Four-Day Planet by H. Beam Piper (read 50 shades of grey txt) 📖

Seal SF ace books A Division of Charter Communications Inc. A GROSSET & DUNLAP COMPANY 360 Park Avenue South New York, New York 10010

 

 

Copyright © 1961 by H. Beam Piper

Cover art by Michael Whelan DEDICATION For Betty and Vall, with
loving remembrance CONTENTS 1.   The Ship from Terra 1 2.   Reporter Working 16 3.   Bottom Level 29 4.   Main City Level 40 5.   Meeting Out of Order 51 6.   Elementary, My Dear Kivelson 63 7.   Aboard the Javelin 73 8.   Practice, 50-MM Gun 82 9.   Monster Killing 92 10.   Mayday, Mayday 100 11.   Darkness and Cold 110 12.   Castaways Working 119 13.   The Beacon Light 126 14.   The Rescue 132 15.   Vigilantes 140 16.   Civil War Postponed 153 17.   Tallow-Wax Fire 162 18.   The Treason of Bish Ware 173 19.   Masks Off 184 20.   Finale 202 Four-Day Planet

1 THE SHIP FROM TERRA

I went through the gateway, towing my equipment in a contragravity hamper over my head. As usual, I was wondering what it would take, short of a revolution, to get the city of Port Sandor as clean and tidy and well lighted as the spaceport area. I knew Dad's editorials and my sarcastic news stories wouldn't do it. We'd been trying long enough.

The two girls in bikinis in front of me pushed on, still gabbling about the fight one of them had had with her boy friend, and I closed up behind the half dozen monster-hunters in long trousers, ankle boots and short boat-jackets, with big knives on their belts. They must have all been from the same crew, because they weren't arguing about whose ship was fastest, had the toughest skipper, and made the most money. They were talking about the price of tallow-wax, and they seemed to have picked up a rumor that it was going to be cut another ten centisols a pound. I eavesdropped shamelessly, but it was the same rumor I'd picked up, myself, a little earlier.

"Hi, Walt," somebody behind me called out. "Looking for some news that's fit to print?"

I turned my head. It was a man of about thirty-five with curly brown hair and a wide grin. Adolf Lautier, the entertainment promoter. He and Dad each owned a share in the Port Sandor telecast station, and split their time between his music and drama-films and Dad's newscasts.

"All the news is fit to print, and if it's news the Times prints it," I told him. "Think you're going to get some good thrillers this time?"

He shrugged. I'd just asked that to make conversation; he never had any way of knowing what sort of films would come in. The ones the Peenemünde was bringing should be fairly new, because she was outbound from Terra. He'd go over what was aboard, and trade one for one for the old films he'd shown already.

"They tell me there's a real Old-Terran-style Western been showing on Völund that ought to be coming our way this time," he said. "It was filmed in South America, with real horses."

That would go over big here. Almost everybody thought horses were as extinct as dinosaurs. I've seen so-called Westerns with the cowboys riding Freyan oukry. I mentioned that, and then added:

"They'll think the old cattle towns like Dodge and Abilene were awful sissy places, though."

"I suppose they were, compared to Port Sandor," Lautier said. "Are you going aboard to interview the distinguished visitor?"

"Which one?" I asked. "Glenn Murell or Leo Belsher?"

Lautier called Leo Belsher something you won't find in the dictionary but which nobody needs to look up. The hunters, ahead of us, heard him and laughed. They couldn't possibly have agreed more. He was going to continue with the fascinating subject of Mr. Leo Belsher's ancestry and personal characteristics, and then bit it off short. I followed his eyes, and saw old Professor Hartzenbosch, the principal of the school, approaching.

"Ah, here you are, Mr. Lautier," he greeted. "I trust that I did not keep you waiting." Then he saw me. "Why, it's Walter Boyd. How is your father, Walter?"

I assured him as to Dad's health and inquired about his own, and then asked him how things were going at school. As well as could be expected, he told me, and I gathered that he kept his point of expectation safely low. Then he wanted to know if I were going aboard to interview Mr. Murell.

"Really, Walter, it is a wonderful thing that a famous author like Mr. Murell should come here to write a book about our planet," he told me, very seriously, and added, as an afterthought: "Have you any idea where he intends staying while he is among us?"

"Why, yes," I admitted. "After the Peenemünde radioed us their passenger list, Dad talked to him by screen, and invited him to stay with us. Mr. Murell accepted, at least until he can find quarters of his own."

There are a lot of good poker players in Port Sandor, but Professor Jan Hartzenbosch is not one of them. The look of disappointment would have been comical if it hadn't been so utterly pathetic. He'd been hoping to lasso Murell himself.

"I wonder if Mr. Murell could spare time to come to the school and speak to the students," he said, after a moment.

"I'm sure he could. I'll mention it to him, Professor," I promised.

Professor Hartzenbosch bridled at that. The great author ought to be coming to his school out of respect for him, not because a seventeen-year-old cub reporter sent him. But then, Professor Hartzenbosch always took the attitude that he was conferring a favor on the Times when he had anything he wanted publicity on.

The elevator door opened, and Lautier and the professor joined in the push to get into it. I hung back, deciding to wait for the next one so that I could get in first and get back to the rear, where my hamper wouldn't be in people's way. After a while, it came back empty and I got on, and when the crowd pushed off on the top level, I put my hamper back on contragravity and towed it out into the outdoor air, which by this time had gotten almost as cool as a bake-oven.

I looked up at the sky, where everybody else was looking. The Peenemünde wasn't visible; it was still a few thousand miles off-planet. Big ragged clouds were still blowing in from the west, very high, and the sunset was even brighter and redder than when I had seen it last, ten hours before. It was now about 1630.

Now, before anybody starts asking just who's crazy, let me point out that this is not on Terra, nor on Baldur nor Thor nor Odin nor Freya, nor any other rational planet. This is Fenris, and on Fenris the sunsets, like many other things, are somewhat peculiar.

Fenris is the second planet of a G4 star, six hundred and fifty light-years to the Galactic southwest of the Sol System. Everything else equal, it should have been pretty much Terra type; closer to a cooler primary and getting about the same amount of radiation. At least, that's what the book says. I was born on Fenris, and have never been off it in the seventeen years since.

Everything else, however, is not equal. The Fenris year is a trifle shorter than the Terran year we use for Atomic Era dating, eight thousand and a few odd Galactic Standard hours. In that time, Fenris makes almost exactly four axial rotations. This means that on one side the sun is continuously in the sky for a thousand hours, pouring down unceasing heat, while the other side is in shadow. You sleep eight hours, and when you get up and go outside—in an insulated vehicle, or an extreme-environment suit—you find that the shadows have moved only an inch or so, and it's that much hotter. Finally, the sun crawls down to the horizon and hangs there for a few days—periods of twenty-four G.S. hours—and then slides slowly out of sight. Then, for about a hundred hours, there is a beautiful unfading sunset, and it's really pleasant outdoors. Then it gets darker and colder until, just before sunrise, it gets almost cold enough to freeze CO2. Then the sun comes up, and we begin all over again.

You are picking up the impression, I trust, that as planets go, Fenris is nobody's bargain. It isn't a real hell-planet, and spacemen haven't made a swear word out of its name, as they have with the name of fluorine-atmosphere Nifflheim, but even the Reverend Hiram Zilker, the Orthodox-Monophysite preacher, admits that it's one of those planets the Creator must have gotten a trifle absent-minded with.

The chartered company that colonized it, back at the end of the Fourth Century a.e., went bankrupt in ten years, and it wouldn't have taken that long if communication between Terra and Fenris hadn't been a matter of six months each way. When the smash finally came, two hundred and fifty thousand colonists were left stranded. They lost everything they'd put into the company, which, for most of them, was all they had. Not a few lost their lives before the Federation Space Navy could get ships here to evacuate them.

But about a thousand, who were too poor to make a fresh start elsewhere and too tough for Fenris to kill, refused evacuation, took over all the equipment and installations the Fenris Company had abandoned, and tried to make a living out of the planet. At least, they stayed alive. There are now twenty-odd thousand of us, and while we are still very poor, we are very tough, and we brag about it.

There were about two thousand people—ten per cent of the planetary population—on the wide concrete promenade around the spaceport landing pit. I came out among them and set down the hamper with my telecast cameras and recorders, wishing, as usual, that I could find some ten or twelve-year-old kid weak-minded enough to want to be a reporter when he grew up, so that I could have an apprentice to help me with my junk.

As the star—and only—reporter of the greatest—and only—paper on the planet, I was always on hand when either of the two ships on the Terra-Odin milk run, the Peenemünde and the Cape Canaveral, landed. Of course, we always talk to them by screen as soon as they come out of hyperspace and into radio range, and get the passenger list, and a speed-recording of any news they are carrying, from the latest native uprising on Thor to the latest