the twenty-first century that stretches out before us as you're going to find.

- Gardner Dozois
Editor, Asimov's SF

* He sparkles! He fizzes! He does backflips and breaks the furniture! Science
fiction needs Cory Doctorow!

- Bruce Sterling
Author of The Hacker Crackdown and Distraction

* Cory Doctorow strafes the senses with a geekspeedfreak explosion of gomi kings
with heart, weirdass shapeshifters from Pleasure Island and jumping automotive
jazz joints. If this is Canadian science fiction, give me more.

- Nalo Hopkinson
Author of Midnight Robber and Brown Girl in the Ring

* Cory Doctorow is the future of science fiction. An nth-generation hybrid of
the best of Greg Bear, Rudy Rucker, Bruce Sterling and Groucho Marx, Doctorow
composes stories that are as BPM-stuffed as techno music, as idea-rich as the
latest issue of NEW SCIENTIST, and as funny as humanity's efforts to improve
itself. Utopian, insightful, somehow simultaneously ironic and heartfelt, these
nine tales will upgrade your basal metabolism, overwrite your cortex with new
and efficient subroutines and generally improve your life to the point where
you'll wonder how you ever got along with them. Really, you should need a
prescription to ingest this book. Out of all the glittering crap life and our
society hands us, craphound supreme Doctorow has managed to fashion some
industrial-grade art."

- Paul Di Filippo
Author of The Steampunk Trilogy

* As scary as the future, and twice as funny. In this eclectic and electric
collection Doctorow strikes sparks off today to illuminate tomorrow, which is
what SF is supposed to do. And nobody does it better.

- Terry Bisson
Author of Bears Discover Fire

--


A note about this story

This story is from my collection, "A Place So Foreign and Eight More," published
by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've
released this story, along with five others, under the terms of a Creative
Commons license that gives you, the reader, a bunch of rights that copyright
normally reserves for me, the creator.

I recently did the same thing with the entire text of my novel, "Down and Out in
the Magic Kingdom" (http://craphound.com/down), and it was an unmitigated
success. Hundreds of thousands of people downloaded the book -- good news -- and
thousands of people bought the book -- also good news. It turns out that, as
near as anyone can tell, distributing free electronic versions of books is a
great way to sell more of the paper editions, while simultaneously getting the
book into the hands of readers who would otherwise not be exposed to my work.

I still don't know how it is artists will earn a living in the age of the
Internet, but I remain convinced that the way to find out is to do basic
science: that is, to do stuff and observe the outcome. That's what I'm doing
here. The thing to remember is that the very *worst* thing you can do to me as
an artist is to not read my work -- to let it languish in obscurity and
disappear from posterity. Most of the fiction I grew up on is out-of-print, and
this is doubly true for the short stories. Losing a couple bucks to people who
would have bought the book save for the availability of the free electronic text
is no big deal, at least when compared to the horror that is being irrelevant
and unread. And luckily for me, it appears that giving away the text for free
gets me more paying customers than it loses me.

You can find the canonical version of this file at
http://craphound.com/place/download.php

If you'd like to convert this file to some other format and distribute it, you
have my permission, provided that:

* You don't charge money for the distribution

* You keep the entire text intact, including this notice, the license below, and
the metadata at the end of the file

* You don't use a file-format that has "DRM" or "copy-protection" or any other
form of use-restriction turned on

If you'd like, you can advertise the existence of your edition by posting a link
to it at http://craphound.com/place/000017.php

--


Here's a summary of the license:

http://creativecommons.org/licenses/by-nd-nc/1.0

Attribution. The licensor permits others to copy, distribute, display, and
perform the work. In return, licensees must give the original author credit.

No Derivative Works. The licensor permits others to copy, distribute, display
and perform only unaltered copies of the work -- not derivative works based on
it.

Noncommercial. The licensor permits others to copy, distribute, display, and
perform the work. In return, licensees may not use the work for commercial
purposes -- unless they get the licensor's permission.

And here's the license itself:

http://creativecommons.org/licenses/by-nd-nc/1.0-legalcode

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE COMMONS
PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY COPYRIGHT AND/OR
OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS AUTHORIZED UNDER THIS
LICENSE IS PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO BE
BOUND BY THE TERMS OF THIS LICENSE. THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED
HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND CONDITIONS.

1. Definitions

a. "Collective Work" means a work, such as a periodical issue, anthology or
encyclopedia, in which the Work in its entirety in unmodified form, along with a
number of other contributions, constituting separate and independent works in
themselves, are assembled into a collective whole. A work that constitutes a
Collective Work will not be considered a Derivative Work (as defined below) for
the purposes of this License.

b. "Derivative Work" means a work based upon the Work or upon the Work and other
pre-existing works, such as a translation, musical arrangement, dramatization,
fictionalization, motion picture version, sound recording, art reproduction,
abridgment, condensation, or any other form in which the Work may be recast,
transformed, or adapted, except that a work that constitutes a Collective Work
will not be considered a Derivative Work for the purpose of this License.

c. "Licensor" means the individual or entity that offers the Work under the
terms of this License.

d. "Original Author" means the individual or entity who created the Work.

e. "Work" means the copyrightable work of authorship offered under the terms of
this License.

f. "You" means an individual or entity exercising rights under this License who
has not previously violated the terms of this License with respect to the Work,
or who has received express permission from the Licensor to exercise rights
under this License despite a previous violation.

2. Fair Use Rights. Nothing in this license is intended to reduce, limit, or
restrict any rights arising from fair use, first sale or other limitations on
the exclusive rights of the copyright owner under copyright law or other
applicable laws.

3. License Grant. Subject to the terms and conditions of this License, Licensor
hereby grants You a worldwide, royalty-free, non-exclusive, perpetual (for the
duration of the applicable copyright) license to exercise the rights in the Work
as stated below:

a. to reproduce the Work, to incorporate the Work into one or more Collective
Works, and to reproduce the Work as incorporated in the Collective Works;

b. to distribute copies or phonorecords of, display publicly, perform publicly,
and perform publicly by means of a digital audio transmission the Work including
as incorporated in Collective Works;

The above rights may be exercised in all media and formats whether now known or
hereafter devised. The above rights include the right to make such modifications
as are technically necessary to exercise the rights in other media and formats.
All rights not expressly granted by Licensor are hereby reserved.

4. Restrictions. The license granted in Section 3 above is expressly made
subject to and limited by the following restrictions:

a. You may distribute, publicly display, publicly perform, or publicly digitally
perform the Work only under the terms of this License, and You must include a
copy of, or the Uniform Resource Identifier for, this License with every copy or
phonorecord of the Work You distribute, publicly display, publicly perform, or
publicly digitally perform. You may not offer or impose any terms on the Work
that alter or restrict the terms of this License or the recipients' exercise of
the rights granted hereunder. You may not sublicense the Work. You must keep
intact all notices that refer to this License and to the disclaimer of
warranties. You may not distribute, publicly display, publicly perform, or
publicly digitally perform the Work with any technological measures that control
access or use of the Work in a manner inconsistent with the terms of this
License Agreement. The above applies to the Work as incorporated in a Collective
Work, but this does not require the Collective Work apart from the Work itself
to be made subject to the terms of this License. If You create a Collective
Work, upon notice from any Licensor You must, to the extent practicable, remove
from the Collective Work any reference to such Licensor or the Original Author,
as requested.

b. You may not exercise any of the rights granted to You in Section 3 above in
any manner that is primarily intended for or directed toward commercial
advantage or private monetary compensation. The exchange of the Work for other
copyrighted works by means of digital file-sharing or otherwise shall not be
considered to be intended for or directed toward commercial advantage or private
monetary compensation, provided there is no payment of any monetary compensation
in connection with the exchange of copyrighted works.

c. If you distribute, publicly display, publicly perform, or publicly digitally
perform the Work or any Collective Works, You must keep intact all copyright
notices